New Zealand Box Office for Retribution (2023)
Theatrical Performance (US$) | ||
New Zealand Box Office | $100,776 | Details |
Worldwide Box Office | $13,564,201 | Details |
Further financial details... |
Synopsis
When a mysterious caller puts a bomb under his car seat, Matt Turner begins a high-speed chase across the city to complete a specific series of tasks. With his kids trapped in the back seat and a bomb that will explode if they get out of the car, a normal commute becomes a twisted game of life or death as Matt follows the stranger’s increasingly dangerous instructions in a race against time to save his family.
Metrics
Movie Details
New Zealand Releases: | August 24th, 2023 (Limited) |
Video Release: | September 15th, 2023 by Lionsgate Home Entertainment |
MPAA Rating: | R for some language and violence. (Rating bulletin 2796 (cert #54410), 8/16/2023) |
Running Time: | 90 minutes |
Keywords: | Action Thriller, Remake, Foreign-Language Remake |
Source: | Remake |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | StudioCanal, The Picture Company, Ombra Films, TFI Films, Studio Babelsberg, Canal Plus, Cine Plus, TMC, Lionsgate, Roadside Attractions |
Production Countries: | France, Germany, Spain, United States |
Languages: | English |
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August 25th, 2023
Gran Turismo looks likely to top the box office chart this weekend, but our predictions are complicated by the fact that we have four new wide releases, a wide re-release, and National Cinema Day on Sunday. In spite of all that, this will almost certainly be the first weekend to gross less than $100 million in total since the weekend of March 31.
More...
Retribution trailer
August 21st, 2023
Action thriller starring Liam Neeson opens in theaters this Friday, August 25 ... Full Movie Details.
When a mysterious caller puts a bomb under his car seat, Matt Turner begins a high-speed chase across the city to complete a specific series of tasks. With his kids trapped in the back seat and a bomb that will explode if they get out of the car, a normal commute becomes a twisted game of life or death as Matt follows the stranger’s increasingly dangerous instructions in a race against time to save his family.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2023/08/25 | 7 | $52,152 | 67 | $778 | $52,152 | 1 | |
2023/09/01 | 14 | $18,766 | -64% | 60 | $313 | $86,029 | 2 |
2023/09/08 | - | $4,239 | -77% | 35 | $121 | $98,172 | 3 |
2023/09/15 | - | $942 | -78% | 17 | $55 | $99,930 | 4 |
2023/09/22 | - | $239 | -75% | 12 | $20 | $100,776 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 9/21/2023 | $256,427 | 209 | 209 | 670 | $607,656 | 11/27/2023 |
Brazil | 8/24/2023 | $0 | 0 | 0 | 0 | $0 | |
China | 12/2/2023 | $35,722 | 0 | 0 | 0 | $64,923 | 1/22/2024 |
Croatia | 10/19/2023 | $24,588 | 28 | 28 | 122 | $86,459 | 12/1/2023 |
Czech Republic | 8/24/2023 | $24,878 | 79 | 79 | 117 | $44,959 | 9/6/2023 |
Finland | 10/6/2023 | $26,761 | 41 | 41 | 75 | $68,236 | 10/20/2023 |
France | 8/23/2023 | $0 | 0 | 0 | 0 | $0 | |
Germany | 9/14/2023 | $0 | 0 | 0 | 0 | $0 | |
Italy | 10/26/2023 | $174,738 | 0 | 0 | 0 | $427,252 | 11/13/2023 |
Japan | 12/1/2023 | $0 | 0 | 0 | 0 | $0 | |
Mexico | 8/31/2023 | $1,061,082 | 0 | 0 | 0 | $1,940,698 | 9/12/2023 |
Netherlands | 9/21/2023 | $289,635 | 83 | 84 | 511 | $1,323,374 | 11/20/2023 |
New Zealand | 8/24/2023 | $52,152 | 67 | 67 | 191 | $100,776 | 9/25/2023 |
North America | 8/25/2023 | $3,518,830 | 1,750 | 1,750 | 3,973 | $6,937,696 | |
Norway | 9/15/2023 | $0 | 0 | 0 | 0 | $0 | |
Portugal | 9/7/2023 | $103,675 | 51 | 51 | 146 | $263,547 | 10/10/2023 |
