United Kingdom Box Office for The Perfect Guy (2015)

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The Perfect Guy poster
Theatrical Performance (US$)
United Kingdom Box Office $669,882Details
Worldwide Box Office $60,278,166Details
Home Market Performance
North America DVD Sales $5,403,468 Details
North America Blu-ray Sales $1,626,868 Details
Total North America Video Sales $7,030,336
Further financial details...

Synopsis

The Perfect Guy follows a woman who meets an IT expert, who seems to be the perfect guy. But after a sexually-charged courtship, she sees a violent side of him and dissolves the budding relationship. In a jealous rage and fueled by insane revenge, he disrupts her life.

Metrics

Movie Details

Production Budget:$18,000,000
United Kingdom Releases: November 20th, 2015 (Wide)
Video Release: December 29th, 2015 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for violence, menace, sexuality and brief strong language.
(Rating bulletin 2381, 7/8/2015)
Running Time: 100 minutes
Keywords: African Americans, Romance, Relationships Gone Wrong, Stalker, Unbelieving Police, Psychological Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Rocklin/Faust
Production Countries: United States
Languages: English

Home Market Releases for December 29th, 2015

December 29th, 2015

Bone Tomahawk

Another slow week on the home market, but not one without some top-notch releases. Blood And Black Lace on Blu-ray, I Believe in Unicorns on DVD, Shameless: Season 5 are all excellent. However, Bone Tomahawk on Blu-ray is the clear choice for Pick of the Week. More...

Weekend Wrap-Up: New Releases Fail to Reach High Heights

September 22nd, 2015

Black Mass

While the two new releases landed in first and second as expected, their box office numbers were not as strong. The Maze Runner: The Scorch Trials failed to match The Maze Runner, which is not a good sign for the franchise going forward. Black Mass did well, for a September release. Meanwhile, Everest might be considered the best new release of in the top ten, which is not surprising as it is being released by Universal. Finally there's Captive, the latest victim of the Mendoza Line. Overall, the box office was still strong and rose 10.0% from last week to $112 million. It was also 9.6% higher than the same weekend last year. Year-to-date, 2015 saw its lead expand to 5.8% over 2014 at $7.78 billion to $7.36 billion. More...

Weekend Predictions: Which New Release will Climb to the Top?

September 18th, 2015

The Maze Runner: The Scorch Trials

It's a sort of busy week this week, with two wide releases, The Maze Runner: The Scorch Trials and Black Mass, as well as two limited releases with a shot at reaching the top ten, Captive and Everest. The Scorch Trials is the latest Young Adult Adaptation franchise. The first film crossed $100 million domestically, so this one hopes to grow at the box office. Black Mass is early Oscar-bait, but the reviews suggest it won't quite get there. Captive is the latest faith-based film and it likely won't go anywhere. Everest gets an early IMAX opening before its wide release next week. This weekend last year was the weekend The Maze Runner opened. Since sequels tend to open faster than their predecessors, 2015 should come out on top in the year-over-year comparison. More...

Contest: The Perfect Prize: Winning Announcement

September 17th, 2015

The winners of our The Perfect Prize contest were determined and the entrants with the closest predictions for The Perfect Guy opening weekend were... More...

Per Theater Chart: Sleeping's Shocking Start

September 16th, 2015

Sleeping with Other People

Sleeping with Other People wasn't expected to do well in theaters, because it only earned mixed reviews, while it was also playing on VOD. Despite this, it led the way on the per theater chart with an average of $17,820 in five theaters. Goodbye Mommy was in second place with an average of $15,063. It could do well in the art house circuit, but expanding wide will be nearly impossible for this German film. Meet the Patels was right behind with an average of $14,436. It too could do well in the art house circuit, but it is a documentary, so expanding wide is likely out of the question. The Black Panthers: Vanguard of the Revolution was the only holdover in the $10,000 club with an average of $13,288 in three theaters. The overall number one film, The Perfect Guy, was next with an average of $11,656. The final film in the $10,000 club was A Brilliant Mind with an average of $10,469 in three theaters. More...

Weekend Wrap-Up: Perfect Opening for Visit and Guy

September 15th, 2015

The Visit

Both of the two true wide releases had amazing openings this past week. Or to be more specific, amazing openings for a September release. The Perfect Guy did earn first place, but by less than half a million dollars over The Visit. Both films opened substantially above expectations. Thanks to this, the overall box office rose significantly, both compared to last week and compared to last year. The total box office was $102 million, which is 13% higher than last week. It is also 13% higher than the same weekend last year. September is already looking really good. Year-to-date, 2015 has pulled in $7.65 million putting it 5.3% ahead of last year's pace of $7.26 million. 2015 is nearly $400 million head of 2014's pace and there's not a lot of time for 2015 to blow that lead. It wouldn't be impossible, but it is getting more and more unlikely. More...

