Australia Box Office for Ottolenghi and the Cakes of Versailles (2020)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $124,102 | Details |
| Worldwide Box Office | $194,149 | Details |
| Further financial details... | ||
Synopsis
In the summer of 2018, New York’s Metropolitan Museum of Art enlists Yotam Ottolenghi, the London-based Isreali chef and celebrated author of cookbooks Jerusalem and Plenty, to organize a food gala inspired by the Met exhibit “Visitors to Versailles.” In preparation for the event, Ottolenghi travels to the Palace of Versailles. At the landmark French site, the famed chef is possessed by a child-like curiosity, as he finds in Versailles a glimpse into the French Monarchy’s decadence. And so Ottolenghi, with the help of pastry chefs, positions The Met event as both an expression and critique of excess. Several centuries ago in Versailles, the royal family lived in public to help broadcast the country’s splendor and wealth. Ottolenghi fast-forwards to the advent of social media and finds a new aristocracy streaming their riches, food, and prosperity. In both eras, we see deep exclusion, longing for community, a patriarchal structure — and the same potential for revolution.
Metrics
Movie Details
| Australia Releases: | December 24th, 2020 (Wide) |
| Running Time: | 75 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/12/25 | - | $10,008 | 22 | $455 | $12,156 | 1 | |
| 2021/01/01 | 17 | $16,476 | +65% | 22 | $749 | $48,649 | 2 |
| 2021/01/08 | - | $9,414 | -43% | 18 | $523 | $70,803 | 3 |
| 2021/01/15 | - | $10,334 | +10% | 17 | $608 | $87,265 | 4 |
| 2021/01/22 | - | $8,140 | -21% | 18 | $452 | $100,912 | 5 |
| 2021/01/29 | - | $3,816 | -53% | 12 | $318 | $108,856 | 6 |
| 2021/02/05 | - | $1,696 | -56% | 7 | $242 | $111,830 | 7 |
| 2021/02/12 | - | $356 | -79% | 3 | $119 | $115,506 | 8 |
| 2021/02/19 | - | $306 | -14% | 2 | $153 | $117,892 | 9 |
| 2021/02/26 | - | $1,853 | +506% | 4 | $463 | $119,128 | 10 |
| 2021/03/05 | - | $379 | -80% | 3 | $126 | $118,832 | 11 |
| 2021/03/12 | - | $183 | -52% | 2 | $92 | $121,016 | 12 |
| 2021/03/19 | - | $675 | +269% | 3 | $225 | $121,840 | 13 |
| 2021/03/26 | - | $557 | -17% | 1 | $557 | $120,906 | 14 |
| 2021/04/23 | - | $1,393 | 1 | $1,393 | $124,102 | 18 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/24/2020 | $10,008 | 22 | 22 | 135 | $124,102 | 10/20/2022 |
| New Zealand | 1/7/2021 | $13,019 | 20 | 20 | 119 | $65,085 | 10/19/2022 |
| North America | 9/25/2020 | $1,955 | 26 | 26 | 36 | $4,962 | |
| Worldwide Total | $194,149 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
| Laura Gabbart | Director |
| Steve Robillard | Producer |
| Mohamed Alrafi | Producer |
| Jeffrey Frey | Producer |
| Lauren Deuterman | Producer |
| Paula Manzanedo-Schmit | Executive Producer |
| Jeff Hasler | Executive Producer |
| Ernie Avila | Executive Producer |
| Brian Lovett | Executive Producer |