South Korea Box Office for Redeeming Love (리디밍 러브) (2022)
| Theatrical Performance (US$) | ||
| South Korea Box Office | $33,184 | Details |
| Worldwide Box Office | $9,259,319 | Details |
| Home Market Performance | ||
| North America DVD Sales | $502,706 | Details |
| North America Blu-ray Sales | $362,520 | Details |
| Total North America Video Sales | $865,226 | |
| Further financial details... | ||
Synopsis
A retelling of the biblical book of Hosea set against the backdrop of the California Gold Rush of 1850. Angel expects only pain from those around her. Sold into prostitution as a child, Angel survives with hatred towards herself and the men that use her. She meets Michael Hosea, a farmer who believes God wants Angel to be his wife. Dire circumstances force Angel to accept his proposal, but when Michael defies her bitter expectations, her frozen heart begins to thaw. As Angel encounters a love unlike anything she ever experienced, feelings of unworthiness and shame cause her to run from a life she doesn’t think she deserves. As Michael sets out to find her, Angel discovers there is no brokenness that love can’t heal.
Metrics
Movie Details
| South Korea Releases: | March 23rd, 2022 (Wide), released as Redeeming Love (리디밍 러브) |
| Video Release: | February 8th, 2022 by Universal Home Entertainment |
| MPAA Rating: | PG-13 for mature thematic content, sexual content, partial nudity, and strong violent content. (Rating bulletin 2696 (cert #53388), 9/1/2921) |
| Running Time: | 134 minutes |
| Keywords: | Romance, 1850s, Set in California, Modern Adaptation, Gold Rush, Faith-Based Drama, Faith-Based Film |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Mission Pictures International, Nthibah Pictures, Pure Flix, Lightworkers Media |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: Spider-Man back to the top with $14.125 million on soft weekend
January 23rd, 2022
-10-News.jpg)
Spider-Man: No Way Home is back at the top of the box office chart this weekend, with Sony projecting it will earn $14.125 million this time around for a domestic total of $721 million. Scream will be down 59% from its opening (in line with our model’s prediction). Its $12.4 million takes it to $51.3 million so far. Redeeming Love is coming in well ahead of our Friday-morning prediction with $3.71 million over the weekend and will land in fourth place.
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Weekend predictions: Spider-Man and Scream do battle for top spot
January 21st, 2022
-3-News.jpg)
After beating Spider-Man: No Way Home fairly handily last weekend, Scream will need a good hold to stay at the top of the chart this time around. Our model thinks Spidey will regain top spot, but it’s likely to be close between the two of them. This weekend’s new wide releases look like they will struggle to mount a challenge at the top of the chart.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/04/01 | - | $946 | 8 | $118 | $33,184 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 1/21/2022 | $3,530,180 | 1,903 | 1,963 | 7,360 | $9,214,020 | |
| South Korea | 3/23/2022 | $0 | 0 | 8 | 8 | $33,184 | 4/6/2022 |
| United Kingdom | 9/17/2022 | $12,115 | 56 | 56 | 56 | $12,115 | 9/25/2022 |
| Worldwide Total | $9,259,319 | 9/25/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Abigail Cowen | Angel |
| Tom Lewis | Michael Hosea |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| D.J. Caruso | Director |
| Francine Rivers | Screenwriter |
| D.J. Caruso | Screenwriter |
| Francine Rivers | Story based on the book by |
| Cindy Bond | Producer |
| Brittany Yost | Producer |
| Simon Swart | Producer |
| Wayne Fitzjohn | Producer |
| Michael Scott | Producer |
| David A.R. White | Producer |
| Francine Rivers | Executive Producer |
| Roma Downey | Executive Producer |
| Geyer Kosinski | Executive Producer |
| Rogier Stoffers | Director of Photography |
| Johnny Breedt | Production Designer |
| Jim Page | Editor |
| Sheila Jaffe | Casting Director |