Spain Box Office for A Perfect Day (2015)
| Theatrical Performance (US$) | ||
| Spain Box Office | $2,366,265 | Details |
| Worldwide Box Office | $4,011,304 | Details |
| Further financial details... | ||
Synopsis
A group of aid workers tries to remove a cadaver from a well in an armed conflict zone. The body was thrown into the well to contaminate the water and cut the water supply to the local population.But circumstances soon turn a simple task into an impossible mission. The workers cross the frenzied war landscape like guinea pigs in a maze, and there might be no way out. A war inside another war, in which the only enemy could be irrationality. The crisis they’re trying to solve is humanitarian, but they’re only human. Humor, drama, tenderness, routine, danger, hope: it all fits into a perfect day.
Metrics
Movie Details
| Spain Releases: | August 28th, 2015 (Wide) |
| Video Release: | May 17th, 2016 by Mpi Home Video |
| MPAA Rating: | R for language including some sexual references. (Rating bulletin 2402 (Cert #50163), 12/2/2015) |
| Running Time: | 106 minutes |
| Keywords: | Humanitarian Aid, Child Soldier, War, Orphan, Government Bureaucracy |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Reposado, Mediapro |
| Production Countries: | Spain |
| Languages: | Croatian, English, French, Serbian, Spanish |
Home Market Releases for July 19th, 2016
July 18th, 2016
This week, the home market is led by Batman v Superman: Dawn of Justice, at least in terms of box office dollars. It is far from the best in terms of reviews. That’s not to say there are no high quality releases this week. In fact, there are five Pick of the Week contenders, six if you include Belladonna Of Sadness, which came out last week, but the screener arrived late, so the review didn’t get published till the weekend. In the end, I went with To Have and Have Not on Blu-ray as Pick of the Week. However, Orphan Black: Season Four earns the seldom awarded Puck of the Week, as the best Canadian release.
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Home Market Releases for May 17th, 2016
May 17th, 2016
The Deadpool Blu-ray arrived last Tuesday, which is par for course for Fox, as their screeners always seem to arrive as late as possible while still technically not being late. There are updates below with the extras. On a side note, the film is so good, I was tempted to make it the Pick of the Week for the second week in a row. However, in the end I went with Dark Passage, a classic Film Noir with a famous hook. The Blu-ray is the Pick of the Week.
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Limited and VOD Releases: Oscar Bounce Dissuades New Releases
January 15th, 2016
It is one of the worst weekends to release a film in limited release, because the Oscars nominations were just announced and people who are most interested in limited releases are more likely to check out any Oscar nominated film they might have previously missed. There are only a few films with more than a handful of reviews, and only one of those is earning overwhelmingly positive reviews: The Lady in the Van.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/08/28 | 3 | $475,145 | 268 | $1,773 | $475,145 | 1 | |
| 2015/09/04 | 4 | $400,433 | -16% | 263 | $1,523 | $1,220,530 | 2 |
| 2015/09/11 | 6 | $263,395 | -34% | 242 | $1,088 | $1,700,122 | 3 |