Weekend Estimates: Perfect Guy and The Visit Give Fall Season a Good Start

September 13th, 2015

The Visit

The movie business will make its best ever start to the Fall Season in dollar terms this weekend, thanks to a couple of openers that are handily out-performing expectations. The second weekend in September is traditionally the weakest of the year for the industry, with the combined box office for all movies in release only reaching $100 million on two previous occasions (2008 and 2013). This year will be the third time it’s happened, and final numbers will take 2015 comfortably past 2013’s record of $103.2 million (see complete rankings here). In terms of ticket sales, we’ll still fall short of 1999’s high mark of 15.1 million, but we should see a weekend in the top 5 by that measure too. More...

Friday Estimates: Perfect Guy and Visit Headed for Strong Debuts

September 12th, 2015

The Perfect Guy

What is traditionally the weakest weekend of the year isn’t looking too bad this morning, with The Perfect Guy and The Visit both posting solid opening day numbers on Friday. The Perfect Guy came out marginally ahead on the day, picking up an estimated $9.95 million compared to $9.22 million or so for The Visit. Both films will land over $20 million for the weekend, which is a victory at this time of year, but The Perfect Guy is expected to stretch its lead over the next couple of days. More...

Weekend Predictions: Will the New Releases have Perfect Openings?

September 10th, 2015

The Perfect Guy

There are two and a half wide releases coming out this week, led by The Perfect Guy. I think it will earn first place at the box office, but it isn't a sure thing. Up next is The Visit, which is the latest from M. Night Shyamalan. It has been a while since he had real drawing power at the box office. Finally there's 90 Minutes in Heaven, which is not expected to open truly wide, but wide enough to get into the top ten. This weekend last year was led by No Good Deed, which opened with $24.25 million. I don't think any new release will match that this year. There's a chance none of them will match Dolphin Tale 2. I'm cautiously optimistic that 2015 won't lose by a substantial amount, but if either of the two truly wide releases bomb, then the box office will be in real trouble. More...

Contest: Give the Wheel a Spin: Winning Announcement

September 9th, 2015

The winners of our Give the Wheel a Spin contest were determined and the entrants with the closest predictions for The Transporter Refueled opening weekend were... More...

Contest: The Perfect Prize

September 4th, 2015

Next weekend is the weekend after Labor Day long weekend, which is historically the worst weekend at the box office. This year appears to be a rare exception to that general rule, as there are two films opening wide, The Perfect Guy and The Visit, and neither is expected to truly bomb. Unfortunately for me, those two films are expected to be in a real coin toss for first place over the weekend. I was going to do some research to figure out which film is most likely to earn first place, but instead I went with literally a coin toss. ... The Perfect Guy won and is the target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Perfect Guy.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of The Age of Adaline on DVD. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a second copy of The Age of Adaline on DVD. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a copy of Camilla Dickinson on DVD. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2015 Preview: September

September 1st, 2015

Hotel Transylvania 2

As September begins, the box office is in a slump. August was terrible and only Straight Outta Compton escaped with its dignity intact. Fortunately, we expected August to be terrible, so the box office isn't any lower than anticipated. As for September, there are two wide releases expected to earn more than $100 million, which is better than most years. Those two films are Maze Runner: The Scorch Trials and Hotel Transylvania 2, both sequels. There are four other films that could become midlevel hits, so we have good depth as well. By comparison, last September there were also two $100 million hits, The Maze Runner and The Equalizer. However, there were only two midlevel hits, so it appears this year has better depth. Frankly, 2015 has such a large lead over 2014 that all it needs to do is maintain pace for the rest of the year to be considered a success. If September can help 2015 grow its lead, then the overall industry should be very happy. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/11/20 10 $156,443   102 $1,534   $156,443 1
2015/11/27 12 $106,314 -32% 51 $2,085   $342,474 2
2015/12/04 17 $66,306 -38% 32 $2,072   $461,941 3
2015/12/11 - $45,351 -32% 27 $1,680   $536,996 4
2015/12/18 21 $18,501 -59% 13 $1,423   $577,659 5
2015/12/25 22 $13,924 -25% 12 $1,160   $606,870 6
2016/01/01 26 $15,864 +14% 11 $1,442   $644,836 7
2016/01/08 32 $8,452 -47% 9 $939   $660,701 8
2016/01/15 46 $2,365 -72% 6 $394   $666,715 9
2016/01/22 52 $909 -62% 4 $227   $668,578 10
2016/01/29 77 $424 -53% 3 $141   $669,145 11
2016/02/12 85 $136   2 $68   $669,810 13
2016/02/19 93 $59 -57% 1 $59   $669,869 14
2016/02/26 98 $12 -80% 1 $12   $669,882 15

