Spain Box Office for La Promesa (2017)
Theatrical Performance (US$) | ||
Spain Box Office | $535,595 | Details |
Worldwide Box Office | $10,551,417 | Details |
Home Market Performance | ||
North America DVD Sales | $747,250 | Details |
North America Blu-ray Sales | $232,667 | Details |
Total North America Video Sales | $979,917 | |
Further financial details... |
Synopsis
Empires fall, love survives. When Michael, a brilliant medical student, meets Ana, their shared Armenian heritage sparks an attraction that explodes into a romantic rivalry between Michael and Ana’s boyfriend Chris, a famous American photojournalist dedicated to exposing political truth. As the Ottoman Empire crumbles into war-torn chaos, their conflicting passions must be deferred while they join forces to get their people to safety and survive themselves.
Metrics
Movie Details
Production Budget: | $90,000,000 |
Spain Releases: | June 2nd, 2017 (Wide), released as La Promesa |
Video Release: | July 18th, 2017 by Universal Home Entertainment |
MPAA Rating: | PG-13 for thematic material including war atrocities, violence and disturbing images, and for some sexuality. (Rating bulletin 2443 (Cert #50604), 9/21/2016) |
Running Time: | 134 minutes |
Keywords: | Genocide, Love Triangle, Investigative Journalist, Refugee, World War I, Ottoman Empire, 1910s, War Crimes, Crimes Against Humanity, War Drama |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Survival Pictures, Mike Medavoy Productions |
Production Countries: | Spain, United States |
Languages: | English |
Home Market Releases for July 18th, 2017
July 18th, 2017
Last week, The Fate of the Furious scared away all of the competition. This week, the competition is still scared, as there’s very little in the way of top notch releases. Kong: Skull Island is by far the biggest new release of the week, while the next two biggest are The Promise and Free Fire. As for the best releases of the week, The Expanse: Season Two is a contender, but ultimately the Pick of the Week goes to the Stalker Criterion Collection Blu-ray.
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Weekend Wrap-Up: April’s Conclusion was a Wild Weekend
May 1st, 2017
The weekend box office was a wild one with two limited releases in the top five, How to be a Latin Lover and Baahubali 2: The Conclusion. The Fate of the Furious remained in first place with $19.94 million, which is better than expected. Unfortunately, the overall box office was still weak down 8.3% from last weekend to just $99 million. Worse still, this is 8.9% lower than the same weekend last year. 2017’s lead over 2016 took a bit of a hit, but still has a 5.1% or $180 million lead, $3.66 billion to $3.48 billion.
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Thursday Night Previews: Circle Doesn’t Live Up to its Promise with $430,000 While Moviegoers Love Latin with $450,000
April 28th, 2017
The Circle was the first film to release Thursday preview numbers and they were not good at just $430,000. Granted, this is far from the worst we’ve seen this year. The Promise only managed $200,000 last week. If The Circle has the same legs during its opening weekend, it will only manage $9 million. Even that might be asking too much, as its reviews went from 50% positive when we made our prediction to just 21% positive today. I really don’t think it will manage $12 million over the weekend. We will have a better idea tomorrow when Friday’s numbers show up.
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Weekend Wrap-Up: Furious Slows and New Releases Stall, Leaving Box Office short by $60 million
April 25th, 2017
As expected, The Fate of the Furious dominated the weekend box office chart. It held up a little better than expected with $38.41 million over the weekend; however, this was still over 60% lower than its opening weekend and the overall weekend fell over $60 million or 36% from last weekend for a total of $107 million. A lot of the blame can be pushed onto the new releases, as none of them earned a spot in the top five. Born in China was the best of the new releases earning sixth place with $4.79 million. Year-over-year, 2017 was 16% lower than 2016, but fortunately, 2017 still has an impressive $200 million lead over 2016 at $3.53 billion to $3.33 billion.
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Weekend Estimates: Big Decline, Big Win for Fate of the Furious
April 23rd, 2017
A decline of 61% compared to its opening weekend still leaves The Fate of the Furious the big winner at the box office this weekend, with the five new wide releases combined making less than half the $38.7 million it will earn on its second weekend, according to Universal’s weekend estimate. The film’s domestic gross will end the weekend at about $163.6 million. As of last night, it has reached $636.3 million internationally, and it should end the weekend with $752.4 million overseas, for a global total of $916 million as of Sunday. $327.4 million of that will have come from China, where Fate is clocking up another $67 million this weekend.
