Qatar Box Office for Ricki and the Flash (2015)
Theatrical Performance (US$) | ||
Qatar Box Office | $4,769 | Details |
Worldwide Box Office | $41,166,033 | Details |
Further financial details... |
Synopsis
Ricki is a guitar heroine who gave up everything for her dream of rock-and-roll stardom, but is now returning home to make things right with her family.
Metrics
Movie Details
Production Budget: | $18,000,000 |
Qatar Releases: | September 3rd, 2015 (Wide) |
Video Release: | November 24th, 2015 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for thematic material, brief drug content, sexuality and language. (Rating bulletin 2376, 6/3/2015) |
Running Time: | 100 minutes |
Keywords: | Dysfunctional Family, Singers, Musicians, Wedding Day, Music Industry, Interracial Romance, Romance, Family Affair, Relatives Playing Relatives, Comedy Drama |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Marc Platt Productions, Badwill Entertainment , LStar Capital |
Production Countries: | United States |
Languages: | English |
Home Market Releases for November 24th, 2015
November 24th, 2015
This weekend is Thanksgiving weekend, which means Black Friday and Cyber Monday. While the sales usually mean a massive increase in units sold, the sales also tend to scare away new releases. This is certainly the case here and this week's list is very short as a result. That's not to say there are no releases worth picking up. In fact, there are several Pick of the Week contenders, led by Shaun the Sheep on Buy from Amazon: Blu-ray Combo Pack. Meanwhile, for the second week in a row, we have a Puck of the Week, for best Canadian release, Guidance on DVD.
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Weekend Wrap-Up: Compton Makes the Competition Cry U.N.C.L.E.
August 18th, 2015
Straight Outta Compton destroyed expectations earning even more than the outlier prediction I saw. Sadly, our predictions for The Man From U.N.C.L.E. turned out to be too optimistic, but overall the box office was still very strong. In fact, it grew 12% from last week to $148 million. Growth like that almost never happens at this time of year. Compared to last year, the box office was also strong, albeit by a smaller 3.7% margin. That said, a win is a win and worth celebrating, especially after a couple of strong declines. Year-to-date, 2015 maintains a strong lead over 2014 at $7.09 billion to $6.73 billion. A 5.4% lead year-over-year is a great margin for this time of year and it would take a really serious collapse to put that lead at risk. I don't think that's going to happen. In fact, there are three potential $1 billion hits yet to open in theaters, which is actually better than it was last year. Add in the number of potential $100 million hits and the lead could grow through till the end of the year.
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Weekend Wrap-Up: Mission Still Fantastic, Four Flops
August 11th, 2015
Despite what conventional wisdom was predicting, Mission: Impossible - Rogue Nation remained in first place, as Fantastic Four missed even our low expectations. The Gift also did well, but the other two wide releases opened on the low end of expectations. Overall, the box office fell 8.3% from last weekend down to $132 million, so according to that number, it is safe to say summer is fading fast. Worse still, compared to last year, the box office was 29% lower, which is terrible and a clear sign that summer is already over. Granted, 2015 still has a solid lead over 2014, at $6.88 billion to $6.51 billion. A lead of 5.7% at this time of year is great and it would take an epic collapse for that to disappear anytime soon. I don't think 2015 will bounce back and start padding its lead any time soon, but I also don't think it will have 29% deficits week after week either.
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Weekend Estimates: Fantastic Four Falls Flat
August 9th, 2015
The Summer Season has come to an abrupt end this weekend, with Fantastic Four busting out with only $26.2 million, according to Fox’s Sunday morning estimate. That’s about half of what one would expect for a superhero movie in this budget range, even taking into account the fact that it’s the first in a potential franchise (see here for some comparisons), and a final box office total of less than $80 million seems in prospect, which is nothing short of a disaster: the film is likely not to even cover its marketing budget.
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Friday Estimates: Far From Fantastic
August 8th, 2015
I was significantly less optimistic than most box office analysts were when it came to the weekend predictions. While most predicted Fantastic Four would earn just over $40 million over the weekend, I assumed the film will struggle so much that it was just a matter of time before it was given back to Marvel Studios. Despite my pessimism, I appear to have been too optimistic.
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Weekend Predictions: How Long till Marvel Gets the Fantastic Four Back?
