United Kingdom Box Office for Only Yesterday (Re: 2016) (1991)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $5,043 | Details |
Worldwide Box Office | $576,916 | Details |
Home Market Performance | ||
North America Blu-ray Sales | $1,373,943 | Details |
Total North America Video Sales | $1,373,943 | |
Further financial details... |
Synopsis
Taeko Okajima is a typical "office lady" in a big company in a big city. When she takes a sabbatical to the countryside in Yamagata Prefecture, the hometown of her brother-in-law, the journey recalled her memory of her 5th grade year. During her stay in Yamagata, she works hard and happily as a farmer and is surrounded by friendly relatives and villagers, bringing up more memories. Their hospitality makes her to reconsider her choice of life.
Metrics
Movie Details
United Kingdom Releases: | June 3rd, 2016 (Limited), released as Only Yesterday (Re: 2016) |
Video Release: | July 5th, 2016 by Universal Home Entertainment |
MPAA Rating: | PG for thematic elements, some rude behavior and smoking. (Rating bulletin 2397 (Cert #49958), 10/28/2015) |
Running Time: | 118 minutes |
Keywords: | Non-Chronological, Life in a Small Town, Corporate Life, Coming of Age, Anime |
Source: | Based on Comic/Graphic Novel |
Genre: | Drama |
Production Method: | Hand Animation |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Studio Ghibli |
Production Countries: | Japan |
Languages: | Japanese |
Home Market Releases for July 5th, 2016
July 4th, 2016
It's a strange week on the home market, as there are no first-run releases and very few other releases to make up the difference. There are some contenders for Pick of the Week, but all of them are foreign-language films, which is again odd. In fact, two of them, Only Yesterday and The Boy and the World, are animated. However, in the end, I went with The Mermaid, which deserves to be seen by more and Blu-ray is a great way to see it.
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Limited and VOD Releases: Yesterday is the Perfect Day to Watch a Limited Release
February 26th, 2016
It's Oscar weekend, so obviously there's not many new limited releases worth paying attention to. Crouching Tiger, Hidden Dragon: Sword of Destiny is the biggest, but Only Yesterday is the best.
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Theater Averages: Revenant Remains Potent with Average of $111,957
January 5th, 2016
The Revenant remained on top of the theater average chart dipping just 6% to an average of $111,957 in four theaters. That's amazing and it bodes very well for its chances during its wide expansion this weekend. Furthermore, there are some major Awards Season events this week that could boost ticket sales even more. Anomalisa was well back in second place, but it still had an impressive opening with an average of $33,806 over the weekend and an average of $52,658 during its five-day opening. Star Wars: The Force Awakens was next with an average of $21,829. Chimes at Midnight earned $20,480 in one theater during its re-release, while Only Yesterday earned $14,970, also in one theater. The latter film is yet another success for GKIDS; this is the only studio that routinely has success with animated films in limited release. 45 Years remained in the $10,000 club with an average of $14,588 in six theaters. It doubled its theater count, but the average only fell 33% and that's a great sign for further expansion. Mr. Six is the fourth holdover in the $10,000 club earning an average of $10,406 in 28 theaters.
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Weekend Estimates: Force aweakens with $88.3 million weekend
January 3rd, 2016
This weekend sees the first signs of a slow-down at the box office for The Force Awakens, which will be down 41% from last weekend, according to Disney’s Sunday morning estimate. That’s the worst comparative performance in the top ten, and much weaker than Avatar’s 9% decline the same weekend in 2010. Such statistics are fairly academic when you already have $700 million in the bank domestically, though, and Star Wars’ momentum coming out of the holidays is such that it will register the biggest ever New Year’s weekend, and the biggest-ever 3rd weekend, overtaking Avatar’s $68.5 million. With $770.5 million overseas so far, its global total is now over $1.5 billion, putting it in the top six all time, and guaranteeing it will end in the top three, with only Titanic and Avatar left to shoot for.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/06/03 | 29 | $5,043 | 12 | $420 | $5,043 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 5/6/2016 | $33,141 | 28 | 28 | 37 | $49,338 | 6/9/2016 |
Italy | 7/4/2024 | $61,599 | 0 | 0 | 0 | $61,599 | 7/8/2024 |
Japan | 7/20/1991 | $0 | 0 | 0 | 0 | $0 | |
New Zealand | 5/6/2016 | $7,695 | 3 | 3 | 3 | $7,695 | 6/9/2016 |
North America | 1/1/2016 | $14,970 | 1 | 44 | 154 | $453,241 | |
United Kingdom | 6/3/2016 | $5,043 | 12 | 12 | 12 | $5,043 | 6/9/2016 |
Worldwide Total | $576,916 | 7/8/2024 |
Leading Cast
Daisy Ridley | Taeko Okajima |
Supporting Cast
Allison Fernandez | Young Taeko Okajima |
Hope Levy | Tsuneko |
Stephanie Sheh | Aiko |
Ava Acres | Toko |
Jaden Betts | Suzuki |
Gianella Thielmann | Hirota |
Matthew Yang King | Taeko’s Father |
Laura Bailey | Nanako |
Mona Marshall | Grandmother |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Isao Takahata | Director |
Isao Takahata | Screenwriter |
Hotaru Okamoto | Based on the story 'Omoide Poro Poro' by |
Yuko Tone | Based on the story 'Omoide Poro Poro' by |
Toshio Suzuki | Producer |
Geoffrey Wexler | Producer - English Language Version |
Takeshi Seyama | Editor |
Katz Hoshi | Composer |
Hayao Miyazaki | Executive Producer |
Mitsuo Iso | Animation |