Australia Box Office for My Cousin Rachel (2017)
| Theatrical Performance (US$) | ||
| Australia Box Office | $1,642,237 | Details |
| Worldwide Box Office | $9,833,292 | Details |
| Home Market Performance | ||
| North America DVD Sales | $162,584 | Details |
| North America Blu-ray Sales | $92,012 | Details |
| Total North America Video Sales | $254,596 | |
| Further financial details... | ||
Synopsis
The story of a young Englishman who plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Metrics
Movie Details
| Australia Releases: | June 9th, 2017 (Wide) |
| Video Release: | August 29th, 2017 by Fox Home Entertainment |
| MPAA Rating: | PG-13 for some sexuality and brief strong language. (Rating bulletin 2461 (Cert #50809), 2/1/2017) |
| Running Time: | 106 minutes |
| Keywords: | Revenge, Romance, Incest, Love Triangle, Remake, Terminal Illness, Romantic Drama, Relationships Gone Wrong, 1800s |
| Source: | Remake |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Fox Searchlight Pictures, TSG Entertainment, Free Range Film |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for August 29th, 2017
August 29th, 2017
It’s one of those weeks that are deceptively busy. The biggest new release of the week is Wonder Woman, but it is only coming out on Video on Demand. The biggest overall release is the The Lion King franchise on separate Blu-ray releases, but it’s at least a double-dip on Blu-ray. I think a triple-dip on Blu-ray. If it weren’t for these circumstances, they would be clear Pick of the Week contenders. Without those two movies, the next best is... My Cousin Rachel on Blu-ray. Its reviews are not quite Pick of the Week level, but it is the best of what we've got.
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Theater Averages: Big Sick has a Very Healthy $84,315 Opening
June 28th, 2017
Two limited releases that came out this past weekend topped the previous theater average record for 2017. The Big Sick earned an average of $84,315 in five theaters, which bodes well for its planned wide expansion in a couple of weeks. The Beguiled was next with an average of $57,323 in four theaters. Both of these are well ahead of the $41,508 average Beauty and the Beast earned during its opening weekend. The only other film in the $10,000 club was the overall number one film, Transformers: The Last Knight, which earned an average of $10,981.
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Theater Averages: Beatriz Fills Up with Average of $28,392
June 13th, 2017
Beatriz at Dinner led the way on the theater average chart with an average of $28,392 in five theaters. Last week’s winner, Wonder Woman, was pushed into second place with a still impressive average of $14,050. The final film in the $10,000 club was The Hero with an average of $11,329 in four theaters.
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Weekend Estimates: Mummy’s $32 Million Debut No Match for Wonder Woman
June 11th, 2017
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There are precious few crumbs of comfort to be found from Universal’s launch of The Mummy this weekend. The studio is projecting a $32.2 million opening this weekend from 4,035 theaters. That will be a fairly distant second to Wonder Woman, which is expected to earn about $57.1 million. Even the bright news—that this is Tom Cruise’s biggest global opening weekend—comes with an asterisk.
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Limited and VOD Releases: Dinner and a Movie
June 9th, 2017
It is not a particularly busy week as far as limited releases are concerned. However, there are a few that have a shot at earning some mainstream success: Beatriz at Dinner, I, Daniel Blake, and My Cousin Rachel. There’s a chance none of them will do well this weekend, but hopefully they can all find an audience.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/06/09 | 5 | $312,446 | 74 | $4,222 | $312,446 | 1 | |
| 2017/06/16 | 8 | $214,494 | -31% | 73 | $2,938 | $703,958 | 2 |