August 7th, 2015
There could be a close race on top of the box office chart with Fantastic Four trying to unseat Mission: Impossible - Rogue Nation as box office champion. This should be the number one story of the weekend; however, if I'm right and Fantastic Four does as poorly as I think it will, then the franchise will be in the hands of Marvel Studios by the end of the weekend. None of the other three wide releases are guaranteed to top $10 million over the weekend. In fact, it is very likely that one of them, Shaun of the Sheep, will miss the top five. This weekend last year was led by Teenage Mutant Ninja Turtles with $65.58 million. Guardians of the Galaxy was second with $42.12 million. I don't think any film opening this weekend will match Guardians of the Galaxy, while there's a chance all four combined won't match TMNT. 2015 is going to take a beating on the year-over-year comparison.
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2015 Preview: August
August 1st, 2015
It is still a little too soon to tell how July will finish, as we don't have any numbers for the final weekend at the time of writing. We know Minions was a monster hit and that Ant-man will be a financial success. However, until we see how Mission: Impossible - Rogue Nation does, it will be impossible to call the month a true success. If Rogue Nation bombed this weekend, then the month is only a partial success. It would also mean the summer of 2015 could be coming to an abrupt end. As for August, only Fantastic Four has a better than 50/50 chance of reaching $100 million; although some people think Straight Outta Compton also has a shot at that milestone. Besides those two, only a couple of other films even have a realistic shot at becoming midlevel hits. Worse still, last August was amazing with Guardians of the Galaxy breaking records. Teenage Mutant Ninja Turtles also did better than expected with a domestic haul of nearly $200 million. No release this August is going to match that figure. There's a good chance the top two releases combined won't do so. Fortunately, 2015 has a sizable lead over 2014, so even a soft month will keep 2015 ahead in the year-over-year comparison.
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Contest: KISS of an Angel
July 30th, 2015
August begins next weekend and there are four wide releases. However, only Fantastic Four has a real shot at earning first place. (Ricki and the Flash should become a midlevel hit, but the other two will likely barely make any noise at the box office.) Because of this, Fantastic Four is the only real choice target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Fantastic Four.
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/09/04 | 2 | $4,769 | 5 | $954 | $4,769 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/10/2015 | $165,570 | 70 | 70 | 134 | $320,538 | 10/20/2015 |
Australia | 8/27/2015 | $669,661 | 259 | 259 | 999 | $2,209,081 | 12/1/2015 |
Austria | 9/4/2015 | $76,538 | 58 | 61 | 230 | $197,817 | 10/27/2015 |
Bahrain | 9/3/2015 | $7,830 | 4 | 4 | 4 | $7,830 | 12/30/2018 |
Belgium | 9/9/2015 | $23,385 | 7 | 7 | 19 | $57,037 | 10/13/2015 |
Bolivia | 9/10/2015 | $6,752 | 12 | 12 | 16 | $10,159 | 12/30/2018 |
Brazil | 9/3/2015 | $232,282 | 147 | 147 | 350 | $553,986 | 10/20/2015 |
