Portugal Box Office for Presos no Tempo (2021)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $205,996 | Details |
| Worldwide Box Office | $89,836,797 | Details |
| Home Market Performance | ||
| North America DVD Sales | $3,039,808 | Details |
| North America Blu-ray Sales | $3,695,794 | Details |
| Total North America Video Sales | $6,735,602 | |
| Further financial details... | ||
Synopsis
A family on a tropical holiday discover that the secluded beach where they are relaxing for a few hours is somehow causing them to age rapidly … reducing their entire lives into a single day.
Metrics
Movie Details
| Production Budget: | $18,000,000 |
| Portugal Releases: | July 30th, 2021 (Wide), released as Presos no Tempo |
| Video Release: | October 5th, 2021 by Universal Home Entertainment |
| MPAA Rating: | PG-13 for strong violence, disturbing images, suggestive content, partial nudity and brief strong language. (Rating bulletin 2685 (cert #53247), 6/16/2021) |
| Running Time: | 108 minutes |
| Keywords: | Psychological Thriller, Tourists In Trouble, Vacation, Family Vacations, Same Role, Multiple Actors, Supernatural |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blinding Edge Pictures, Universal Pictures, Perfect World Pictures |
| Production Countries: | United States |
| Languages: | English |
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July 25th, 2021
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July 23rd, 2021
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Old trailer
July 19th, 2021
Thriller written and directed by M. Night Shyamalan opens Friday, July 23… Full movie details
A family on a tropical holiday discover that the secluded beach where they are relaxing for a few hours is somehow causing them to age rapidly … reducing their entire lives into a single day.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/07/30 | 5 | $39,938 | 45 | $888 | $39,938 | 1 | |
| 2021/08/06 | 6 | $28,835 | -28% | 36 | $801 | $94,859 | 2 |
| 2021/08/13 | 9 | $17,566 | -39% | 33 | $532 | $139,483 | 3 |
| 2021/08/20 | 12 | $9,878 | -44% | 15 | $659 | $160,659 | 4 |
| 2021/08/27 | 15 | $7,142 | -28% | 10 | $714 | $176,128 | 5 |
| 2021/09/03 | 17 | $3,552 | -50% | 6 | $592 | $184,825 | 6 |
| 2021/09/10 | - | $2,500 | -30% | 9 | $278 | $188,430 | 7 |
| 2021/09/17 | 18 | $3,890 | +56% | 5 | $778 | $197,186 | 8 |
| 2021/09/24 | - | $2,416 | -38% | 4 | $604 | $200,261 | 9 |
| 2021/10/01 | - | $1,573 | -35% | 2 | $787 | $201,508 | 10 |
| 2021/10/08 | - | $222 | -86% | 2 | $111 | $202,451 | 11 |
| 2021/10/15 | - | $1,081 | +387% | 2 | $541 | $204,740 | 12 |
| 2021/10/22 | - | $450 | -58% | 1 | $450 | $205,996 | 13 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 7/22/2021 | $325,149 | 155 | 231 | 818 | $1,125,598 | 12/28/2021 |
| Belgium | 7/21/2021 | $150,000 | 43 | 43 | 86 | $367,000 | 10/20/2022 |
| Brazil | 7/29/2021 | $270,000 | 371 | 372 | 743 | $477,000 | 10/20/2022 |
| Chile | 9/9/2021 | $27,000 | 42 | 42 | 42 | $27,000 | 10/20/2022 |
| Cyprus | 9/3/2021 | $6,000 | 7 | 7 | 7 | $6,000 | 10/20/2022 |
| Czech Republic | 7/23/2021 | $40,389 | 90 | 90 | 169 | $130,513 | 10/20/2022 |
| Finland | 7/21/2021 | $0 | 0 | 18 | 31 | $184,579 | 10/20/2022 |
| France | 7/21/2021 | $586,000 | 294 | 318 | 1507 | $2,532,459 | 9/3/2021 |
| Germany | 7/22/2021 | $0 | 0 | 335 | 1182 | $1,935,000 | 10/20/2022 |
| Hong Kong | 7/30/2021 | $146,000 | 45 | 45 | 45 | $146,000 | 10/20/2022 |
| Hungary | 7/29/2021 | $152,000 | 50 | 55 | 105 | $358,000 | 10/20/2022 |
| India | 9/17/2021 | $29,000 | 300 | 300 | 300 | $29,000 | 9/21/2021 |
| Italy | 7/21/2021 | $726,000 | 253 | 253 | 253 | $1,800,218 | 4/13/2022 |
| Japan | 8/27/2021 | $770,000 | 238 | 238 | 952 | $2,764,000 | 9/21/2021 |
| Lithuania | 7/23/2021 | $8,461 | 15 | 15 | 36 | $36,216 | 10/20/2022 |
| Mexico | 7/22/2021 | $823,764 | 0 | 0 | 0 | $2,908,201 | 10/20/2022 |
| Middle East Region | 8/13/2021 | $99,000 | 0 | 0 | 0 | $99,000 | 8/16/2021 |
| Netherlands | 7/22/2021 | $138,037 | 62 | 62 | 180 | $555,089 | 10/20/2022 |
| New Zealand | 7/23/2021 | $118,286 | 67 | 67 | 247 | $273,770 | 10/20/2022 |