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Friday Estimates: Furious Falls 75%, Still Dominates Friday with $11.2 million
April 22nd, 2017
The Fate of the Furious dominated the box office chart on Friday with $11.2 million. This could be more than any other film will earn during the entire weekend. That’s the good news. The bad news is this still represents a decline of just over 75% from its opening Friday. This is not good by any stretch of the word, but it is also not unexpected. The film will rebound on Saturday, and earn about $35.5 million over the weekend, according to Universal, which is close to our prediction and will lift the film’s running tally to $160 million. This keeps The Fate of the Furious on pace for $200 million and the film should become the third film released in 2017 to get to that milestone. It might overtake Logan on the yearly chart, but Guardians of the Galaxy, Vol. 2 will probably get there first.
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Thursday Night Previews: New Releases are Showing Very Little Promise
April 21st, 2017
There are five films opening wide or semi-wide this weekend and four of them have previews. (Phoenix Forgotten is the lone exception.) At the moment, we only have numbers for The Promise and they are not good. The film pulled in $200,000 in previews last night, putting it on par with The Space Between Us. That’s not good news, as that film missed the Mendoza Line by a large margin. The Promise is playing in fewer theaters and it is earning better reviews, so it might not open below the Mendoza Line, but its theater average won't be much above $2,000 in the best of circumstances.
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Weekend Predictions: New Releases are Very Forgettable
April 20th, 2017
Late April is one of the traditional dumping grounds and this week is truly living down to that reputation. There are five new releases that have at least a shot at the top ten, but none of them have a shot at becoming midlevel hits. Unforgettable is the widest new release of the week and will likely be the biggest hit, but it very likely won’t be the best. Free Fire and Born in China are in a close battle for the best reviews for the week. Meanwhile, The Promise and Phoenix Forgotten are just hoping to avoid opening below the Mendoza Line. I think earning a theater average above $2,000 is overly optimistic for either film. There’s a lot of competition, but nearly all of it is terrible, so The Fate of the Furious will have no trouble repeating in first place. Furthermore, both The Boss Baby and Beauty and the Beast will likely remain in the top five, meaning there’s not a lot of room for the other films. This weekend last year, The Jungle Book earned just over $60 million over the weekend, while The Huntsman: Winter’s War opened with close to $20 million. There’s no way 2017 will be able to match this one-two punch.
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Contest: Forget About It
April 13th, 2017
April is a mess. When I starting writing the April preview I identified nine films that I was not 100% sure were going to open truly wide. While writing the preview, one was pulled from the schedule and since then, two were downgraded to semi-wide or lower. Next weekend, Born in China is opening semi-wide, The Promise is right on the razor’s edge between semi-wide and truly wide, while we still don’t have an estimate for Free Fire. This leaves Unforgettable as the only confirmed truly wide release of the week. Because of this, it is the only choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Unforgettable.
Our April Fools contests continue this week. Two of our winners will win La La Land on Blu-ray Combo Pack, while one will be chosen at random to be the fool and receive an HD-DVD release. The Blu-ray Combo Pack doesn’t come out until the 25th, but the film is already out on Video on Demand.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will be a potential winner of La La Land on Blu-ray Combo Pack, or the winner of the Fool’s Prize. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also be a potential winner of La La Land on Blu-ray Combo Pack, or the winner of the Fool’s Prize. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will be the final potential winner of La La Land on Blu-ray Combo Pack, or the winner of the Fool’s Prize.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2017 Preview: April
April 1st, 2017
March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016.