Central America | 9/3/2015 | $31,385 | 24 | 24 | 29 | $40,450 | 9/18/2015 |
Chile | 9/10/2015 | $0 | 0 | 5 | 7 | $20,910 | 12/30/2018 |
Colombia | 9/10/2015 | $14,244 | 21 | 21 | 25 | $20,804 | 12/30/2018 |
Croatia | 9/3/2015 | $17,044 | 30 | 31 | 84 | $45,769 | 12/30/2018 |
Czech Republic | 9/3/2015 | $47,177 | 54 | 54 | 233 | $194,351 | 12/30/2018 |
Denmark | 9/3/2015 | $33,140 | 41 | 41 | 90 | $80,363 | 9/22/2015 |
Ecuador | 9/11/2015 | $17,211 | 23 | 23 | 70 | $41,771 | 12/30/2018 |
Estonia | 9/11/2015 | $8,712 | 9 | 9 | 19 | $19,575 | 9/30/2015 |
Finland | 9/11/2015 | $20,213 | 40 | 40 | 70 | $58,964 | 10/6/2015 |
France | 9/2/2015 | $313,680 | 172 | 172 | 537 | $699,591 | 10/20/2015 |
Germany | 9/3/2015 | $418,606 | 296 | 312 | 1207 | $1,250,529 | 11/3/2015 |
Greece | 9/10/2015 | $59,749 | 56 | 56 | 98 | $124,444 | 10/6/2015 |
Hungary | 9/10/2015 | $28,703 | 0 | 44 | 103 | $90,185 | 12/30/2018 |
India | 8/28/2015 | $24,674 | 49 | 49 | 51 | $39,177 | 9/9/2015 |
Israel | 9/10/2015 | $90,334 | 27 | 27 | 62 | $164,404 | 12/30/2018 |
Italy | 9/11/2015 | $413,800 | 0 | 202 | 302 | $925,695 | 10/20/2015 |
Japan | 3/5/2016 | $21,373 | 9 | 20 | 87 | $276,427 | 6/8/2016 |
Kuwait | 9/3/2015 | $16,480 | 6 | 6 | 6 | $16,480 | 12/30/2018 |
Latvia | 9/4/2015 | $6,893 | 9 | 9 | 17 | $21,529 | 12/30/2018 |
Lebanon | 9/3/2015 | $11,422 | 7 | 7 | 11 | $24,064 | 12/30/2018 |
Lithuania | 9/11/2015 | $5,621 | 84 | 84 | 89 | $10,141 | 9/22/2015 |
Mexico | 9/10/2015 | $104,723 | 120 | 120 | 476 | $295,841 | 10/27/2015 |
Netherlands | 9/3/2015 | $44,974 | 36 | 38 | 148 | $177,412 | 10/27/2015 |
New Zealand | 8/27/2015 | $77,958 | 65 | 67 | 230 | $235,263 | 9/28/2015 |
North America | 8/7/2015 | $6,618,610 | 1,603 | 2,064 | 10,160 | $26,839,498 | 12/23/2016 |
Peru | 9/3/2015 | $19,917 | 13 | 13 | 19 | $36,702 | 12/30/2018 |
Philippines | 9/9/2015 | $18,287 | 12 | 12 | 15 | $23,704 | 12/30/2018 |
Poland | 9/11/2015 | $160,042 | 95 | 95 | 316 | $521,941 | 12/30/2018 |
Portugal | 9/3/2015 | $72,680 | 34 | 34 | 110 | $201,998 | 10/13/2015 |
Qatar | 9/3/2015 | $4,769 | 5 | 5 | 5 | $4,769 | 12/30/2018 |
Romania | 9/11/2015 | $59,364 | 52 | 52 | 124 | $59,364 | 12/30/2018 |
Russia (CIS) | 9/10/2015 | $0 | 0 | 345 | 360 | $154,212 | 11/19/2018 |
Slovakia | 9/10/2015 | $25,336 | 52 | 52 | 110 | $78,606 | 10/6/2015 |
South Africa | 9/4/2015 | $17,647 | 20 | 22 | 57 | $57,046 | 10/27/2015 |
South Korea | 9/3/2015 | $37,767 | 120 | 120 | 124 | $102,974 | 11/3/2015 |
Spain | 8/28/2015 | $553,748 | 265 | 295 | 1127 | $2,013,720 | 11/3/2015 |
Suriname | 9/3/2015 | $0 | 0 | 1 | 1 | $290 | 12/30/2018 |
Sweden | 9/11/2015 | $45,133 | 44 | 44 | 104 | $159,201 | 10/20/2015 |
Switzerland | 9/3/2015 | $0 | 0 | 5 | 5 | $322,694 | 10/13/2015 |
Turkey | 9/11/2015 | $25,843 | 45 | 45 | 76 | $64,567 | 12/30/2018 |
United Arab Emirates | 9/3/2015 | $48,229 | 17 | 17 | 18 | $63,728 | 12/30/2018 |
United Kingdom | 9/4/2015 | $334,344 | 357 | 357 | 668 | $799,493 | 11/3/2015 |
Uruguay | 9/3/2015 | $10,444 | 5 | 6 | 16 | $28,895 | 12/30/2018 |
Venezuela | 9/11/2015 | $151,020 | 36 | 36 | 56 | $403,151 | 10/6/2015 |
Rest of World | $998,893 | ||||||
Worldwide Total | $41,166,033 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Meryl Streep | Ricki |
