United Kingdom Box Office for Our Kind of Traitor (2016)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $1,596,562 | Details |
Worldwide Box Office | $8,017,937 | Details |
Further financial details... |
Synopsis
While on holiday in Marrakech, an ordinary English couple, Perry and Gail, befriend a flamboyant and charismatic Russian, Dima, who unbeknownst to them is a kingpin money launderer for the Russian mafia. When Dima asks for their help to deliver classified information to the British Secret Services, Perry and Gail get caught in a dangerous world of international espionage and dirty politics. The couple is propelled on a perilous journey through Paris and Bern, a safe house in the French Alps, to the murky corners of the City of London and an alliance with the British Government via a ruthless and determined MI6 agent.
Metrics
Movie Details
United Kingdom Releases: | May 13th, 2016 (Wide) |
Video Release: | October 4th, 2016 by Lionsgate Home Entertainment |
MPAA Rating: | R for violence, language throughout, some sexuality, nudity and brief drug use. (Rating bulletin 2429 (Cert #50418), 6/15/2016) |
Running Time: | 90 minutes |
Keywords: | Vacation, Russian Mafia, Secret Agent, Government Corruption, Set in London, Set in Paris, Fugitive / On the Run, Action Thriller |
Source: | Based on Fiction Book/Short Story |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Ink Factory, Potboiler Productions, StudioCanal, Film4, Anton Capital Entertainment, Amazon Prime Instant Video |
Production Countries: | United Kingdom |
Languages: | English |
Home Market Releases for October 18th, 2016
October 18th, 2016
It’s a bad week for the home market. There are only two first-run releases and neither of them are worth picking up. There’s not a lot of limited releases, TV on DVD releases, etc. to make up the gap. However, there is one truly great release, Trilogía de Guillermo del Toro from The Criterion Collection. The Blu-ray costs a lot, but it is a must have for fans of Guillermo Del Toro, especially his earlier Spanish-language work: Cronos, The Devil’s Backbone, and Pan’s Labyrinth.
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Home Market Releases for October 4th, 2016
October 4th, 2016
The theme for this week on the home market is “good, but not great”. There are a lot of releases, but almost none of them rise above merely good. This meant there were very few contenders for Pick of the Week and the only real choice was The Wailing. It earned perfect reviews, so even though the Blu-ray isn’t loaded with extras, it is still the best release of the week.
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Theater Averages: Don’t Think Twice hits First Place on Yearly Chart with an Average of $92,835
July 27th, 2016
Café Society's record lasted just one week as Don’t Think Twice earned $92,835 in its lone theater. I expect it to expand rapidly over the coming weeks. Café Society fell to second place with $16,999, but it did expand to 50 theaters, so this is still impressive. The number one film of the weekend, Star Trek Beyond, earned an average of $15,085. The only other film in the $10,000 club was Train to Busan with an average of $10,547 in 28 theaters. However, Kabali came close with $8,380 in 236 over the three-day weekend and $16,539 including Thursday.
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Theater Averages: Purge Produces at the Box Office, Earning Average of $11,271
July 6th, 2016
The Purge: The Election Year earned top spot on the theater average chart, at least among those films we don’t have doubts about their box office numbers. It pulled in an average of $11,271, putting it just ahead of The Legend of Tarzan, which earned an average of $10,819. The only other film in the $10,000 club was The Innocents at $10,500 in three theaters.
