Mexico Box Office for Respire (2015)
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| Theatrical Performance (US$) | ||
| Mexico Box Office | $79,807 | Details |
| Worldwide Box Office | $122,120 | Details |
| Further financial details... | ||
Synopsis
Charlie is seventeen and bored–her estranged parents are too caught up in their own drama to pay too much attention to her. School, where she’s been friends with the same crew for years, holds no surprises. Enter Sarah, the hip new transfer student who brings with her an air of boldness and danger. The two form an instant connection: Sarah the jolt of life Charlie so desperately seeks and Charlie a stable, virginal influence on wild-child Sarah. Through shared secrets, love interests and holiday getaways, their relationship deepens to unspoken intimacy. But with intimacy comes jealousy and unrealistic expectations, and the teens soon find themselves on a trajectory toward an inevitable and extraordinary collapse, one so jarring neither could have ever seen it coming.
Metrics
Movie Details
| Mexico Releases: | July 10th, 2015 (Wide) |
| Video Release: | December 1st, 2015 by Film Movement Video |
| MPAA Rating: | Not Rated |
| Running Time: | 91 minutes |
| Keywords: | High School, Addiction, Dysfunctional Family, Children Dealing with Divorce, Domestic Abuse, Bullies |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Movemovie, Gaumont, Mely Productions, Canal Plus, Cine Plus |
| Production Countries: | France |
| Languages: | French |
Per Theater Chart: Sleeping's Shocking Start
September 16th, 2015
Sleeping with Other People wasn't expected to do well in theaters, because it only earned mixed reviews, while it was also playing on VOD. Despite this, it led the way on the per theater chart with an average of $17,820 in five theaters. Goodbye Mommy was in second place with an average of $15,063. It could do well in the art house circuit, but expanding wide will be nearly impossible for this German film. Meet the Patels was right behind with an average of $14,436. It too could do well in the art house circuit, but it is a documentary, so expanding wide is likely out of the question. The Black Panthers: Vanguard of the Revolution was the only holdover in the $10,000 club with an average of $13,288 in three theaters. The overall number one film, The Perfect Guy, was next with an average of $11,656. The final film in the $10,000 club was A Brilliant Mind with an average of $10,469 in three theaters.
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Limited and VOD Releases: Feeling Brilliant
September 11th, 2015
It's actually a really good week for limited releases, with nearly half a dozen films on this week's list earning overwhelmingly positive reviews. This includes A Brilliant Young Mind (Reviews), which has a good shot at earning at least some measure of mainstream success. There are others, like Coming Home, that have a good shot at limited success, but their chances of expanding significantly are much more limited.
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Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Mexico | 7/10/2015 | $31,790 | 0 | 0 | 0 | $79,807 | 9/7/2018 |
| North America | 9/11/2015 | $5,063 | 1 | 12 | 54 | $42,313 | |
| Worldwide Total | $122,120 | 9/7/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Josephine Japy | Charlie |
| Lou de Laage | Sarah |
Supporting Cast
| Isabelle Carre | Vanessa |
| Claire Keim | Laura |
| Rasha Bukvic | Pere Charlie |
| Roxane Duran | Victoire |
| Thomas Soliveres | Gastine |
| Louka Meliava | Lucas |
| Camille Claris | Delphine |
| Fanny Sidney | Isa |
| Louise Grinberg | Louise |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Mélanie Laurent | Director |
| Bruno Levy | Producer |
| Anne-Sophie Brasme | Freely Based on the Book by |
| Julien Lambroschini | Screenwriter |
| Mélanie Laurent | Screenwriter |
| Cyril Holtz | Sound Mixer-Audio Mixer |
| Alexis Place | Sound Editor |
| Anne Ferignac | Unit Production Manager |
| Maira Ramedhan-Levi | Costume Designer |
| Stanislas Reydellet | Production Designer |
| Sylvie Koechlin | Script Supervisor |
| Luc Bricault | First Assistant Director |
| Julie Lescat | Production Manager |
| Pauline Gilbert | Post Production Manager |
| Coralie Subert | Casting Director |
| Marc Chouarain | Composer |
| Guerric Catala | Editor |
| Cyril Moisson | Sound Mixer |
| Arnaud Potier | Director of Photography |