Australia Box Office for Peterloo (2018)
| Theatrical Performance (US$) | ||
| Australia Box Office | $92,349 | Details |
| Worldwide Box Office | $2,153,029 | Details |
| Further financial details... | ||
Synopsis
The true story of one of the bloodiest episodes in British history, the infamous Peterloo Massacre of 1819, where government-backed cavalry charged into a peaceful crowd of 80,000 that gathered in Manchester, England to demand democratic reform.
Metrics
Movie Details
| Australia Releases: | October 26th, 2018 (Wide) |
| Video Release: | July 3rd, 2019 by Prime Video |
| MPAA Rating: | PG-13 for a sequence of violence and chaos. (Rating bulletin 2526 (Cert #51468), 5/9/2018) |
| Running Time: | 153 minutes |
| Keywords: | 1800s, Set in England, Government Corruption, Political, Government Massacre or Democide |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Film 4, Thin Man Films, Amazon Studios, BFI, Lipsync Productions |
| Production Countries: | United Kingdom |
| Languages: | English |
Theater Averages: High Life Reaches High Heights
April 12th, 2019
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High Life led the way on the theater average chart earning an average of $24,835 in four theaters. Amazing Grace was next with an average of $14,674 in eight theaters. Meanwhile, the overall number one film, Shazam, was the final film in the $10,000 club with an average of $12,688.
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Weekend Estimates: Shazam Flies to First Place with over $50 million
April 7th, 2019
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Shazam is easily topping the weekend box office chart with an estimated $53.45 million for a total of $56.78 million, including its previous special engagement. This is marginally better than our prediction, but not as strong as I thought it would be after its surprising previews. The film should have strong legs with its amazing reviews, its A from CinemaScore, and its family-friendly target audience. On the other hand, Avengers: Endgame is on its way, and that film could practically end Shazam’s run at the box office. Internationally, Shazam is opening with an estimated $102 million in 79 markets. This includes $30.9 million in China, as well as $6.2 million in Mexico. On the other hand, it only managed $5.3 million in the U.K., which is far less impressive than its debut here.
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Limited and VOD Releases: Only a Couple of This Week’s Films are Amazing
April 5th, 2019
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If I were to use just one phrase to describe this week’s list, it would be “Good, but not great.” More than half of the films on this week’s list have reviews that are exactly that, merely good, but not good enough for limited release. Of the exceptions, Amazing Grace is the one I want to see the most.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/10/26 | - | $478 | 1 | $478 | $478 | 1 | |
| 2018/11/02 | - | $7,298 | +1,427% | 6 | $1,216 | $14,754 | 2 |
| 2018/11/09 | - | $11,027 | +51% | 10 | $1,103 | $27,752 | 3 |
| 2019/04/05 | - | $344 | 1 | $344 | $28,161 | 24 | |
| 2019/05/17 | 23 | $18,841 | 31 | $608 | $46,347 | 30 | |
| 2019/05/24 | 28 | $11,160 | -41% | 30 | $372 | $68,954 | 31 |
| 2019/05/31 | 29 | $5,271 | -53% | 28 | $188 | $80,760 | 32 |
| 2019/06/07 | - | $1,127 | -79% | 16 | $70 | $85,663 | 33 |
| 2019/06/14 | - | $965 | -14% | 5 | $193 | $86,014 | 34 |
| 2019/06/21 | - | $1,557 | +61% | 9 | $173 | $88,707 | 35 |
| 2019/06/28 | - | $1,571 | +1% | 10 | $157 | $92,349 | 36 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/26/2018 | $478 | 1 | 31 | 163 | $92,349 | 7/2/2019 |
| Italy | 3/22/2019 | $36,410 | 34 | 34 | 87 | $98,283 | 4/19/2019 |
| New Zealand | 7/19/2019 | $173 | 1 | 1 | 1 | $173 | 9/5/2019 |
| North America | 4/5/2019 | $21,577 | 3 | 92 | 170 | $151,971 | |
| United Kingdom | 11/2/2018 | $452,090 | 138 | 254 | 678 | $1,810,253 | 11/24/2021 |
| Worldwide Total | $2,153,029 | 11/24/2021 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Rory Kinnear | Henry Hunt |
Supporting Cast
| Maxine Peake | Nellie |
| Pearce Quigley | Joshua |
| David Moorst | Joseph |
| Karl Johnson | Lord Sidmouth |
| Tim McInnerny | Prince Regent |
| Sam Troughton | Mr. Hobhouse |
| Neil Bell | Samuel Bamford |
| Philip Jackson | John Knight |
| John Paul Hurley | John Saxton |
| Nico Mirallegro | John Bagguley |
| Danny Kirrane | Samuel Drummond |
| Johnny Byrom | John Johnston |
| Vincent Franklin | Rev Ethelston, Magistrate |
| Dorothy Duffy | Mary Fildes |
| Victoria Moseley | Susannah Saxton |
| Rachel Finnegan | Mary |
| Tom Meredith | Robert |
| Simona Bitmate | Esther |
| Robert Wilfort | Liverpool, the Prime Minister |
| Roger Sloman | Mr. Grout |
| Kenneth Hadley | Mr. Golightly |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Mike Leigh | Director |
| Mike Leigh | Screenwriter |
| Georgina Lowe | Producer |
| Gail Egan | Executive Producer |
| Ben Roberts | Executive Producer |
| Lizzie Francke | Executive Producer |
| Daniel Battsek | Executive Producer |
| Sue Bruce-Smith | Executive Producer |
| Peter Hampden | Executive Producer |
| Norman Merry | Executive Producer |
| Dick Pope | Cinematographer |
| Jon Gregory | Editor |
| Suzie Davies | Production Designer |
| Gary Yershon | Composer |
| Jacqueline Durran | Costume Designer |
| Tim Fraser | Sound Mixer |
| Danielle Brandon | Co-Producer |
| Helen Grearson | Associate Producer |
| Chris Lahr | Line Producer |
| Nina Gold | Casting Director |