United Kingdom Box Office for Notes on Blindness (2016)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $104,094 | Details |
| Worldwide Box Office | $104,094 | Details |
| Further financial details... | ||
Synopsis
In 1983, after decades of steady deterioration, writer and academic John Hull became totally blind. To help him make sense of the upheaval in his life, he began keeping a diary on audiocassette. Over three years he recorded over sixteen hours of material, a unique testimony of loss, rebirth and renewal, excavating the interior world of blindness. Published in 1990 under the title ‘Touching the Rock’, the diaries were described by author and neurologist Oliver Sacks as, ‘A masterpiece… The most precise, deep and beautiful account of blindness I have ever read.’
Metrics
Movie Details
| United Kingdom Releases: | July 1st, 2016 (Wide) |
| Video Release: | March 15th, 2017 by Netflix |
| MPAA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Keywords: | Blindness, 1980s, Voiceover/Narration, Reenactments |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Archer’s Mark , Fee Fie Foe Films, 104 Films, AGAT Films & Cie, Ex Nihilo |
| Production Countries: | United Kingdom |
| Languages: | English |
2016 - Awards Season: BAFTA - Nominations
January 11th, 2017
The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece.
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Limited and VOD Releases: Limited Releases Need Some Animal Magnetism
November 18th, 2016
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There are few films on this week’s list, but most of them are earning good reviews. Two of them, Manchester by the Sea and Nocturnal Animals, are also earning Oscar buzz and I wouldn’t be surprised of both did very well on the per theater average chart. On the other hand, I’m interested in seeing Girls und Panzer The FILM.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/07/01 | 18 | $26,625 | 32 | $832 | $26,625 | 1 | |
| 2016/07/08 | 24 | $8,053 | -70% | 13 | $619 | $59,743 | 2 |
| 2016/07/15 | 31 | $3,750 | -53% | 6 | $625 | $75,769 | 3 |
| 2016/07/22 | 39 | $715 | -81% | 4 | $179 | $79,207 | 4 |
| 2016/07/29 | 30 | $2,463 | +244% | 4 | $616 | $92,804 | 5 |
| 2016/08/05 | 36 | $1,009 | -59% | 3 | $336 | $96,200 | 6 |
| 2016/08/12 | - | $365 | -64% | 2 | $183 | $99,878 | 7 |
| 2016/09/02 | - | $21 | 1 | $21 | $103,971 | 10 | |
| 2016/09/09 | - | $129 | +514% | 1 | $129 | $104,094 | 11 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 11/16/2016 | $0 | 0 | 0 | 0 | $0 | |
| United Kingdom | 7/1/2016 | $26,625 | 32 | 32 | 66 | $104,094 | 9/14/2016 |
| Worldwide Total | $104,094 | 9/14/2016 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Daniel Skinner | John Hull |
Supporting Cast
| Simone Kirby | Marilyn Hull |
| John Hull | Himself/Voice |
| Marilyn Hull | Herself/Voice |
| Eileen Davies | Madge |
| Stanley Pemberton-Warbrick | Thomas Hull |
| Miranda Beinart-Smith | Imogen |
| Mahalia Martin-Jones | Lizzie |
| Lorelei Winterfrost | Young Imogen Hull |
| Tim Gebbels | Minister |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Peter Middleton* | Director |
| James Spinney | Director |
| Peter Middleton* | Screenwriter |
| James Spinney | Screenwriter |
| Mike Brett | Producer |
| Jo-Jo Ellison | Producer |
| Steve Jamison | Producer |
| Peter Middleton* | Producer |
| James Spinney | Producer |
| Alex Usborne | Producer |
| Lizzie Francke | Executive Producer |
| Richard Holmes | Executive Producer |
| Martine Saada | Executive Producer |
| Mark Edwards | Executive Producer |
| Nick Fraser | Executive Producer |
| Kate Townsend | Executive Producer |
| Dan Cogan | Executive Producer |
| Jason Spingarn-Koff | Executive Producer |
| Philippa Kowarsky | Executive Producer |
| David Coujard | Co-Producer |
| Arnaud Colinart | Co-Producer |
| Jenny Raskin | Co-Executive Producer |
| Gerry Floyd | Cinematographer |
| Damien Creagh | Production Designer |
| Julian Quantrill | Editor |
| Amy Hubbard | Casting Director |
| Joakim Sundstrom | Supervising Sound Editor |
| James Ewers | Composer |
| Noah Wood | Composer |