New Zealand Box Office for Tea with the Dames (2018)
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| Theatrical Performance (US$) | ||
| New Zealand Box Office | $447,386 | Details |
| Worldwide Box Office | $3,044,515 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,595,239 | Details |
| Total North America Video Sales | $1,595,239 | |
| Further financial details... | ||
Synopsis
Sixty years ago, seismic changes ripped through the cultural establishment and, together with music and fashion, British theatre experienced an explosion of creativity and talent, the impact of which was felt around the world and is still tangible today. Pivotal to these creative and social shifts were a group of young actresses including Eileen Atkins, Judi Dench, Joan Plowright and Maggie Smith. All have received Damehoods in recognition of their outstanding contributions to the acting profession.
Metrics
Movie Details
| New Zealand Releases: | June 8th, 2018 (Wide), released as Tea with the Dames |
| Video Release: | January 15th, 2019 by Mpi Home Video |
| MPAA Rating: | Not Rated Unrated |
| Running Time: | 82 minutes |
| Keywords: | Theater Actor, Theater, Film Actor, One Location, Archive Footage |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Field Day Productions, BBC Arena |
| Production Countries: | United Kingdom |
| Languages: | English |
Home Market Releases for January 15th, 2019
January 16th, 2019
The big fall releases are starting to come out on the home market. This week we get Halloween, which was a $100 million domestic hit. However, it is not among the best films on this week’s list. There are three Pick of the Week contenders on the week’s list. There’s the award-nominated Indie film, Madeline’s Madeline, the classic Notorious, and Bad Times at the El Royale, for which I finally got the review done. It was a coin-toss, but in the end, Madeline’s Madeline on Blu-ray won.
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Theater Averages: Collette Collects First Place with $40,295
September 25th, 2018
Colette earned first place on the theater average chart with an average of $40,295 in four theaters. The Sisters Brothers was in second place with an average of $28,894, also in four theaters. Nothing Like a Dame was very strong for a documentary with $14,777 in its lone theater. One could argue Garry Winogrand: All Things Are Photographable belongs in the $10,000 club, as it earned $9,538 in one theater over the weekend and $13,782 from Wednesday through Sunday.
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Limited and VOD Releases: Starting to Love Awards Season
September 21st, 2018
It is not a particularly busy week for limited releases, as there are only nine films on the main list. However, several of them could do very well at the box office. Of these, I’m the most bullish about Colette and The Sisters Brothers, but there are two documentaries, Love, Gilda and Nothing Like a Dame, that could also open in the $10,000 club. All four could earn some Awards Season glory.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/06/08 | - | $74,601 | 78 | $956 | $131,869 | 1 | |
| 2018/06/15 | 7 | $68,699 | -8% | 78 | $881 | $273,176 | 2 |
| 2018/06/22 | 9 | $40,234 | -41% | 77 | $523 | $354,339 | 3 |
| 2018/06/29 | 10 | $22,268 | -45% | 65 | $343 | $392,750 | 4 |
| 2018/07/06 | 12 | $11,496 | -48% | 42 | $274 | $421,255 | 5 |
| 2018/07/13 | 18 | $8,491 | -26% | 27 | $314 | $431,422 | 6 |
| 2018/07/20 | 15 | $4,927 | -42% | 18 | $274 | $443,082 | 7 |
| 2018/07/27 | 25 | $1,790 | -64% | 20 | $90 | $447,034 | 8 |
| 2018/08/03 | - | $1,296 | -28% | 11 | $118 | $447,386 | 9 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 5/11/2018 | $20,416 | 16 | 177 | 1402 | $1,441,302 | 10/28/2024 |
| New Zealand | 6/8/2018 | $74,601 | 78 | 78 | 416 | $447,386 | 8/9/2018 |
| North America | 9/21/2018 | $14,777 | 1 | 69 | 426 | $889,343 | |
| South Korea | 10/10/2019 | $5,109 | 22 | 22 | 22 | $7,223 | 10/16/2019 |
| United Kingdom | 4/27/2018 | $0 | 0 | 33 | 97 | $259,261 | 7/18/2018 |
| Worldwide Total | $3,044,515 | 10/28/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Eileen Atkins | Herself |
| Judi Dench | Herself |
| Joan Plowright | Herself |
| Maggie Smith | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Roger Michell | Director |
| Sally Angel | Producer |
| Karen Steyn | Producer |
| Debbie Manners | Executive Producer |
| Anthony Wall | Executive Producer |