Romania | 8/25/2023 | $91,949 | 82 | 82 | 240 | $266,794 | 11/15/2023 |
Russia (CIS) | 8/24/2023 | $412,189 | 1300 | 1300 | 2839 | $904,482 | 9/13/2023 |
Slovakia | 8/24/2023 | $10,988 | 60 | 60 | 98 | $24,307 | 9/12/2023 |
South Korea | 1/24/2024 | $14,293 | 193 | 193 | 193 | $25,529 | 1/31/2024 |
Spain | 10/27/2023 | $141,690 | 208 | 208 | 461 | $346,587 | 11/16/2023 |
Turkey | 10/13/2023 | $24,508 | 136 | 136 | 194 | $49,424 | 11/8/2023 |
United Kingdom | 10/13/2023 | $0 | 0 | 43 | 43 | $81,149 | 11/6/2023 |
Worldwide Total | $13,564,201 | 1/31/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Liam Neeson | Matt Turner |
Supporting Cast
Noma Dumezweni | Angela Brickmann |
Lilly Aspell | Emily Turner |
Jack Champion | Zach Turner |
Embeth Davidtz | Heather Turner |
Matthew Modine | Anders Muller |
Arian Moayed | Sylvain |
Emily Kusche | Mila |
Luca Markus | Kat |
Bernhard Piesk | Captain Dregger |
Michael S. Ruscheinsky | Man in the Blue Suit |
Antonije Stankovic | Young Protestor |
Christian Koerner | BPol Police Officer |
Gerhard Elfers | Male News Anchor |
Tina Gerhausser | Female News Anchor |
Peter Miklusz | Press Conference Reporter |
Luc Etienne | Pils Groger |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Nimrod Antal | Director |
Christopher Salmanpour | Screenwriter |
Alberto Marini | Screenwriter |
Andrew Rona | Producer |
Alex Heineman | Producer |
Jaume Collet-Serra | Producer |
Juan Sola | Producer |
Emma Lustres | Executive Producer |
Mercedes Gamero | Executive Producer |
Anna Marsh | Executive Producer |
Ron Halpern | Executive Producer |
Shana Eddy-Grou | Executive Producer |
Luc Etienne | Executive Producer |
Christoph Fisser | Co-Producer |
Henning Molfenter | Co-Producer |
Charlie Woebcken | Co-Producer |
Flavio Labiano | Director of Photography |
David Scheunemann | Production Designer |
Mona May | Costume Designer |
Steve Mirkovich | Editor |
Harry Gregson-Williams | Composer |
Nick Angel | Music Supervisor |
Rori Bergman | Casting Director |
Luc Etienne | Unit Production Manager |
Matteo Canalis Wandel | Production Manager |
Scott Kirby | First Assistant Director |
Dennis Becker | Second Assistant Director |
Volkhart Buff | Stunt Coordinator |
David Scheunemann | Associate Producer |
Anette Czagany | Costume Supervisor |
Anett Weber | Make-up and Hair Designer |
Sandra Leutert | Make-up and Hair Designer |
Manuel Vogt | Sound Designer |
Ralf Schreck | Supervising Art Director |
Adorjan Portik | Art Director |
Patrick Herzberg | Art Director |
Silke Engelhardt | Script Supervisor |
Uli Nefzer | Special Effects Supervisor |
Sebastian Luck | Location Manager |
Hendrik Piwinger | Location Manager |
Shawn Montgomery | Post-Production Supervisor |
Montrice White | First Assistant Editor |
Kyle Walczak | Second Assistant Director |
Steven Korechoff | Assistant Editor |
Dane A. Davis | Sound Designer |
Dane A. Davis | Supervising Sound Editor |
Stephanie L. Flack | Supervising Sound Editor |
Julian Slater | Re-recording Mixer |
Andy Hay | Re-recording Mixer |
John Joseph Thomas | Sound Effects Editor |
David Price | ADR/Dialogue Editor |
Terry Rodman | Foley Supervisor |
Darrin Mann | Foley Mixer |
Richard Henderson | Music Editor |
Harry Gregson-Williams | Score Producer |
Ho-ling Tang | Additional Music |
Ryder McNair | Additional Music |
Scott Smith | Score Mixer |
Roxane Fechner | Visual Effects Supervisor |
Hugo Leveille | Visual Effects Supervisor |
Audrey Boivin | Visual Effects Executive Producer |
Philippe Massonnat | Visual Effects Producer |
Gabriel Giroux-Veilleux | Animation Supervisor |
Maria Andriani Andritsi | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.