Spain Box Office for La Promesa (2017)

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The Promise
Theatrical Performance (US$)
Spain Box Office $535,595Details
Worldwide Box Office $10,551,417Details
Home Market Performance
North America DVD Sales $747,250 Details
North America Blu-ray Sales $232,667 Details
Total North America Video Sales $979,917
Further financial details...

Synopsis

Empires fall, love survives. When Michael, a brilliant medical student, meets Ana, their shared Armenian heritage sparks an attraction that explodes into a romantic rivalry between Michael and Ana’s boyfriend Chris, a famous American photojournalist dedicated to exposing political truth. As the Ottoman Empire crumbles into war-torn chaos, their conflicting passions must be deferred while they join forces to get their people to safety and survive themselves.

Metrics

Movie Details

Production Budget:$90,000,000
Spain Releases: June 2nd, 2017 (Wide), released as La Promesa
Video Release: July 18th, 2017 by Universal Home Entertainment
MPAA Rating: PG-13 for thematic material including war atrocities, violence and disturbing images, and for some sexuality.
(Rating bulletin 2443 (Cert #50604), 9/21/2016)
Running Time: 134 minutes
Keywords: Genocide, Love Triangle, Investigative Journalist, Refugee, World War I, Ottoman Empire, 1910s, War Crimes, Crimes Against Humanity, War Drama
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Survival Pictures, Mike Medavoy Productions
Production Countries: Spain, United States
Languages: English

Home Market Releases for July 18th, 2017

July 18th, 2017

Stalker

Last week, The Fate of the Furious scared away all of the competition. This week, the competition is still scared, as there’s very little in the way of top notch releases. Kong: Skull Island is by far the biggest new release of the week, while the next two biggest are The Promise and Free Fire. As for the best releases of the week, The Expanse: Season Two is a contender, but ultimately the Pick of the Week goes to the Stalker Criterion Collection Blu-ray. More...

Weekend Wrap-Up: April’s Conclusion was a Wild Weekend

May 1st, 2017

Baahubali 2: The Conclusion

The weekend box office was a wild one with two limited releases in the top five, How to be a Latin Lover and Baahubali 2: The Conclusion. The Fate of the Furious remained in first place with $19.94 million, which is better than expected. Unfortunately, the overall box office was still weak down 8.3% from last weekend to just $99 million. Worse still, this is 8.9% lower than the same weekend last year. 2017’s lead over 2016 took a bit of a hit, but still has a 5.1% or $180 million lead, $3.66 billion to $3.48 billion. More...

Thursday Night Previews: Circle Doesn’t Live Up to its Promise with $430,000 While Moviegoers Love Latin with $450,000

April 28th, 2017

The Circle

The Circle was the first film to release Thursday preview numbers and they were not good at just $430,000. Granted, this is far from the worst we’ve seen this year. The Promise only managed $200,000 last week. If The Circle has the same legs during its opening weekend, it will only manage $9 million. Even that might be asking too much, as its reviews went from 50% positive when we made our prediction to just 21% positive today. I really don’t think it will manage $12 million over the weekend. We will have a better idea tomorrow when Friday’s numbers show up. More...

Weekend Wrap-Up: Furious Slows and New Releases Stall, Leaving Box Office short by $60 million

April 25th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated the weekend box office chart. It held up a little better than expected with $38.41 million over the weekend; however, this was still over 60% lower than its opening weekend and the overall weekend fell over $60 million or 36% from last weekend for a total of $107 million. A lot of the blame can be pushed onto the new releases, as none of them earned a spot in the top five. Born in China was the best of the new releases earning sixth place with $4.79 million. Year-over-year, 2017 was 16% lower than 2016, but fortunately, 2017 still has an impressive $200 million lead over 2016 at $3.53 billion to $3.33 billion. More...

