Australia Box Office for Lost In Paris (2017)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $165,515 | Details |
| Worldwide Box Office | $2,061,263 | Details |
| Home Market Performance | ||
| North America DVD Sales | $46,822 | Details |
| North America Blu-ray Sales | $21,427 | Details |
| Total North America Video Sales | $68,249 | |
| Further financial details... | ||
Synopsis
When Fiona’s orderly life is disrupted by a letter of distress from her 88-year-old Aunt Martha who is living in Paris, Fiona hops on the first plane she can and arrives only to discover that Martha has disappeared. In an avalanche of spectacular disasters, she encounters Dom, the affable, but annoying tramp who just won’t leave her alone.
Metrics
Movie Details
| Australia Releases: | May 25th, 2018 (Wide), released as Lost In Paris |
| Video Release: | November 28th, 2017 by Oscilloscope Video |
| MPAA Rating: | Not Rated |
| Running Time: | 84 minutes |
| Keywords: | Missing Person, Dysfunctional Family, Set in Paris, Set in Canada, Directing Yourself, Screenplay Written By the Star, Homeless |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Courage Mon Amour, Moteur S'll Vous Plait, CG Cinema, Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles, Canal Plus, Cine Plus, Cineimage 10, CNC, Media Programme of the European Union, Belgian Scope Invest, MK2 |
| Production Countries: | France |
| Languages: | French |
Home Market Releases for November 28th, 2017
November 27th, 2017
This is the week after Black Friday and Cyber Monday, which explains why there are so few new releases on this week’s home market release report. That said, there are some worth checking out. Haikyu!! is one of the best sports Anime titles ever made, but only the Premium Box Set is coming out this week and its just too expensive. Logan Lucky is one of the best wide releases of the year, but the DVD / Blu-ray doesn’t have enough extras to be the Pick of the Week. I was tempted to give Pick of the Week to Long Time Running, but while it is amazing the DVD / Blu-ray doesn’t come out till Friday. Likewise, I finally finished the review for MST3K: Season 11 to celebrate the renewal, but it came out way too long ago to be Pick of the Week. That leaves The Wrong Guy as my Pick of the Week. It has no reviews and the DVD / Blu-ray only has a commentary track, but it’s an underrated film in my opinion, and a Canadian film, so it gets Pick and Puck of the Week.
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Theater Averages: Audiences Take a $22,310 Journey with Hare Krishna
June 21st, 2017
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Hare Krishna! The Mantra, The Movement and the Swami Who Started it All earned first place on the theater chart with $22,310 in one theater. The Journey debuted in second place with an average of $16,448 in two theaters. Up next were a trio of wide releases, including the overall number one film, Cars 3, with an average of $12,615. All Eyes on Me opened with an average of $10,698. The only holdover in the $10,000 club was Wonder Woman, which spent its third week in the $10,000 club with an average of $10,271.
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Limited and VOD Releases: Feeling Maudlin
June 16th, 2017
It is not a particularly good week when it comes to limited releases and almost none of the films on this week’s list have a shot at box office success. The Book of Henry is the widest release by far, but its reviews will likely result in a really poor theater average. On the other hand, Maudie might be able to earn some measure of mainstream success. Its reviews are certainly a positive sign.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/05/25 | 26 | $14,127 | 7 | $2,018 | $14,127 | 1 | |