Kevin Kline | Pete |
Mamie Gummer | Julie |
Rick Springfield | Greg |
Supporting Cast
Audra McDonald | Maureen |
Sebastian Stan | Josh |
Ben Platt | Daniel |
Charlotte Rae | Oma |
Hailey Gates | Emily |
Rick Rosas | Buster |
Joe Vitale | Joe |
Bernie Worrell | Billy |
Peter C. Demme | Walt |
Jim Roche | Provocative Dancer |
Alexa Klienbard | Provocative Dancer |
Keala Settle | Sharon |
Joe Toutebon | Whitey |
Big Jim Wheeler | Elvis Guy |
Brooklyn Demme | Salt Well Drinker |
Eamon O'Rourke | Salt Well Dancer |
Aaron Clifton Moten | Troy |
Adam Shulman | Total Foods Customer |
Chinasa Ogbuagu | TSA Employee |
Majora Carter | TSA Employee |
Gus Halper | Impatient Traveler |
Sister Carol | Waiting Woman |
Cherise Boothe | Community Security Guard |
Bill Irwin | Single Dad |
Ripley Sobo | Journey |
Lucy Owen | Restaurant Hostess |
Nick Westrate | Adam |
Josh Tobin | Waiter |
Carmen Carrera | Hair Stylist |
Li Jun Li | Nail Clerk |
Gabriel Ebert | Max |
Lisa Joyce | Nicole |
Jimmy Kieffer | Bartender |
Scott Ripley | Max's Friend |
Kelsey Didion | Max's Friend |
John Dreher | Max's Friend |
Suzanne Lenz | Max's Friend |
Scott Vicari | Max's Friend |
Desi Domo | Max's Friend |
Eliza Simpson | Selfie Girl |
Emily Cass McDonnell | Goodwill Sales Lady |
Cynthia Hopkins | Bodhi |
Em Grosland | Wedding Waitress |
Beau Sia | Desmond |
Jeff Biehl | Pete's Cousin Jeff |
Josh Elrod | Wedding Officiant |
Victoria Haynes | Snobby Guest |
Tubten Rabten | Harpist |
Anna Robertson | Mother of the Bride |
Tony Costa | Father of the Bride |
Chris Tierney | Julie's Escort |
Isabella Way | Bridesmaid |
Leah O'Donnell | Bridesmaid |
Erin Mullin | Bridesmaid |
Trevor Salter | Groomsman |
Mason Ames | Groomsman |
Katherine Crockett | Inquiring Woman |
Jos Demme | Microphone Handler |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jonathan Demme | Director |
Diablo Cody | Screenwriter |
Diablo Cody | Producer |
Mason Novick | Producer |
Marc Platt | Producer |
Gary Goetzman | Producer |
Lorene Scafaria | Executive Producer |
Ben Waisbren | Executive Producer |
Ron Bozman | Executive Producer |
Adam Siegel | Executive Producer |
Declan Quinn | Director of Photography |
Stuart Wurtzel | Production Designer |
Wyatt Smith | Editor |
Jenny Lewis | Song Writer |
Johnathan Rice | Song Writer |
Rocco Caruso | Co-Producer |
H.H. Cooper | Co-Producer |
Ann Roth | Costume Designer |
Bernard Telsey | Casting Director |
Tiffany Little Canfield | Casting Director |
Harvey Waldman | Unit Production Manager |
Ron Bozman | Unit Production Manager |
H.H. Cooper | First Assistant Director |
Jennifer Roberts | Second Assistant Director |
Suzana Peric | Music Editor |
Paul Urmson | Sound Editor |
Paul Urmson | Re-recording Mixer |
Patricia Woodbridge | Art Director |
George DeTitta* | Set Decorator |
Mary Bailey | Script Supervisor |
Donna Maloney | Costume Supervisor |
Patricia Regan | Make up |
Joseph A. Campayno | Make up |
Alan D'Angerio | Hairstylist |
Stanley Tines | Hairstylist |
Fred Buchholz | Special Effects Coordinator |
Conrad Woolfe | Additional Casting-Casting Associate |
Jac Rubenstein | Dialogue Editor |
Eran Dinur | Visual Effects Supervisor |
Glenn Allen | Visual Effects Producer |
Richard Friedlander | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.