Russia (CIS) Box Office for Кинотеатр кошмаров (2019)
Theatrical Performance (US$) | ||
Russia (CIS) Box Office | $79,223 | Details |
Worldwide Box Office | $109,835 | Details |
Further financial details... |
Synopsis
In this horror anthology, five strangers are drawn to an abandoned theater and forced to watch their deepest and darkest fears play out before them. Lurking in the shadows is the Projectionist, who preys upon their souls with his collection of disturbing films. As each reel spins its sinister tale, the characters find frightening parallels to their own lives.
Metrics
Movie Details
Russia (CIS) Releases: | April 8th, 2021 (Wide), released as Кинотеатр кошмаров |
Video Release: | September 3rd, 2019 by Cinedigm |
MPAA Rating: | R for horror violence/gore, grisly images, language, some sexuality and brief nude images. (Rating bulletin 2528 (Cert #51613), 5/23/2018) |
Running Time: | 119 minutes |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | United States |
Languages: | English |
Home Market Releases for September 3rd, 2019
September 4th, 2019
It’s another short week with not a lot to talk about. The biggest release of the week is Men in Black International, but it missed expectations by a significant margin. The best first-run release is Booksmart, which also missed expectations by a significant margin, but it is still good enough to be a Pick of the Week contender. In fact, it’s only competition is My Hero Academia: Season Three, Part Two. It came down to a literal coin toss and My Hero Academia won, but both deserve the title.
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Limited and VOD Releases: Ladies Gone Wild
June 21st, 2019
None of the films on this week’s list look like they will have breakout success. It is nearly impossible to find a film coming out in limited release this week that is in a genre that tends to do well in limited release, has great reviews, and isn’t playing on VOD. Wild Rose matches those three criteria the closest, but it is Ladies in Black that I’m most interested in seeing.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/04/09 | 13 | $45,821 | 415 | $110 | $45,821 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 6/21/2019 | $0 | 7 | 0 | 0 | $0 | 6/23/2020 |
Russia (CIS) | 4/8/2021 | $45,821 | 415 | 415 | 422 | $79,223 | 10/19/2022 |
South Korea | 7/17/2019 | $13,913 | 85 | 85 | 85 | $30,612 | 7/25/2019 |
Worldwide Total | $109,835 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Alejandro Brugues | Director |
Mick Garris | Director |
Mick Garris | Screenwriter |