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The Promise Trailer
March 20th, 2017
Historical drama starring Oscar Isaac, Charlotte Le Bon, and Christian Bale opens April 21 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/06/02 | 7 | $189,963 | 189 | $1,005 | $189,963 | 1 | |
2017/06/09 | 8 | $82,581 | -57% | 207 | $399 | $387,099 | 2 |
2017/06/16 | 16 | $30,204 | -63% | 148 | $204 | $471,263 | 3 |
2017/06/23 | 32 | $4,683 | -84% | 29 | $161 | $492,174 | 4 |
2017/06/30 | - | $1,359 | -71% | 13 | $105 | $506,670 | 5 |
2017/07/14 | 30 | $2,743 | 6 | $457 | $514,426 | 7 | |
2017/08/18 | - | $311 | 1 | $311 | $529,514 | 12 | |
2017/08/25 | - | $139 | -55% | 1 | $139 | $535,595 | 13 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 4/28/2017 | $64,663 | 0 | 0 | 0 | $131,159 | 1/1/2019 |
Australia | 6/16/2017 | $104,809 | 46 | 46 | 246 | $421,145 | 8/14/2017 |
France | 12/1/2017 | $155,500 | 0 | 0 | 0 | $155,500 | 6/28/2018 |
Lithuania | 6/2/2017 | $2,201 | 55 | 55 | 56 | $5,248 | 11/29/2017 |
Netherlands | 6/15/2017 | $35,288 | 35 | 35 | 119 | $112,978 | 7/11/2017 |
North America | 4/21/2017 | $4,095,718 | 2,251 | 2,251 | 4,943 | $8,224,288 | |
Poland | 5/5/2017 | $33,699 | 0 | 0 | 0 | $33,699 | 1/1/2019 |
Portugal | 12/29/2017 | $3,887 | 10 | 10 | 27 | $22,854 | 1/22/2018 |
Russia (CIS) | 4/28/2017 | $214,884 | 439 | 439 | 841 | $678,148 | 1/1/2019 |
Spain | 6/2/2017 | $189,963 | 189 | 207 | 594 | $535,595 | 8/31/2017 |
United Kingdom | 4/28/2017 | $230,803 | 288 | 288 | 288 | $230,803 | 5/3/2017 |
Worldwide Total | $10,551,417 | 1/1/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Oscar Isaac | Michael |
Charlotte Le Bon | Ana |
Christian Bale | Christopher Myers |
Supporting Cast
Daniel Gimenez Cacho | Reverend Dikran Antreassian |
Shohreh Aghdashloo | Marta Boghosian |
Marwan Kenzari | Emre Ogan |
Angela Sarafyan | Maral |
Rade Serbedzija | Mayor |
Tom Hollander | Garin |
Igal Naor | Mesrob |
Numan Acar | Mustafa |
Milene Mayer Gutierrez | Yeva |
Tamer Hassan | Faruk Pasha |
Alicia Borrachero | Lena |
Abel Folk | Harut |
Jean Reno | Admiral Fournet |
James Cromwell | Ambassador Morgenthau |
Kevork Malikyan | Vartan Boghosian |
Lucia Zorrilla | Tamar |
Roman Mitichyan | Van |
Carlos Miranda | Aaron Village Elder |
Armin Amiri | Captain Ali |
Stewart Scudamore | Ismet Ogan |
Andrew Tarbet | Pastor Merril |
Aharon Ipalé | Dr. Nazim |
Masis Kouyoumdjian | Armenian Priest |
Shnorhk Sargsyan | Komitas |
Ali El Aziz | Turkish Car Driver |
Aaron Neil | Talaat Pasha |
Ames Chanos | General Zyniker |
Anthony Rotsa | Ahmet the Student |
Paul Portelli | Angry Mob Man #1 |
Jean Marc Valente | Angry Mob Man #2 |
Julian Villagran | Armenian Soldier |
Juanan Moreno | Armenian Laborer |
Marco Khan | Burly Nightwatchman |
Stephen Buhagiar | Ferry Porter |
Nacho Aldeguer | Gulhane Party Guest |
Juan Portillo | Injured Armenian |
Simon Andreu | Old Peasant Woman |
Mariona Casanovas | Old Peasant Woman |
Mario Tardon | Prison Officer in Charge |
Pau Colera | Railway Sergeant |
Pedro Reyes | Senior Conscription Officer |
David Lifschitz | Conscription Officer |
Mario Opinato | Armenian Hotel Manager |
Rick Zingale | Turkish Merchant in Bazaar |
Nicolas Lori | University Lecturer |
Carlos Olalla | Surgeon |
Joe Depasquale | Constantinople Night Watchman |
Vic Tablian | Cattle Car Old Man |
Marta Navarro | Pera Belly Dancer |
Enya Dunne | Turkish Little Girl |
Azzdine Benaji | Turkish Boy Patient |
Alain Hernandez | Turkish Telegraph Officer |
Said Taibi | Turkish Officer at Party #1 |
David Fernandez Fabu | Turkish Officer at Party #2 |
Markus Oberhauser | German Aide-De-Camp |
Alex Van Der Meeberg | German Officer at Party |