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Limited and VOD Releases: Loyal and True
July 1st, 2016
It is a slow week for limited releases, with only five earning enough reviews to talk about. Of these, Our Kind of Traitor is earning the loudest buzz, but its reviews are only good and not great. There are three films that are earning great reviews, but two of them are foreign-language films and the other is a documentary. None of them are expected to be hits in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/05/13 | 6 | $514,700 | 245 | $2,101 | $514,700 | 1 | |
2016/05/20 | 8 | $307,388 | -40% | 256 | $1,201 | $1,179,315 | 2 |
2016/05/27 | 16 | $101,778 | -67% | 140 | $727 | $1,493,103 | 3 |
2016/06/03 | 19 | $32,672 | -68% | 50 | $653 | $1,603,016 | 4 |
2016/06/10 | 24 | $21,897 | -33% | 51 | $429 | $1,624,477 | 5 |
2016/06/17 | 22 | $24,603 | +12% | 31 | $794 | $1,668,813 | 6 |
2016/06/24 | 25 | $13,298 | -46% | 25 | $532 | $1,619,340 | 7 |
2016/07/01 | 30 | $3,894 | -71% | 8 | $487 | $1,591,408 | 8 |
2016/07/08 | 23 | $8,855 | +127% | 7 | $1,265 | $1,564,170 | 9 |
2016/07/15 | 40 | $1,106 | -88% | 4 | $277 | $1,605,552 | 10 |
2016/07/22 | 45 | $220 | -80% | 1 | $220 | $1,596,562 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/7/2016 | $64,475 | 37 | 37 | 53 | $101,786 | 11/30/2018 |
Australia | 7/8/2016 | $895 | 1 | 72 | 361 | $768,288 | 9/12/2016 |
Bulgaria | 5/20/2016 | $11,541 | 0 | 0 | 0 | $27,711 | 2/26/2019 |
France | 6/17/2016 | $393,621 | 0 | 0 | 0 | $634,190 | 8/17/2018 |
Germany | 7/8/2016 | $288,595 | 0 | 0 | 0 | $288,595 | 8/19/2018 |
Italy | 5/6/2016 | $234,448 | 0 | 0 | 0 | $380,366 | 6/9/2016 |
Lithuania | 5/20/2016 | $3,739 | 66 | 66 | 81 | $7,867 | 6/9/2016 |
Mexico | 9/30/2016 | $47,070 | 0 | 0 | 0 | $89,728 | 9/8/2018 |
Netherlands | 6/2/2016 | $55,346 | 40 | 40 | 105 | $149,006 | 6/22/2016 |
New Zealand | 8/19/2016 | $44,415 | 44 | 44 | 246 | $215,640 | 12/5/2016 |
North America | 7/1/2016 | $984,698 | 373 | 399 | 1,198 | $3,153,157 | |
Portugal | 7/8/2016 | $19,749 | 22 | 22 | 63 | $72,812 | 8/18/2016 |
Russia (CIS) | 5/13/2016 | $83,700 | 315 | 315 | 582 | $148,306 | 11/14/2018 |
Slovenia | 5/13/2016 | $2,949 | 11 | 11 | 11 | $3,286 | 6/9/2016 |
South Korea | 7/11/2017 | $0 | 0 | 30 | 30 | $13,061 | 8/18/2017 |
Spain | 11/18/2016 | $183,729 | 206 | 206 | 412 | $311,076 | 12/9/2016 |
Turkey | 7/22/2016 | $26,945 | 87 | 87 | 123 | $56,500 | 2/26/2019 |
United Kingdom | 5/13/2016 | $514,700 | 245 | 256 | 818 | $1,596,562 | 7/27/2016 |
Worldwide Total | $8,017,937 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Ewan McGregor | Perry |
Stellan Skarsgård | Dima |
Naomie Harris | Gail Perkins |
Damian Lewis | Hector |
Supporting Cast
Jeremy Northam | Aubrey Longrigg |
Khalid Abdalla | Luke |
Mark Gatiss | Billy Matlock |
Saskia Reeves | Tamara |
Alec Utgoff | Niki |
Mark Stanley | Ollie |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Susanna White | Director |
Hossein Amini | Screenwriter |
John Le Carre | Based on the novel by |
Gail Egan | Producer |
Stephen Cornwell | Producer |
Simon Cornwell | Producer |
Olivier Courson | Executive Producer |
Ron Halpern | Executive Producer |
Jenny Borgars | Executive Producer |
Tessa Ross | Executive Producer |
Mark Holt | Special Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.