Netherlands Box Office for Paris Can Wait (2017)
| Theatrical Performance (US$) | ||
| Netherlands Box Office | $146,808 | Details |
| Worldwide Box Office | $15,478,255 | Details |
| Home Market Performance | ||
| North America DVD Sales | $176,072 | Details |
| Total North America Video Sales | $176,072 | |
| Further financial details... | ||
Synopsis
A Hollywood producer’s wife unexpectedly takes a trip through France, which reawakens her sense of self and her joie de vivre. Anne is at a crossroads in her life. Long married to a successfully driven but inattentive movie producer, she finds herself taking a car trip from Cannes to Paris with a business associate of her husband. What should be a seven hour drive turns into a journey of discovery involving mouthwatering meals, spectacular wines, and picturesque sights.
Metrics
Movie Details
| Netherlands Releases: | July 27th, 2017 (Wide) |
| Video Release: | September 5th, 2017 by Sony Pictures Home Entertainment |
| MPAA Rating: | PG for thematic elements, smoking and some language. (Rating bulletin 2460 (Cert #50866), 1/25/2017) |
| Running Time: | 92 minutes |
| Keywords: | Movie Business, Road Trip, Food, Romance, Infidelity, Relationships Gone Wrong, Set in France, Set in Paris |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lifetime Films, American Zoetrope, Corner Piece Capital LLC, Protagonist Pictures, Tohokushinsha Film Corporation |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for September 5th, 2017
September 5th, 2017
There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week.
More...
Theater Averages: Spider-Man has Storybook $26,915 Opening
July 11th, 2017
There was a really close race on the theater chart this week with Spider-Man: Homecoming topping A Ghost Story $26,915 to $26,008. The only other film to top $10,000 was The Big Sick, which earned an average of $10,971 in 326 theaters.
More...
Theater Averages: Beatriz Fills Up with Average of $28,392
June 13th, 2017
Beatriz at Dinner led the way on the theater average chart with an average of $28,392 in five theaters. Last week’s winner, Wonder Woman, was pushed into second place with a still impressive average of $14,050. The final film in the $10,000 club was The Hero with an average of $11,329 in four theaters.
More...
Theater Averages: Wonder Woman Kisses the Top of the Chart with $24,790
June 7th, 2017
-8-News.jpg)
Wonder Woman dominated the theater average chart with an average of $24,790. Second place went to The Exception, a.k.a., The Kaiser’s Last Kiss, which earned an average of $10,675 in two theaters.
More...
Theater Averages: Audiences Didn’t Wait to See Paris
May 16th, 2017
Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening.
More...
Weekend Estimates: Second Place Snatched from King Arthur
May 14th, 2017
-2-News.jpg)
King Arthur: Legend of the Sword has proved to be a costly bet gone wrong for Warner Bros. and Village Roadshow. The film had a long gestation period, and ended up costing $175 million to make. Once another $100 million or so of marketing is added in, that makes for a target of at least $550 million at the global box office before anyone starts recouping anything from the film. A domestic opening of $14.7 million, and $29.1 million overseas, makes that a laughably-distant prospect. Adding to the embarrassment, King Arthur will start out in third place, behind Mothers Day-play Snatched, and even that film isn’t doing particularly well, when all is said and done.
More...
Limited and VOD Releases: Farewell to Loved Limited Releases
May 12th, 2017
-1-News.jpg)
It is a busy week for limited releases. Not only are there are lot of films coming out, but most of them have a sizable number of reviews on Rotten Tomatoes, suggesting there is at least some buzz. Unfortunately, a number of these movies are earning reviews that are mixed, or worse. Furthermore, there are many that are playing in too many theaters for limited release or playing on VOD, neither of which will help their box office chances. As for top picks, I would see Stefan Zweig: Farewell to Europe in theaters or Hounds of Love on Video on Demand.
More...
