Estonia Box Office for Ooops! Noah is Gone (2015)
Theatrical Performance (US$) | ||
Estonia Box Office | $118,735 | Details |
Worldwide Box Office | $24,285,049 | Details |
Further financial details... |
Metrics
Movie Details
Estonia Releases: | September 25th, 2015 (Wide) |
MPAA Rating: | G (Rating bulletin 2377, 6/10/2015) |
Running Time: | 87 minutes |
Franchise: | Ooops! |
Source: | Original Screenplay |
Genre: | Adventure |
Production Method: | Digital Animation |
Creative Type: | Kids Fiction |
Production Countries: | Belgium, Germany, Ireland, Luxembourg |
Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/09/25 | 2 | $27,757 | 17 | $1,633 | $27,757 | 1 | |
2015/10/02 | 3 | $22,885 | -18% | 15 | $1,526 | $57,753 | 2 |
2015/10/09 | 5 | $15,951 | -30% | 9 | $1,772 | $78,450 | 3 |
2015/10/16 | 5 | $12,108 | -24% | 9 | $1,345 | $93,600 | 4 |
2015/11/06 | 8 | $3,831 | 6 | $639 | $116,304 | 7 | |
2015/11/13 | 9 | $2,083 | -46% | 4 | $521 | $118,735 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/15/2015 | $64,001 | 139 | 139 | 259 | $157,480 | 11/29/2018 |
Australia | 9/19/2015 | $12,561 | 32 | 33 | 99 | $54,343 | 10/13/2015 |
Austria | 7/30/2015 | $0 | 0 | 43 | 106 | $418,625 | 12/1/2015 |
Belgium | 7/15/2015 | $0 | 0 | 14 | 22 | $310,129 | 10/13/2015 |
Bolivia | 9/17/2015 | $0 | 0 | 14 | 28 | $122,942 | 12/30/2018 |
Brazil | 2/4/2016 | $108,810 | 207 | 207 | 447 | $390,005 | 6/9/2016 |
Bulgaria | 10/30/2015 | $41,094 | 40 | 40 | 250 | $185,647 | 12/31/2018 |
China | 8/12/2016 | $1,150,000 | 7550 | 7550 | 7550 | $1,830,151 | 8/27/2018 |
Croatia | 10/8/2015 | $0 | 0 | 17 | 60 | $161,751 | 12/30/2018 |
Czech Republic | 8/14/2015 | $0 | 0 | 75 | 75 | $14,094 | 12/30/2018 |
Estonia | 9/25/2015 | $27,757 | 17 | 17 | 60 | $118,735 | 11/17/2015 |
France | 12/9/2015 | $0 | 0 | 332 | 922 | $3,354,765 | 6/9/2016 |
Germany | 7/30/2015 | $236,499 | 0 | 228 | 755 | $1,695,025 | 8/22/2018 |
Hungary | 8/20/2015 | $50,360 | 49 | 49 | 49 | $117,497 | 12/30/2018 |
Italy | 4/9/2015 | $121,598 | 0 | 1 | 3 | $364,566 | 11/6/2018 |
Latvia | 9/11/2015 | $0 | 0 | 4 | 4 | $41,368 | 12/30/2018 |
Lithuania | 9/18/2015 | $18,807 | 0 | 0 | 0 | $88,740 | 10/17/2015 |
Malaysia | 9/17/2015 | $0 | 0 | 29 | 36 | $50,332 | 10/6/2015 |
Mexico | 7/31/2015 | $335,653 | 0 | 0 | 0 | $870,336 | 9/7/2018 |
Netherlands | 7/16/2015 | $33,421 | 70 | 70 | 249 | $187,180 | 11/24/2018 |
Poland | 5/1/2015 | $174,357 | 0 | 0 | 0 | $1,074,458 | 12/30/2018 |
Portugal | 8/27/2015 | $0 | 0 | 19 | 56 | $206,536 | 12/1/2015 |
Russia (CIS) | 8/20/2015 | $393,441 | 642 | 642 | 1805 | $1,377,038 | 12/30/2018 |
Serbia and Montenegro | 1/7/2016 | $0 | 0 | 14 | 29 | $13,677 | 12/31/2018 |
Slovakia | 8/27/2015 | $20,435 | 52 | 52 | 109 | $56,565 | 9/16/2015 |
Slovenia | 11/12/2015 | $11,192 | 25 | 25 | 101 | $26,782 | 12/16/2015 |
South Korea | 5/1/2015 | $452,347 | 0 | 0 | 0 | $1,354,131 | 8/29/2018 |
Spain | 5/22/2015 | $111,544 | 133 | 205 | 1255 | $839,933 | 11/28/2018 |
Ukraine | 8/27/2015 | $83,223 | 156 | 156 | 413 | $132,755 | 12/30/2018 |
United Kingdom | 7/10/2015 | $858,765 | 0 | 453 | 1035 | $4,860,304 | 8/27/2018 |
Uruguay | 10/15/2015 | $4,384 | 3 | 6 | 39 | $19,598 | 12/30/2018 |
Venezuela | 7/31/2015 | $0 | 0 | 13 | 22 | $2,043,372 | 10/27/2015 |
Rest of World | $1,746,189 | ||||||
Worldwide Total | $24,285,049 | 12/31/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Toby Genkel | Director |
Sean McCormack | Director |