United Kingdom Box Office for Norman: The Moderate Rise and Tragic Fall of a New York Fixer (2017)

← Go to main Norman: The Moderate Rise and Tragic Fall of a New York Fixer page

Norman: The Moderate Rise and Tragic Fall of a New York Fixer
Theatrical Performance (US$)
United Kingdom Box Office $50,055Details
Worldwide Box Office $6,068,999Details
Further financial details...

Synopsis

Norman Oppenheimer lives a lonely life in the margins of New York City power and money, a would-be operator dreaming up financial schemes that never come to fruition. As he has nothing real to offer, Norman strives to be everyone’s friend, but his incessant networking leads him nowhere. Always on the lookout for someone willing to pay attention to him, Norman sets his sights on Micha Eshel, a charismatic Israeli politician alone in New York at a low point in his career. Sensing Eshel’s vulnerability, Norman reaches out with a gift of a very expensive pair of shoes, a gesture that deeply touches Eshel. When Eshel becomes Prime Minister three years later, he remembers. With his very real connection to the leader of a major nation, Norman is awash in the respect he has always craved. Flush with his newfound feeling of success, Norman attempts to use Eshel’s name to leverage his biggest deal ever: a series of quid pro quo transactions linking the Prime Minister to Norman’s nephew, a rabbi, a mogul, his assistant, and a treasury official from the Ivory Coast. Norman's kaleidoscopic plans soon go awry, creating the potential for an international catastrophe he must struggle to prevent.

Metrics

Movie Details

United Kingdom Releases: June 9th, 2017 (Wide)
Video Release: July 11th, 2017 by Sony Pictures Home Entertainment
MPAA Rating: R for some language.
(Rating bulletin 2465 (Cert #50945), 3/1/2017)
Running Time: 118 minutes
Keywords: Politicians, Set in New York, Set in Israel, Confidence Men, White Collar Crime, Rags to Riches, Riches to Rags, Political Drama, Government Corruption
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Tadmor Group, Cold Iron Pictures, Blackbird, Movie Plus, The Solution Entertainment Group
Production Countries: Israel, United States
Languages: English, Hebrew

Home Market Releases for July 11th, 2017

July 11th, 2017

Underground: Season Two

This week, the home market is led by The Fate of the Furious, which is the number one film both in terms of worldwide box office and alphabetically. It earned well over $1 billion worldwide, but it is losing the charm the franchise thrived on during the past few installments. As for the Pick of the Week, I’m going with Underground, Season Two, or the Two-Season box set. More...

Theater Averages: Wonder Woman Kisses the Top of the Chart with $24,790

June 7th, 2017

Wonder Woman

Wonder Woman dominated the theater average chart with an average of $24,790. Second place went to The Exception, a.k.a., The Kaiser’s Last Kiss, which earned an average of $10,675 in two theaters. More...

Theater Averages: Abacus Counts its Blessing with $12,528

May 24th, 2017

Abacus: Small Enough to Jail

The only film in the $10,000 club was Abacus: Small Enough to Jail, which earned $12,528 in its lone theater during its opening weekend. The only other film that came close was Alien: Covenant, which earned an average of $9,615. More...

Theater Averages: Galaxy Grabs $33,704 on Theater Average Chart

May 10th, 2017

Guardians of the Galaxy Vol 2

Not only did Guardians of the Galaxy Vol 2 earn first place on the weekend box office chart, it was also the top film on the theater average chart earning an average of $33,704. This is the fourth best result of the year so far, second best for a wide release. (Beauty and the Beast is still the best of the year with an average of $41,508.) Second place went to the re-release of Stalker with $20,540 in its lone theater. The Lovers was the only other film in the $10,000 club with an average of $16,572 in four theaters. More...

Theater Averages: Going From A to Zed with $27,544

April 19th, 2017

The Lost City of Z

The Lost City of Z led the way on the theater average chart with an average of $27,544 in four theaters. The film is expanding into several hundred more theaters this Friday, so this is a great start. The overall number one film, The Fate of the Furious, was next with an average of $22,920. Norman: The Moderate Rise and Tragic Fall of a New York Fixer opened with nearly $100,000 in five theaters for an average of $19,842. The final film in the $10,000 club was Chasing Trane with $16,626 in its lone theater. More...