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Aruba 9/10/2015 $0 0 3 3 $30,727 12/30/2018
Bahrain 9/10/2015 $13,643 4 4 5 $19,750 12/30/2018
Curacao 9/10/2015 $0 0 3 7 $77,008 12/30/2018
East Africa 9/11/2015 $2,417 1 1 2 $5,104 9/22/2015
Egypt 9/10/2015 $8,761 10 10 10 $8,761 12/30/2018
Germany 12/3/2015 $18,957 110 110 141 $74,869 12/29/2015
Ghana 9/11/2015 $0 0 2 6 $39,633 12/30/2018
Iraq 9/10/2015 $3,942 4 4 4 $3,942 12/30/2018
Jamaica 9/9/2015 $58,284 5 5 26 $305,445 12/30/2018
Kenya 9/11/2015 $10,924 12 12 26 $26,782 12/30/2018
Kuwait 9/10/2015 $62,889 14 14 16 $88,640 12/30/2018
Lebanon 9/10/2015 $35,241 11 11 17 $58,147 12/30/2018
Nigeria 9/11/2015 $39,184 20 20 93 $246,869 12/30/2018
North America 9/11/2015 $25,888,154 2,221 2,230 9,712 $57,027,435 4/4/2018
Norway 11/13/2015 $393 1 1 1 $702 11/17/2015
Oman 9/10/2015 $7,204 6 6 6 $7,204 12/30/2018
Qatar 9/10/2015 $15,264 6 6 6 $15,264 12/30/2018
South Africa 9/18/2015 $79,535 40 41 331 $728,159 6/9/2016
Suriname 9/10/2015 $9,689 1 1 5 $37,960 12/30/2018
Trinidad 9/9/2015 $141,558 17 17 78 $561,306 12/30/2018
United Arab Emirates 9/10/2015 $108,700 27 27 33 $171,212 12/30/2018
United Kingdom 11/20/2015 $156,443 102 102 274 $669,882 6/9/2016
 
Rest of World $73,365
 
Worldwide Total$60,278,166 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Supporting Cast

Charles S. Dutton Roger
Tess Harper Mrs. McCarthy
Kathryn Morris Karen
Rutina Wesley Alicia
Holt McCallany Detective Hansen
L. Scott Caldwell Evelyn
John Getz Renkin
Jessica Parker Kennedy Rachel
David Starzyk Frank
Ronnie Gene Blevins Roy the Mechanic
Wilmer Calderon Detective Gardner
Gordon Clapp Bill Forsythe
Duncan Joiner Zach
Julia Valentine Larson Cashier
Patrick Daniel Barista
Lyndsey Doolen Hostess
Michael Andrew Baker Mr. Inebriated
Jamal Duff Dreadlocks
Tyde Kierney Mart Owner
Michael Panes Cooper
Granville Ames Sheriff
Irene Choi Office Receptionist
Tripp Pickell Uniformed Officer
Kelle Cantwell B.R.E. Receptionist
Lucas Lind Bartender
J.F. Davis Gun Salesman
Sarah Domin Client
Clint Jordan Homeowner
Shannon Lucio Cindy
Michael Coons Mr. Keslow
Kevin McNamara Police Officer
John Forston Bartender #2

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

David M. Rosenthal Director
Nicole Rocklin Producer
Wendy Rhoads Producer
Darryl Taja Producer
Tommy Oliver Producer
Tyger Williams Screenwriter
Alan McElroy Story Creator
Tyger Williams Story Creator
Michael Ealy Executive Producer
Sanaa Lathan Executive Producer
Glenn S. Gainor Executive Producer
Peter Simonite Director of Photography
William Arnold Production Designer
Joan Sobel Editor
Atli Orvarsson Composer
David Fleming Composer
Annie Bloom Costume Designer
Valerie Bleth Sharp Co-Producer
Mary Vernieu Casting Director
Venus Kanani Casting Director
Glenn S. Gainor Unit Production Manager
Steve Danton First Assistant Director
Janell Sammelman Second Assistant Director
Dennis Bradford Art Director
Lisa Clark Set Decorator
Ronit Ravich-Boss Script Supervisor
Mary Lane Costume Supervisor
Nikoletta Skarlatos Make up
Kris Evans Make up
Kim Kimble Hairstylist
Pierce Austin Hairstylist
Steven A. Morrow Sound Mixer
Ken Clark Special Effects Coordinator
Mark Paterson Re-recording Mixer
Tony Lamberti Re-recording Mixer
Kami Asgar Supervising Sound Editor
Benjamin L. Cook Sound Designer
Bruce Tanis Sound Effects Editor
Will Riley Dialogue Editor
Brian Richards Music Editor
Mark Curry Score Mixer
Raoul Yorke Bolognini Visual Effects Producer
Erick Geisler Visual Effects Producer
Lance Gilbert Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.