Weekend Estimates: Big Decline, Big Win for Fate of the Furious

April 23rd, 2017

The Fate of the Furious

A decline of 61% compared to its opening weekend still leaves The Fate of the Furious the big winner at the box office this weekend, with the five new wide releases combined making less than half the $38.7 million it will earn on its second weekend, according to Universal’s weekend estimate. The film’s domestic gross will end the weekend at about $163.6 million. As of last night, it has reached $636.3 million internationally, and it should end the weekend with $752.4 million overseas, for a global total of $916 million as of Sunday. $327.4 million of that will have come from China, where Fate is clocking up another $67 million this weekend. More...

Friday Estimates: Furious Falls 75%, Still Dominates Friday with $11.2 million

April 22nd, 2017

The Fate of the Furious

The Fate of the Furious dominated the box office chart on Friday with $11.2 million. This could be more than any other film will earn during the entire weekend. That’s the good news. The bad news is this still represents a decline of just over 75% from its opening Friday. This is not good by any stretch of the word, but it is also not unexpected. The film will rebound on Saturday, and earn about $35.5 million over the weekend, according to Universal, which is close to our prediction and will lift the film’s running tally to $160 million. This keeps The Fate of the Furious on pace for $200 million and the film should become the third film released in 2017 to get to that milestone. It might overtake Logan on the yearly chart, but Guardians of the Galaxy, Vol. 2 will probably get there first. More...

Thursday Night Previews: New Releases are Showing Very Little Promise

April 21st, 2017

The Promise

There are five films opening wide or semi-wide this weekend and four of them have previews. (Phoenix Forgotten is the lone exception.) At the moment, we only have numbers for The Promise and they are not good. The film pulled in $200,000 in previews last night, putting it on par with The Space Between Us. That’s not good news, as that film missed the Mendoza Line by a large margin. The Promise is playing in fewer theaters and it is earning better reviews, so it might not open below the Mendoza Line, but its theater average won't be much above $2,000 in the best of circumstances. More...

Weekend Predictions: New Releases are Very Forgettable

April 20th, 2017

Free Fire

Late April is one of the traditional dumping grounds and this week is truly living down to that reputation. There are five new releases that have at least a shot at the top ten, but none of them have a shot at becoming midlevel hits. Unforgettable is the widest new release of the week and will likely be the biggest hit, but it very likely won’t be the best. Free Fire and Born in China are in a close battle for the best reviews for the week. Meanwhile, The Promise and Phoenix Forgotten are just hoping to avoid opening below the Mendoza Line. I think earning a theater average above $2,000 is overly optimistic for either film. There’s a lot of competition, but nearly all of it is terrible, so The Fate of the Furious will have no trouble repeating in first place. Furthermore, both The Boss Baby and Beauty and the Beast will likely remain in the top five, meaning there’s not a lot of room for the other films. This weekend last year, The Jungle Book earned just over $60 million over the weekend, while The Huntsman: Winter’s War opened with close to $20 million. There’s no way 2017 will be able to match this one-two punch. More...

Contest: Forget About It

April 13th, 2017

La La Land

April is a mess. When I starting writing the April preview I identified nine films that I was not 100% sure were going to open truly wide. While writing the preview, one was pulled from the schedule and since then, two were downgraded to semi-wide or lower. Next weekend, Born in China is opening semi-wide, The Promise is right on the razor’s edge between semi-wide and truly wide, while we still don’t have an estimate for Free Fire. This leaves Unforgettable as the only confirmed truly wide release of the week. Because of this, it is the only choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Unforgettable.

Our April Fools contests continue this week. Two of our winners will win La La Land on Blu-ray Combo Pack, while one will be chosen at random to be the fool and receive an HD-DVD release. The Blu-ray Combo Pack doesn’t come out until the 25th, but the film is already out on Video on Demand.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will be a potential winner of La La Land on Blu-ray Combo Pack, or the winner of the Fool’s Prize. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also be a potential winner of La La Land on Blu-ray Combo Pack, or the winner of the Fool’s Prize. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will be the final potential winner of La La Land on Blu-ray Combo Pack, or the winner of the Fool’s Prize.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: April

April 1st, 2017

The Fate of the Furious

March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016. More...