Weekend Estimates: Fate’s $100 Million Stateside Dwarfed by Huge International Haul

April 16th, 2017

The Fate of the Furious

The Fate of the Furious is, as expected, posting great opening numbers domestically, with Universal projecting a $100.2 million opening weekend, but the real news this weekend is the record breaking in international markets. Helped by a gigantic $190 million in China—the biggest-ever three-day weekend in that territory—Fate is headed for an overseas debut of $432.2 million, according to the studio. That’s easily the biggest international weekend of all time, beating Jurassic World’s $316.7 million. It’s also ahead of the inflation-adjusted international opening for Harry Potter and the Deathly Hallows, Part II, which earned $314 million on its first weekend internationally, roughly equivalent to $375 million today. More...

Limited and VOD Releases: Don’t Get Lost on the Way to the Theater

April 14th, 2017

The Lost City of Z

We have a bumper crop of limited releases this week, with several that are earning outstanding reviews. Unfortunately, this means there’s way too much competition for all of them to thrive. The Lost City of Z has the loudest buzz and I think that will give it the edge at the box office. More...

Norman Trailer

March 15th, 2017

Comedy starring Richard Gere opens April 14 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/06/09 - $22,949   88 $261   $22,949 1
2017/06/16 - $3,630 -84% 17 $214   $50,055 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/3/2017 $35,093 0 0 0 $58,530 1/1/2019
Australia 5/26/2017 $61,554 28 28 151 $277,725 7/18/2017
Brazil 5/5/2017 $151,501 0 0 0 $285,234 6/26/2018
Italy 9/29/2017 $425,434 0 0 0 $902,243 10/18/2017
New Zealand 5/26/2017 $6,448 13 13 40 $21,465 6/26/2017
North America 4/14/2017 $99,211 5 373 1,205 $3,814,868
Portugal 5/19/2017 $2,075 3 3 12 $14,591 6/26/2017
Spain 6/2/2017 $230,907 127 128 451 $644,288 7/13/2017
United Kingdom 6/9/2017 $22,949 88 88 105 $50,055 6/21/2017
 
Worldwide Total$6,068,999 1/1/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Richard Gere Norman Oppenheimer

Supporting Cast

Lior Ashkenazi Micha Eshel
Hank Azaria Srul Katz
Steve Buscemi Rabbi Blumenthal
Charlotte Gainsbourg Alex Green
Michael Sheen Philip Cohen
Dan Stevens Bill Kavish
Josh Charles Arthur Taub
Harris Yulin Jo Wilf
Yehuda Almagor Duby
Neta Riskin Hanna
Dov Glickman Ron Maor
Tali Sharon Naomi Eshel
Isaach de Bankolé Jacques
Miranda Bailey Taub’s Assistant
Scott Shepherd Bruce Schwartz
Azi Schwartz Cantor

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Joseph Cedar Director
Joseph Cedar Screenwriter
Oren Moverman Producer
Gideon Tadmor Producer
Eyal Rimmon Producer
David Mandil Producer
Miranda Bailey Producer
Lawrence Inglee Producer
Jim Kaufman Executive Producer
Amanda Marshall Executive Producer
Caroline Kaplan Executive Producer
Michal Graidy Executive Producer
Carrie Fix Co-Producer
Luca Borghese Co-Producer
Myles Nestel Co-Executive Producer
Lisa Wilson Co-Executive Producer
Yaron Scharf Director of Photography
Brian A. Kates Editor
Kalina Ivanov Production Designer
Arad Sawat Production Designer
Jun Miyake Composer
Hal Willner Music Producer
Michelle Matland Costume Designer
Laura Rosenthal Casting Director
Lee Shira Line Producer
Racheli Sternberg Associate Producer
Michal Wolff Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.