Ayoub El Hilali | Ahmet Companion #1 |
Jonas Berami | Ahmet Companion #2 |
Luis Callejo | Turkish Intelligence Officer |
Gayane Asilbekyan | Fearful Armenian Woman |
Osman Soykut | Deputy Governor Mazhar |
Mariette Matoosian | Harut’s Wife |
Jonathan Pyatt | Morgenthau’s Aide |
Ara Malikian | Wedding Violinist |
Aren Shaheenian | Funeral Priest |
Paul Roig | Lookout Kid |
Teresa Abarca | Nightclub Dancer |
Derek Esrailian | Armenian Boy at Betrothal #1 |
Andrew Esrailian | Armenian Boy at Betrothal #2 |
Michael Stahl-David | Brad |
Celine Dayan-Bonilla | Maid of Honor |
Sandy Dell | Mother of the Groom |
Louis Branco | Older Orphan |
John Ressos | Older Orphan |
Alfredo Montez | Older Orphan |
Stefan Alexander | Older Orphan |
Jason Carubia | Older Orphan |
Ariana Tirelli | Older Orphan |
Alana Kyriak | Older Orphan |
Christina Carroll | Older Orphan |
Rafael Reyes | Older Orphan |
Esmeralda Frias | Older Orphan |
Dzmitry Patuk | Older Orphan |
Christophe Morabito | Older Orphan |
Christine Duke | Older Orphan |
Amanda Tenenzapf | Older Orphan |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Terry George | Director |
George Swicord | Screenwriter |
Robin Swicord | Screenwriter |
Mike Medavoy | Producer |
Eric Esrailian | Producer |
William Horberg | Producer |
Kirk Kerkorian | Executive Producer |
Ralph Winter | Executive Producer |
Denise O'Dell | Executive Producer |
Mark Albela | Executive Producer |
Patricia L. Glaser | Executive Producer |
Sheri Sani | Executive Producer |
Dan Taylor | Executive Producer |
Anthony Mandekic | Executive Producer |
Javier Aguirresarobe | Director of Photography |
Benjamin Fernandez | Production Designer |
Steven Rosenblum | Editor |
Pierre-Yves Gayraud | Costume Designer |
Gabriel Yared | Composer |
Mark Russell | Visual Effects Supervisor |
Edward McGurn | Co-Producer |
Avy Kaufman | Casting Director |
John Hubbard | Casting Director |
Ros Hubbard | Casting Director |
Camilla Valentine Isola | Casting Director |
Salvador Yague | Unit Production Manager |
Ralph Winter | Unit Production Manager |
Lee Cleary | First Assistant Director |
David Arnold | Second Assistant Director |
Paul Jennings | Second Unit Director |
Paul Jennings | Stunt Coordinator |
Jordi Casares | Supervising Stunt Coordinator |
Lee Morrison | Stunt Coordinator |
Alison Beckett | Associate Producer |
Ian Bedford | Associate Producer |
Carla Garapedian | Associate Producer |
Alison Beckett | Post-Production Supervisor |
Didac Bono | Supervising Art Director |
Alejandro Fernandez | Art Director |
Oscar Sempere | Art Director |
Gabriel Liste | Art Director |
Renee Foley* | Script Supervisor |
Peter Glossop | Sound Mixer |
Pau Costa | Special Effects Supervisor |
Teresa Costa | Special Effects Coordinator |
Felix Rosell | Supervising Location Manager |
Juanan Clemente | Location Manager |
Ricardo Ferrari | Location Manager |
Pilar Revuelta | Set Decorator |
Bettina Seifert | Costume Supervisor |
Cristina Sopena | Costume Supervisor |
Ailbhe Lemass | Make up |
Mercedes Barbod | Production Manager |
Pilar Amer Fuster | Production Manager |
Jairo Murray | Second Assistant Director |
Cynthia E. Thornton* | Associate Editor |
Timothy Donovan | First Assistant Editor |
Agustin Serna | First Assistant Editor |
Monette Dubin | Visual Effects Producer |
Sarah Dowland | Visual Effects Producer |
Philip Stockton | Supervising Sound Editor |
Paul Hsu | Supervising Sound Editor |
Tom Fleischman | Re-recording Mixer |
Paul Hsu | Re-recording Mixer |
Suzana Peric | Music Editor |
David Menke | Score Producer |
Nick Wollage | Score Recordist |
Peter Cobbin | Score Mixer |
Kirsty Whalley | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.