| 2018/06/01 | 27 | $16,792 | +19% | 9 | $1,866 | $37,039 | 2 |
| 2018/06/08 | 30 | $11,902 | -29% | 9 | $1,322 | $59,137 | 3 |
| 2018/06/15 | 30 | $8,429 | -29% | 6 | $1,405 | $73,182 | 4 |
| 2018/06/22 | - | $9,717 | +15% | 8 | $1,215 | $87,555 | 5 |
| 2018/06/29 | 31 | $9,354 | -4% | 8 | $1,169 | $101,952 | 6 |
| 2018/07/06 | - | $6,420 | -31% | 3 | $2,140 | $116,558 | 7 |
| 2018/07/13 | 41 | $5,715 | -11% | 3 | $1,905 | $124,989 | 8 |
| 2018/07/20 | - | $7,744 | +36% | 3 | $2,581 | $134,874 | 9 |
| 2018/07/27 | - | $7,150 | -8% | 4 | $1,788 | $144,845 | 10 |
| 2018/08/03 | - | $4,936 | -31% | 4 | $1,234 | $152,455 | 11 |
| 2018/08/10 | - | $4,949 | n/c | 5 | $990 | $156,968 | 12 |
| 2018/08/17 | - | $1,877 | -62% | 4 | $469 | $160,604 | 13 |
| 2018/08/24 | - | $859 | -54% | 3 | $286 | $163,961 | 14 |
| 2018/09/07 | - | $1,516 | 3 | $505 | $162,557 | 16 | |
| 2018/09/14 | - | $1,281 | -16% | 3 | $427 | $165,515 | 17 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 5/26/2017 | $0 | 0 | 0 | 0 | $55,745 | 1/1/2019 |
| Australia | 5/25/2018 | $14,127 | 7 | 9 | 82 | $165,515 | 9/17/2018 |
| Brazil | 7/7/2017 | $46,780 | 0 | 0 | 0 | $108,701 | 6/26/2018 |
| Bulgaria | 10/6/2017 | $0 | 0 | 0 | 0 | $4,182 | 2/26/2019 |
| France | 3/10/2017 | $0 | 0 | 0 | 0 | $259,856 | 6/27/2018 |
| Italy | 5/17/2018 | $98,969 | 0 | 0 | 0 | $413,798 | 8/30/2018 |
| New Zealand | 4/6/2018 | $18,188 | 14 | 23 | 183 | $126,594 | 8/9/2018 |
| North America | 6/16/2017 | $4,510 | 1 | 48 | 319 | $691,597 | |
| Russia (CIS) | 8/11/2017 | $13,675 | 60 | 60 | 60 | $42,352 | 1/1/2019 |
| South Korea | 5/4/2017 | $0 | 0 | 84 | 203 | $183,494 | 6/17/2020 |
| United Kingdom | 11/24/2017 | $9,429 | 3 | 3 | 3 | $9,429 | 11/30/2017 |
| Worldwide Total | $2,061,263 | 6/17/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Fiona Gordon | Fiona |
| Dominique Abel | Dom |
| Emmanuelle Riva | Martha |
Supporting Cast
| Pierre Richard | Norman |
| Philippe Martz | Mr. Martin |
| Fred Meert | Bob the Mounty |
| Roberta Casa Nova | Norman’s nurse |
| Olivier Parenty | Canadian Embassy employee |
| Celine Laurentie | The postman |
| Guillaume Delvingt | The jogger |
| Isabelle de Hertoghe | The laundromat couple |
| Dominique Pozzetto | The laundromat couple |
| Charlotte Dubery | The reader |
| David Palatino | The Reader |
| Fabrice Milich | The porter |
| Jean Loison | The DJ |
| Mike Romy-Cocollos | The Jumping Family |
| Annabelle Cocollos | The Jumping Family |
| Bruno Romy | The Jumping Family |
| Yvan Legoff | The waiter |
| Michel Vivier | The barman |
| Alice Veret | The café patron |
| Gagny Diop Balla | The cook |
| Brigitte Lucas | The funeral parlor lady |
| Grégory Legeai | Gaby |
| Salifou Bangoura | Cyril, Martha’s agent |
| Annick Le Perchec | A friend of Martha |
| Dominique Prie | The man at the cemetery |
| Marc Le Gall | The blind man |
| Valérie Thoumire | The policewoman |
| Niryis Pouscoulous | The taxi driver |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Dominique Abel | Director |
| Fiona Gordon | Director |
| Dominique Abel | Screenwriter |
| Fiona Gordon | Screenwriter |
| Dominique Abel | Producer |
| Fiona Gordon | Producer |
| Christie Molia | Producer |
| Charles Gillibert | Producer |
| Geneviève Lamal | Co-Producer |
| Philippe Logie | Co-Producer |
| Tanguy Dekeyser | Co-Producer |