| 2015/09/25 | 9 | $84,818 | 155 | $547 | $2,118,397 | 5 | |
| 2015/10/02 | 13 | $51,406 | -39% | 83 | $619 | $2,211,296 | 6 |
| 2015/10/09 | 19 | $28,860 | -44% | 21 | $1,374 | $2,313,111 | 7 |
| 2015/10/16 | 22 | $11,133 | -61% | 7 | $1,590 | $2,340,358 | 8 |
| 2015/10/23 | 30 | $5,459 | -51% | 4 | $1,365 | $2,350,059 | 9 |
| 2015/10/30 | 25 | $3,358 | -38% | 3 | $1,119 | $2,356,860 | 10 |
| 2015/11/06 | 34 | $1,440 | -57% | 1 | $1,440 | $2,361,664 | 11 |
| 2015/12/18 | 46 | $528 | 1 | $528 | $2,363,162 | 17 | |
| 2016/02/12 | 53 | $412 | 1 | $412 | $2,365,154 | 25 | |
| 2016/02/19 | 53 | $793 | +92% | 1 | $793 | $2,366,265 | 26 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 6/10/2016 | $10,529 | 3 | 3 | 13 | $29,021 | 7/25/2016 |
| Austria | 10/30/2015 | $11,030 | 16 | 16 | 50 | $37,798 | 12/1/2015 |
| Belgium | 3/16/2016 | $19,047 | 17 | 17 | 17 | $19,047 | 6/9/2016 |
| Brazil | 7/22/2016 | $8,990 | 0 | 0 | 0 | $8,990 | 11/16/2018 |
| Bulgaria | 1/1/2016 | $5,401 | 16 | 16 | 53 | $16,108 | 12/31/2018 |
| France | 3/16/2016 | $168,671 | 0 | 82 | 82 | $168,671 | 6/9/2016 |
| Germany | 10/22/2015 | $108,041 | 81 | 81 | 151 | $281,422 | 11/17/2015 |
| Greece | 3/24/2016 | $13,563 | 6 | 6 | 6 | $13,563 | 6/9/2016 |
| Italy | 12/10/2015 | $90,983 | 17 | 69 | 295 | $961,870 | 6/9/2016 |
| North America | 1/15/2016 | $0 | 0 | 2 | 0 | $5,002 | |
| Oman | 11/19/2015 | $439 | 1 | 1 | 1 | $438 | 12/30/2018 |
| Portugal | 6/10/2016 | $6,821 | 8 | 10 | 18 | $12,721 | 6/22/2016 |
| South Korea | 9/7/2017 | $0 | 0 | 76 | 99 | $67,172 | 12/14/2017 |
| Spain | 8/28/2015 | $475,145 | 268 | 268 | 1237 | $2,366,265 | 6/9/2016 |
| Turkey | 3/18/2016 | $3,940 | 0 | 0 | 0 | $14,295 | 12/31/2018 |
| United Arab Emirates | 11/19/2015 | $8,920 | 10 | 10 | 10 | $8,921 | 12/30/2018 |
| Worldwide Total | $4,011,304 | 12/31/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Benicio del Toro | Mambru |
| Tim Robbins | B |
| Olga Kurylenko | Katya |
| Melanie Thierry | Sophie |
| Fedja Stukan | Damir |
Supporting Cast
| Eldar Residovic | Nikola |
| Sergi Lopez | Goyo |
| Nenad Vukelic | Nikola's Grandfather |
| Morten Suurballe | UN Official at the Briefing |
| Ben Temple | UN Official's Assistant |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Fernando León de Aranoa | Director |
| Fernando León de Aranoa | Producer |
| Jaume Roures | Producer |
| Patricia de Muns | Executive Producer |
| Javier Méndez | Executive Producer |
| Fernando León de Aranoa | Screenwriter |
| Diego Farias | Collaboration by |
| Paula Farias | Based on the Novel "Dejarse Llover" by |
| Alex Catalan | Director of Photography |
| Luis Fernandez Lago | Line Producer |
| Cesar Macarron | Production Designer |
| Nacho Ruiz Capillas | Editor |
| Arnau Bataller | Composer |
| Ivan Marin | Sound Mixer |
| Daniel Pena | Sound Mixer |
| Alfonso Raposo | Sound Mixer |
| Fernando Garcia | Costume Designer |
| Caitlin Acheson | Make-up and Hair Designer |
| Agathe Dupuis | Make-up and Hair Designer |
| Ferran Piquer | Visual Effects Supervisor |
| Ferran Piquer | Post-Production Supervisor |
| Raul Romanillos | Special Effects Supervisor |
| Ana Parra | Production Manager |
| Antonio Ordonez | First Assistant Director |
| Timka Grahic | Casting Director-Bosnia |
| Camila Valentine Isola | Casting Director-Spain |