The Promise Trailer

March 20th, 2017

Historical drama starring Oscar Isaac, Charlotte Le Bon, and Christian Bale opens April 21 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/06/02 7 $189,963   189 $1,005   $189,963 1
2017/06/09 8 $82,581 -57% 207 $399   $387,099 2
2017/06/16 16 $30,204 -63% 148 $204   $471,263 3
2017/06/23 32 $4,683 -84% 29 $161   $492,174 4
2017/06/30 - $1,359 -71% 13 $105   $506,670 5
2017/07/14 30 $2,743   6 $457   $514,426 7
2017/08/18 - $311   1 $311   $529,514 12
2017/08/25 - $139 -55% 1 $139   $535,595 13

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/28/2017 $64,663 0 0 0 $131,159 1/1/2019
Australia 6/16/2017 $104,809 46 46 246 $421,145 8/14/2017
France 12/1/2017 $155,500 0 0 0 $155,500 6/28/2018
Lithuania 6/2/2017 $2,201 55 55 56 $5,248 11/29/2017
Netherlands 6/15/2017 $35,288 35 35 119 $112,978 7/11/2017
North America 4/21/2017 $4,095,718 2,251 2,251 4,943 $8,224,288
Poland 5/5/2017 $33,699 0 0 0 $33,699 1/1/2019
Portugal 12/29/2017 $3,887 10 10 27 $22,854 1/22/2018
Russia (CIS) 4/28/2017 $214,884 439 439 841 $678,148 1/1/2019
Spain 6/2/2017 $189,963 189 207 594 $535,595 8/31/2017
United Kingdom 4/28/2017 $230,803 288 288 288 $230,803 5/3/2017
 
Worldwide Total$10,551,417 1/1/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Oscar Isaac Michael
Charlotte Le Bon Ana
Christian Bale Christopher Myers

Supporting Cast

Daniel Gimenez Cacho Reverend Dikran Antreassian
Shohreh Aghdashloo Marta Boghosian
Marwan Kenzari Emre Ogan
Angela Sarafyan Maral
Rade Serbedzija Mayor
Tom Hollander Garin
Igal Naor Mesrob
Numan Acar Mustafa
Milene Mayer Gutierrez Yeva
Tamer Hassan Faruk Pasha
Alicia Borrachero Lena
Abel Folk Harut
Jean Reno Admiral Fournet
James Cromwell Ambassador Morgenthau
Kevork Malikyan Vartan Boghosian
Lucia Zorrilla Tamar
Roman Mitichyan Van
Carlos Miranda Aaron Village Elder
Armin Amiri Captain Ali
Stewart Scudamore Ismet Ogan
Andrew Tarbet Pastor Merril
Aharon Ipalé Dr. Nazim
Masis Kouyoumdjian Armenian Priest
Shnorhk Sargsyan Komitas
Ali El Aziz Turkish Car Driver
Aaron Neil Talaat Pasha
Ames Chanos General Zyniker
Anthony Rotsa Ahmet the Student
Paul Portelli Angry Mob Man #1
Jean Marc Valente Angry Mob Man #2
Julian Villagran Armenian Soldier
Juanan Moreno Armenian Laborer
Marco Khan Burly Nightwatchman
Stephen Buhagiar Ferry Porter
Nacho Aldeguer Gulhane Party Guest
Juan Portillo Injured Armenian
Simon Andreu Old Peasant Woman
Mariona Casanovas Old Peasant Woman
Mario Tardon Prison Officer in Charge
Pau Colera Railway Sergeant
Pedro Reyes Senior Conscription Officer
David Lifschitz Conscription Officer
Mario Opinato Armenian Hotel Manager
Rick Zingale Turkish Merchant in Bazaar
Nicolas Lori University Lecturer
Carlos Olalla Surgeon
Joe Depasquale Constantinople Night Watchman
Vic Tablian Cattle Car Old Man
Marta Navarro Pera Belly Dancer
Enya Dunne Turkish Little Girl
Azzdine Benaji Turkish Boy Patient
Alain Hernandez Turkish Telegraph Officer
Said Taibi Turkish Officer at Party #1
David Fernandez Fabu Turkish Officer at Party #2
Markus Oberhauser German Aide-De-Camp
Alex Van Der Meeberg German Officer at Party
Ayoub El Hilali Ahmet Companion #1
Jonas Berami Ahmet Companion #2
Luis Callejo Turkish Intelligence Officer
Gayane Asilbekyan Fearful Armenian Woman
Osman Soykut Deputy Governor Mazhar
Mariette Matoosian Harut’s Wife
Jonathan Pyatt Morgenthau’s Aide
Ara Malikian Wedding Violinist
Aren Shaheenian Funeral Priest
Paul Roig Lookout Kid
Teresa Abarca Nightclub Dancer
Derek Esrailian Armenian Boy at Betrothal #1
Andrew Esrailian Armenian Boy at Betrothal #2
Michael Stahl-David Brad
Celine Dayan-Bonilla Maid of Honor
Sandy Dell Mother of the Groom
Louis Branco Older Orphan
John Ressos Older Orphan
Alfredo Montez Older Orphan
Stefan Alexander Older Orphan
Jason Carubia Older Orphan
Ariana Tirelli Older Orphan
Alana Kyriak Older Orphan
Christina Carroll Older Orphan
Rafael Reyes Older Orphan
Esmeralda Frias Older Orphan
Dzmitry Patuk Older Orphan
Christophe Morabito Older Orphan
Christine Duke Older Orphan
Amanda Tenenzapf Older Orphan