Paris Can Wait Trailer
March 31st, 2017
Comedy starring Diane Lane, Alec Baldwin, and Arnuad Viard, written and directed by Eleanor Coppola opens May 12 ... Full Movie Details.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/07/28 | 20 | $31,272 | 13 | $2,406 | $34,590 | 1 | |
| 2017/08/04 | 23 | $17,948 | -43% | 13 | $1,381 | $66,101 | 2 |
| 2017/08/11 | 24 | $18,252 | +2% | 14 | $1,304 | $95,605 | 3 |
| 2017/08/18 | 24 | $13,672 | -25% | 15 | $911 | $117,567 | 4 |
| 2017/08/25 | - | $3,753 | -73% | 15 | $250 | $125,055 | 5 |
| 2017/09/01 | - | $2,771 | -26% | 20 | $139 | $129,705 | 6 |
| 2017/09/08 | - | $3,635 | +31% | 14 | $260 | $139,992 | 7 |
| 2017/09/15 | - | $1,344 | -63% | 9 | $149 | $142,406 | 8 |
| 2017/09/22 | - | $1,729 | +29% | 6 | $288 | $145,085 | 9 |
| 2017/09/29 | - | $446 | -74% | 4 | $112 | $146,808 | 10 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 6/16/2017 | $46,528 | 0 | 0 | 0 | $207,498 | 1/1/2019 |
| Australia | 6/23/2017 | $1,597 | 1 | 123 | 824 | $1,246,522 | 10/30/2017 |
| Brazil | 6/9/2017 | $126,482 | 0 | 0 | 0 | $608,366 | 6/26/2018 |
| Germany | 7/14/2017 | $204,915 | 0 | 0 | 0 | $451,777 | 6/29/2018 |
| India | 9/8/2017 | $0 | 0 | 0 | 0 | $2,367,556 | 10/3/2018 |
| Italy | 6/15/2017 | $48,086 | 0 | 0 | 0 | $264,795 | 8/11/2017 |
| Lithuania | 9/15/2017 | $13,923 | 31 | 40 | 89 | $34,812 | 10/10/2017 |
| Netherlands | 7/27/2017 | $31,272 | 13 | 20 | 123 | $146,808 | 10/3/2017 |
| New Zealand | 7/21/2017 | $70,103 | 30 | 33 | 199 | $202,543 | 9/11/2017 |
| North America | 5/12/2017 | $98,850 | 4 | 214 | 874 | $5,608,745 | 10/19/2019 |
| Poland | 7/21/2017 | $98,883 | 0 | 0 | 0 | $106,223 | 1/1/2019 |
| Portugal | 6/30/2017 | $23,890 | 14 | 15 | 45 | $76,499 | 8/10/2017 |
| Russia (CIS) | 5/19/2017 | $36,208 | 126 | 126 | 221 | $96,802 | 1/1/2019 |
| South Korea | 7/18/2017 | $0 | 0 | 79 | 304 | $834,079 | 9/7/2018 |
| Spain | 6/16/2017 | $131,344 | 84 | 88 | 288 | $434,465 | 7/13/2017 |
| Rest of World | $2,790,765 | ||||||
| Worldwide Total | $15,478,255 | 10/19/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Diane Lane | Anne |
Supporting Cast
| Alec Baldwin | Michael |
| Arnaud Viard | Jacques |
| Elise Tielrooy | Martine |
| Cedric Monnet | Musée Des Tissus Guard |
| Elodie Navarre | Carole |
| Serge Onteniente | Mechanic |
| Pierre Cuq | Philippe |
| Aurore Clement | Concierge |
| Davia Nelson | Suzanne |
| Eleanor Lambert | Alexandra |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Eleanor Coppola | Director |
| Eleanor Coppola | Screenwriter |
| Eleanor Coppola | Producer |
| Fred Roos | Producer |
| Lisa Hamilton Daly | Executive Producer |
| Tanya Lopez | Executive Producer |
| Robert Sharenow | Executive Producer |
| Molly Thompson | Executive Producer |
| Michael Zakin | Executive Producer |
| Laura Karpman | Composer |
| Richard Beggs | Sound Designer |
| Glen Scantlebury | Editor |
| Anne Seibel | Production Designer |
| Crystel Fournier | Cinematographer |
| Milena Canonero | Costume Designer |