| 2017/06/23 | 11 | $156,383 | -27% | 78 | $2,005 | $955,969 | 3 |
| 2017/06/30 | 12 | $124,780 | -20% | 84 | $1,485 | $1,175,375 | 4 |
| 2017/07/07 | 11 | $91,973 | -26% | 83 | $1,108 | $1,321,870 | 5 |
| 2017/07/14 | 10 | $71,787 | -22% | 100 | $718 | $1,480,832 | 6 |
| 2017/07/21 | 15 | $54,335 | -24% | 116 | $468 | $1,591,056 | 7 |
| 2017/08/04 | - | $11,628 | 54 | $215 | $1,641,593 | 9 | |
| 2017/08/11 | - | $2,132 | -82% | 21 | $102 | $1,642,237 | 10 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 6/9/2017 | $312,446 | 74 | 116 | 683 | $1,642,237 | 8/14/2017 |
| France | 7/28/2017 | $233,659 | 0 | 0 | 0 | $418,608 | 6/27/2018 |
| Italy | 3/15/2018 | $0 | 0 | 0 | 0 | $0 | |
| Netherlands | 6/23/2017 | $56,773 | 35 | 37 | 240 | $321,878 | 8/10/2017 |
| New Zealand | 6/23/2017 | $68,109 | 43 | 49 | 323 | $370,728 | 8/21/2017 |
| North America | 6/9/2017 | $969,941 | 523 | 531 | 1,374 | $2,716,368 | 7/27/2020 |
| United Kingdom | 6/9/2017 | $812,258 | 467 | 501 | 1604 | $3,448,593 | 9/28/2017 |
| Rest of World | $914,880 | ||||||
| Worldwide Total | $9,833,292 | 7/27/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Rachel Weisz | Rachel |
| Sam Claflin | Philip |
Supporting Cast
| Holliday Grainger | Louise |
| Iain Glen | Kendall |
| Pierfrancesco Favino | Rainaldi |
| Simon Russell Beale | Couch |
| Vicki Pepperdine | Mrs. Pascoe |
| Tim Barlow | Seecombe |
| Bobby Scott Freeman | John |
| Tristram Davies | Wellington |
| Andrew Havill | Parson Pascoe |
| Poppy Lee Friar | Mary Pascoe |
| Katherine Pearce | Belinda Pascoe |
| Roy Sampson | Doctor |
| Adam Loxley | Adam |
| Andrew Knott | Joshua |
| Alexander Arnold | Young Lad |
| Cal McCrystal | Geoffrey |
| Dorian Lough | Gabriel |
| Tobias Beer | William |
| Harrie Hayes | Tess |
| Chris Gallarus | Timothy |
| Neill Maccoll | Singer |
| Wilf Walters | Pig Farmer |
| Margaret Michell | Market Girl |
| Corin Chatwin | Philip at 2 |
| Sparrow Michell | Philip at 4 |
| Austin Taylor | Philip at 6 |
| Louis Suc | Philip at 10 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Roger Michell | Director |
| Roger Michell | Screenwriter |
| Daphne du Maurier | Based on the novel by |
| Kevin Loader | Producer |
| Roger Michell | Executive Producer |
| Mike Eley | Director of Photography |
| Alice Normington | Production Designer |
| Kristina Hetherington | Editor |
| Anita Overland | Co-Producer |
| Rael Jones | Composer |
| Dinah Collin | Costume Designer |
| Fiona Weir | Casting Director |
| Lee Sheward | Stunt Coordinator |
| Nicola Morrow | Unit Production Manager |
| Barrie McCulloch | First Assistant Director |
| Tom Rye | Second Assistant Director |
| Charmian Adams | Supervising Art Director |
| Andrea Matheson | Art Director |
| Barbara Herman-Skelding | Set Decorator |
| Nicola Dove | Stills Photographer |
| Danny Hambrook | Sound Mixer |
| Louise Seymour | Post-Production Supervisor |
| Joanne Dixon | First Assistant Editor |
| Charlie Thorne | Second Assistant Editor |
| Danny Sheehan | Supervising Sound Editor |
| Jenna McGranaghan | Costume Supervisor |
| Barrie Gower | Prosthetics Designer |
| Harriet Lawrence | Location Manager |
| Sarah Wilson | Casting Associate |
| Chris Reynolds | Special Effects Supervisor |
| Adam Gascoyne | Visual Effects Supervisor |
| Tim Caplan | Visual Effects Producer |
| Noga Alon Stein | Visual Effects Producer |
| Paul Carter | Sound Designer |
| Matt Davies | Dialogue/ADR Editor |
| Keith Partridge | Foley Recordist |
| Paul Cotterell | Re-recording Mixer |
| Paul Carter | Re-recording Mixer |
| Danny Sheehan | Re-recording Mixer |
| Rachel Park | Sound Mixer |
| Jeremy Sams | Additional Music |
| Jake Jackson | Score Recordist |
| Laurence Anslow | Score Recordist |
| Jake Jackson | Score Mixer |
| Al Green | Music Editor |
| Kevin Loader | Second Unit Director |
| Enrico Ballarin | Line Producer |
| Maurizio Corridori | Special Effects |
| Franco Ragusa | Special Effects |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.