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Terry George Director
George Swicord Screenwriter
Robin Swicord Screenwriter
Mike Medavoy Producer
Eric Esrailian Producer
William Horberg Producer
Kirk Kerkorian Executive Producer
Ralph Winter Executive Producer
Denise O'Dell Executive Producer
Mark Albela Executive Producer
Patricia L. Glaser Executive Producer
Sheri Sani Executive Producer
Dan Taylor Executive Producer
Anthony Mandekic Executive Producer
Javier Aguirresarobe Director of Photography
Benjamin Fernandez Production Designer
Steven Rosenblum Editor
Pierre-Yves Gayraud Costume Designer
Gabriel Yared Composer
Mark Russell Visual Effects Supervisor
Edward McGurn Co-Producer
Avy Kaufman Casting Director
John Hubbard Casting Director
Ros Hubbard Casting Director
Camilla Valentine Isola Casting Director
Salvador Yague Unit Production Manager
Ralph Winter Unit Production Manager
Lee Cleary First Assistant Director
David Arnold Second Assistant Director
Paul Jennings Second Unit Director
Paul Jennings Stunt Coordinator
Jordi Casares Supervising Stunt Coordinator
Lee Morrison Stunt Coordinator
Alison Beckett Associate Producer
Ian Bedford Associate Producer
Carla Garapedian Associate Producer
Alison Beckett Post-Production Supervisor
Didac Bono Supervising Art Director
Alejandro Fernandez Art Director
Oscar Sempere Art Director
Gabriel Liste Art Director
Renee Foley* Script Supervisor
Peter Glossop Sound Mixer
Pau Costa Special Effects Supervisor
Teresa Costa Special Effects Coordinator
Felix Rosell Supervising Location Manager
Juanan Clemente Location Manager
Ricardo Ferrari Location Manager
Pilar Revuelta Set Decorator
Bettina Seifert Costume Supervisor
Cristina Sopena Costume Supervisor
Ailbhe Lemass Make up
Mercedes Barbod Production Manager
Pilar Amer Fuster Production Manager
Jairo Murray Second Assistant Director
Cynthia E. Thornton* Associate Editor
Timothy Donovan First Assistant Editor
Agustin Serna First Assistant Editor
Monette Dubin Visual Effects Producer
Sarah Dowland Visual Effects Producer
Philip Stockton Supervising Sound Editor
Paul Hsu Supervising Sound Editor
Tom Fleischman Re-recording Mixer
Paul Hsu Re-recording Mixer
Suzana Peric Music Editor
David Menke Score Producer
Nick Wollage Score Recordist
Peter Cobbin Score Mixer
Kirsty Whalley Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.