South Korea Box Office for Return to Sender (2015)
| Theatrical Performance (US$) | ||
| South Korea Box Office | $28,605 | Details |
| Worldwide Box Office | $120,881 | Details |
| Home Market Performance | ||
| North America DVD Sales | $237,291 | Details |
| North America Blu-ray Sales | $60,317 | Details |
| Total North America Video Sales | $297,608 | |
| Further financial details... | ||
Synopsis
Miranda is a dedicated nurse, an exquisite cake maker and an impeccable friend. But when she agrees to a blind date and the wrong man comes to her door...her perfect world is shattered by a brutal assault. Even after her attacker, William, is convicted and locked away for the crime, Miranda can't overcome the fear and trauma enough to put her orderly life back together. Desperate for closure, she reaches out to William - first through letters, then prison visits - and slowly builds a relationship with him. But when William is paroled and comes looking for her, Miranda seizes the opportunity to exact revenge.
Metrics
Movie Details
| South Korea Releases: | March 11th, 2016 (Wide) |
| Video Release: | September 29th, 2015 by RLJ Image |
| MPAA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Keywords: | Nurse, Blind Date, Sex Crimes, PTSD, Life on the Outside, Revenge, Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Boo Productions, Voltage Pictures, WOC Pictures, HW Productions |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for September 29th, 2015
September 29th, 2015
It is another week loaded with TV on DVD releases, including iZombie: Season One, which is one of the best new TV shows from last season. However, while that release is a Pick of the Week contender, the actual honor goes to Spy (DVD or Blu-ray Combo Pack).
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Limited and VOD Releases: Final Releases
August 14th, 2015
It is both a very busy week with nearly a dozen releases on this week's list and a disappointing one. The slate of new releases is really weak, with only Mistress America having a decent shot at box office success. There are a couple of other releases that have the reviews to do well, but are playing on VOD. Of these, People Places Things is my choice for Video on Demand Pick of the Week, although I'm hoping Final Girl is better than its early reviews would indicate.
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Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Malaysia | 7/9/2015 | $0 | 0 | 2 | 2 | $30,432 | 8/27/2015 |
| North America | 8/14/2015 | $0 | 0 | 0 | 0 | $0 | |
| Singapore | 8/20/2015 | $34,723 | 16 | 16 | 31 | $61,844 | 9/18/2015 |
| South Korea | 3/11/2016 | $21,763 | 0 | 0 | 0 | $28,605 | 9/10/2018 |
| Worldwide Total | $120,881 | 9/10/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Rosamund Pike | Miranda Wells |
Supporting Cast
| Shiloh Fernandez | William Finn |
| Camryn Manheim | Nancy |
| Nick Nolte | Mitchell Wells |
| Illeana Douglas | Judy |
| Rumer Willis | Darlene |
| Alexi Wasser | April |
| Stephen Louis Grush | Randy |
| Donna Duplantier | Karen |
| Ian Barford | Gary Harland |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Fouad Mikati | Director |
| Patricia Beauchamp | Screenwriter |
| Joe Gossett | Screenwriter |
| Holly Wiersma | Producer |
| Candice Abela | Producer |
| Joe Gossett | Executive Producer |
| J.C. Khoury | Executive Producer |
| Logan Levy | Executive Producer |
| Freddy Waff | Production Designer |
| Pete Beaudreau | Editor |