| North America | 7/23/2021 | $16,854,735 | 3,355 | 3,379 | 17,714 | $48,276,510 | |
| Peru | 8/6/2021 | $52,000 | 52 | 52 | 52 | $52,000 | 10/20/2022 |
| Poland | 7/30/2021 | $138,000 | 156 | 156 | 156 | $138,000 | 10/20/2022 |
| Portugal | 7/30/2021 | $39,938 | 45 | 45 | 170 | $205,996 | 10/20/2022 |
| Romania | 7/23/2021 | $49,862 | 74 | 74 | 238 | $190,180 | 10/20/2022 |
| Russia (CIS) | 7/22/2021 | $2,140,742 | 1429 | 1449 | 5397 | $7,197,261 | 10/20/2022 |
| Saudi Arabia | 8/13/2021 | $426,000 | 0 | 40 | 79 | $1,193,000 | 10/20/2022 |
| Slovakia | 7/23/2021 | $44,327 | 53 | 53 | 115 | $161,557 | 8/27/2021 |
| South Africa | 8/6/2021 | $26,000 | 25 | 25 | 25 | $26,000 | 10/20/2022 |
| South Korea | 8/18/2021 | $449,560 | 525 | 525 | 749 | $924,366 | 10/7/2021 |
| Spain | 7/30/2021 | $1,262,442 | 331 | 366 | 2040 | $5,623,676 | 9/30/2021 |
| Trinidad | 9/9/2021 | $2,000 | 4 | 4 | 4 | $2,000 | 10/20/2022 |
| Turkey | 8/13/2021 | $45,280 | 148 | 148 | 416 | $244,663 | 10/20/2022 |
| Ukraine | 7/30/2021 | $197,000 | 186 | 186 | 370 | $516,288 | 5/11/2022 |
| United Arab Emirates | 8/13/2021 | $189,000 | 58 | 58 | 58 | $189,000 | 8/16/2021 |
| United Kingdom | 7/23/2021 | $1,191,888 | 560 | 560 | 1792 | $4,408,628 | 8/18/2021 |
| Uruguay | 9/9/2021 | $9,000 | 15 | 15 | 15 | $9,000 | 10/20/2022 |
| Rest of World | $4,724,029 | ||||||
| Worldwide Total | $89,836,797 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Gael Garcia Bernal | Guy |
| Vicky Krieps | Prisca |
| Rufus Sewell | Charles |
| Alex Wolff | Trent (aged 15) |
| Thomasin McKenzie | Maddox (aged 16) |
| Abbey Lee | Chrystal |
| Nikki Amuka-Bird | Patricia |
| Ken Leung | Jarin |
| Eliza Scanlen | Kara (aged 15) |
| Aaron Pierre | Mid-Sized Sedan |
| Embeth Davidtz | Adult Maddox |
| Emun Elliott | Adule Trent |
Supporting Cast
| Alexa Swinton | Maddox (aged 11) |
| Gustaf Hammarsten | Resort Manager |
| Kathleen Chalfant | Agnes |
| Francesca Eastwood | Madrid |
| Nolan River | Trent (aged 6) |
| Luca Faustino Rodriguez | Trent (aged 11) |
| Kylie Begley | Kara (aged 6) |
| Mikaya Fisher | Kara (aged 11) |
| Kailen Jude | Idlib |
| Matthew Shear | Sidney |
| Daniel Ison | Greg Mitchell |
| Jeffrey Holsman | Mr. Brody |
| Margaux Da Silva | Scientist |
| John Twohy | CIA Agent |
Cameos
| M. Night Shyamalan | Hotel Van Driver |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| M. Night Shyamalan | Director |
| M. Night Shyamalan | Screenwriter |
| Pierre Oscar Lévy | Story based on the graphic novel “Sandcastle” by |
| Frederik Peeters | Story based on the graphic novel “Sandcastle” by |
| M. Night Shyamalan | Producer |
| Marc Bienstock | Producer |
| Ashwin Rajan | Producer |
| Steven Schneider | Executive Producer |
| Naaman Marshall | Production Designer |
| Brett M. Reed | Editor |
| Trevor Gureckis | Composer |
| Michael Gioulakis | Director of Photography |
| Susan Jacobs | Music Supervisor |
| Caroline Duncan | Costume Designer |
| Douglas Aibel | Casting Director |
| Wilhem Perez | Art Director |
| Karen Frick | Set Decorator |
| Ivanna Bolonotto | Set Designer |
| Tommy Rodriguez | Set Designer |
| Gloria Isa | Set Designer |
| Matthew Nicolay | Sound Mixer |
| Alina Julia | Costume Supervisor |
| Cristina Waltz | Make up |
| Michelle Diamantides | Hairstylist |
| Ishana Night Shyamalan | Second Unit Director |
| Renetta G. Amador | Script Supervisor |
| Reinaldo Bisono | Location Manager |
| Brick Mason | Story Artist |
| Corey Bello | Production Supervisor |
| Jeffrey Steinkamp | First Assistant Editor |
| Skip Lievsay | Re-recording Mixer |
| Sean Garnhart | Re-recording Mixer |
| Sean Garnhart | Supervising Sound Editor |
| Sean Garnhart | Sound Designer |
| Michael Feuser | Dialogue Editor |
| Chris Chae | Sound Effects Editor |
| Rich Bologna | Sound Editor |
| Lesley Langs | Supervising Music Editor |
| Christine Luethje | Music Editor |
| Jay Wadley | Additional Music |
| Derik Lee | Score Mixer |
| Satoshi Noguchi | Score Mixer |
| Craig Crawford | Visual Effects Supervisor |
| Jeremy Beadell | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.