United Kingdom Box Office for The Public (2019)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $2,906 | Details |
| Worldwide Box Office | $694,750 | Details |
| Home Market Performance | ||
| North America DVD Sales | $189,525 | Details |
| North America Blu-ray Sales | $10,516 | Details |
| Total North America Video Sales | $200,041 | |
| Further financial details... | ||
Synopsis
What begins as an act of civil disobedience becomes a stand-off with police and library officials when a conscientious librarian turns the Cincinnati Public Library into an impromptu homeless shelter for one night during the most brutal cold snap in recent Cincinnati history.
Metrics
Movie Details
| United Kingdom Releases: | February 21st, 2020 (Limited) |
| Video Release: | July 2nd, 2019 by Universal Home Entertainment |
| MPAA Rating: | PG-13 for thematic material, nudity, language, and some suggestive content. (Rating bulletin 2540 (Cert #51756), 8/15/2018) |
| Running Time: | 119 minutes |
| Keywords: | Civil Disobedience, Police Standoff, Homeless, Librarian, Screenplay Written By the Star, Directing Yourself, Set in Cincinnati, Set in Ohio, Mental Illness, Extreme Weather, Media Circus |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hammerstone Studios, E2 Films, Living the Dream Films |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for July 2nd, 2019
July 3rd, 2019
It’s Anime week on the Home Market Release Report with more than half a dozen titles on the main list, as well as a few more in the secondary Blu-ray list. In fact, the only real contender for Pick of the Week is an Anime title, JoJo’s Bizarre Adventure: Set 4, Part 1, but it is not the only Anime title worth owning, as Cardcaptor Sakura: Clear Card - Part Two, Mobile Suit Gundam The Origin, and Steins;Gate 0 Part One and Part Two are also worth picking up. If you want something live action, then go with We Have Always Lived in the Castle.
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Theater Averages: High Life Reaches High Heights
April 12th, 2019
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High Life led the way on the theater average chart earning an average of $24,835 in four theaters. Amazing Grace was next with an average of $14,674 in eight theaters. Meanwhile, the overall number one film, Shazam, was the final film in the $10,000 club with an average of $12,688.
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Limited and VOD Releases: Only a Couple of This Week’s Films are Amazing
April 5th, 2019
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If I were to use just one phrase to describe this week’s list, it would be “Good, but not great.” More than half of the films on this week’s list have reviews that are exactly that, merely good, but not good enough for limited release. Of the exceptions, Amazing Grace is the one I want to see the most.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/02/21 | - | $2,906 | 9 | $323 | $2,906 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 6/7/2019 | $788 | 1 | 57 | 130 | $91,856 | 9/17/2019 |
| New Zealand | 8/1/2019 | $0 | 0 | 21 | 52 | $26,485 | 9/5/2019 |
| North America | 4/5/2019 | $259,455 | 263 | 263 | 488 | $573,503 | |
| United Kingdom | 2/21/2020 | $2,906 | 9 | 9 | 9 | $2,906 | 2/26/2020 |
| Worldwide Total | $694,750 | 2/26/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Alec Baldwin | Detective Ramstead |
| Emilio Estevez | Stuart Goodson |
| Jena Malone | Myra |
| Taylor Schilling | Angela |
| Christian Slater | Prosecutor |
| Gabrielle Union | TV Reporter |
| Jeffrey Wright | Administrator |
| Michael Kenneth Williams | Jackson |
| Che “Rhymefest” Smith* | Big George |
| Jacob Vargas | Ernesto |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Emilio Estevez | Director |
| Emilio Estevez | Screenwriter |
| Emilio Estevez | Producer |
| Alex Lebovici | Producer |
| Steve Ponce | Producer |
| Lisa Niedenthal | Producer |
| Ray Bouderau | Executive Producer |
| Richard Hull | Executive Producer |
| Janet Templeton | Executive Producer |
| Jordan Bouderau | Executive Producer |
| Bob Bonder | Executive Producer |
| Bryant Goulding | Executive Producer |
| Donal O’Sullivan | Executive Producer |
| Craig Phillips | Executive Producer |
| Taylor Estevez | Co-Producer |
| Kristen Schlotman | Co-Producer |
| Patsy L. Bouge | Co-Producer |
| Christopher Lawrence | Costume Designer |
| Richard Chew | Editor |
| Yang-Hua Hu | Editor |
| David J. Bomba | Production Designer |
| Tyler Bates | Composer |
| Joanne Higginbottom | Composer |
| Juanmi Azpiroz | Director of Photography |
| Mary Vernieu | Casting Director |
| Michelle Wade Byrd | Casting Director |