South Korea Box Office for Relève: Histoire d'une création (2016)
Theatrical Performance (US$) | ||
South Korea Box Office | $9,922 | Details |
Worldwide Box Office | $84,263 | Details |
Further financial details... |
Synopsis
Follows renowned choreographer and dancer Benjamin Millepied as he attempts to rejuvenate the Paris Opera Ballet in his new position as director.
Metrics
Movie Details
South Korea Releases: | June 11th, 2020 (Wide) |
MPAA Rating: | Not Rated |
Running Time: | 110 minutes |
Keywords: | Opera, Dancing, Ballet, Choreography, Early / Simultaneous Video-on-Demand release |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Falabracks, Opera National de Paris, Canal Plus, Centre National de la Cinematographie, Procirep |
Production Countries: | France |
Languages: | English, French |
Theater Averages: Worlds Starts Apart from the Competition with $16,353
January 18th, 2017
Despite earning 50% positive reviews, Worlds Apart topped the theater average chart with $16,353 in its one theater. The only other film in the $10,000 club was 20th Century Women, which spent its third week there with an average of $10,894 in 29 theaters.
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Limited and VOD Releases: Mixed Reviews Plague Limited Releases as Son of Joseph Sole Exception
January 13th, 2017
It’s a deceptively busy week as far as limited releases are concerned. On the one hand, we have release dates for 21 limited releases this week. On the other hand, there are none that are particularly strong. The only film earning overwhelmingly positive reviews is The Son of Joseph, but even this film has almost no shot at box office success. On the other hand, there are a lot of VOD releases this week. Maybe there’s something worth renting out there.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/06/12 | - | $3,085 | 18 | $171 | $3,993 | 1 | |
2020/06/19 | - | $2,000 | -35% | 13 | $154 | $7,565 | 2 |
2020/06/26 | - | $1,417 | -29% | 6 | $236 | $9,922 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
France | 9/9/2016 | $68,887 | 0 | 0 | 0 | $68,887 | 8/17/2018 |
North America | 1/13/2017 | $2,198 | 2 | 2 | 3 | $5,454 | |
South Korea | 6/11/2020 | $3,085 | 18 | 18 | 37 | $9,922 | 7/1/2020 |
Worldwide Total | $84,263 | 7/1/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
Benjamin Millepied | Himself |
Interviewee(s)
Iris van Herpen | Herself |
Nico Muhly | Himself |
Maxime Pascal | Himself |
Lucy Carter | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Thierry Demaiziere | Director |
Alban Teurlai | Director |
Stephanie Schorter | Producer |
Thierry Demaiziere | Screenwriter |
Alban Teurlai | Screenwriter |
Pierre Aviat | Composer |
Alban Teurlai | Cinematographer-Camera |
Eric Dumont | Assistant Camera-Additional Camerawork by |
Emmanuel Guionet | Sound Designer |
Alice Moine | Editor |
Alban Teurlai | Editor |