Spain Box Office for Mortdecai (2015)
Theatrical Performance (US$) | ||
Spain Box Office | $1,361,953 | Details |
Worldwide Box Office | $37,360,909 | Details |
Home Market Performance | ||
North America DVD Sales | $2,260,000 | Details |
North America Blu-ray Sales | $714,849 | Details |
Total North America Video Sales | $2,974,849 | |
Further financial details... |
Synopsis
Juggling some angry Russians, the British Mi5, his impossibly leggy wife and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai must traverse the globe armed only with his good looks and special charm in a race to recover a stolen painting rumored to contain the code to a lost bank account filled with Nazi gold.
Metrics
Movie Details
Production Budget: | $60,000,000 |
Spain Releases: | April 10th, 2015 (Wide) |
Video Release: | May 5th, 2015 by Lionsgate Home Entertainment |
MPAA Rating: | R for some language and sexual material. (Rating bulletin 2355, 1/7/2015) PG-13 for sexuality including references and innuendo, action/violence and brief strong language. (Rating bulletin 2365, 3/18/2015) |
Running Time: | 107 minutes |
Keywords: | Heist, Private Investigator, Treasure Hunters, Nazis, Nazi, Nazi Treasure, Ensemble, Action Comedy, Famously Bad |
Source: | Based on Fiction Book/Short Story |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Infinitum Nihil, Mad Chance, Lionsgate, OddLot Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Numbers: Fifty Shades Continues its Perfect Run
June 4th, 2015
The second major change in news articles this week is the consolidation of the home market columns and using the Combined DVD and Blu-ray Sales Chart. It is kind of a bad week for this change, as the new releases were a disappointment; 50 Shades of Grey remained on top on both the Blu-ray sales chart and the DVD sales chart. It sold an additional 896,000 units and generated $15.82 million for the week giving it totals of 2.27 million units / $40.20 million.
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Home Market Numbers: Fifty Shades Brightens the Home Market
May 30th, 2015
There were a lot of new releases to reach the top twenty on the Blu-ray sales chart this week. This includes 50 Shades of Grey, which is already the fifth best selling Blu-ray of 2015. Needless to say, this meant the overall Blu-ray sales were a lot stronger than last week. There were 89% more units sold and 77% higher revenue. Compared to last year, there were 72% more units sold and 47% higher revenue. The overall DVD market also grew, but not as much as much as the Blu-ray market rose and this helped the overall Blu-ray share rocket to 45%.
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DVD and Blu-ray Releases for May 12th, 2015
May 11th, 2015
It is a typical summer week on the home market with little to no prime releases. The biggest release of the week is Still Alice, which earned $18 million in theaters. That's not bad for a limited release. It is better than some of the wide releases that came out earlier this year. Fortunately, the Blu-ray is also the best new release of the week and it is the Pick of the Week. In fact, it isn't even close as there are no other contenders for that title.
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Weekend Wrap-Up: Box Office was Less than Super
February 2nd, 2015
Super Bowl weekend was rough at the box office with only one film topping $10 million. That film was American Sniper, which completed the hat trick, but with less than expected. Second place went to Project Almanac, again earning less than expected, while Paddington was right behind in third place. Overall the box office fell 36% from last weekend, down to just $102 million. This is still 18% higher than the same weekend last year, so we have that to focus on. Year-to-date, 2015 has pulled in $994 million, which is 7.0% more than last year's pace of $929 million. Again, it is way too early to judge and as we saw last year, things can fall apart really quickly. That said, I will take any good news I can get.
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Weekend Wrap-Up: Sniper Stable, While Next Door Survives
January 27th, 2015
As expected, American Sniper earned first place, but it did so with a much stronger sophomore stint. As for the new releases, The Boy Next Door matched expectations (nearly) perfectly but the other two missed the Mendoza Line. Overall, the box office was down 21% to $159 million; however, this is good for a post-holiday weekend. Compared to last year, the overall box office was 37% higher. This kind of year-over-year growth usually only happens when holidays are misaligned. Year-to-date, 2015 is ahead of 2014 by 4.1% at $856 million to $823 million. It is obviously too soon to celebrate, but after last year's losses, I'll take any reason to be optimistic.
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Weekend Estimates: American Sniper Continues Box Office Domination
January 25th, 2015
After smashing the January weekend record last weekend, American Sniper is enjoying a very solid second-weekend hold. So solid, in fact, that it will also have the third-best January weekend. If it drops less than 35% next weekend, it will share with Avatar the records for the top six January weekends, each movie having topped $42 million three times. Sniper’s expected weekend this time around is $64.365m, according to Warner Bros. Sunday morning projection.
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Weekend Predictions: New Releases to Fall Victim to Sniper
January 22nd, 2015
There are three wide releases coming out this weekend: The Boy Next Door, Mortdecai, and Strange Magic. None of these movies are earning good reviews and none of them are likely to become even midlevel hits. As such, American Sniper will have a really, really easy time to repeat in top spot. It could drop by 80% and still earn first place this weekend. This weekend last year, the only wide release was I, Frankenstein, which bombed hard. I really hope none of the new releases open as poorly as that film did, but it is possible. Regardless, 2015 will win thanks to American Sniper's sophomore stint.
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Contest: A Bird in the Hand
January 16th, 2015
Next weekend there are three wide releases, The Boy Next Door, Mortdecai, and Strange Magic. Oh boy. This is the most January out of all of the January weeks. I really don't think any of them will even come close to becoming a midlevel hit, but one of them will have to be the target film for this week's box office prediction contest. I'm going with ... rolls a dice ... Mortdecai. In order to win, one must simply predict the opening weekend box office number for Mortdecai.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of White Bird in a Blizzard on DVD.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a copy of Life's a Breeze on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2015 Preview: January
January 1st, 2015
2014 is over and for the most part, December was a soft ending to a weak year. This is bad news for two reasons. Firstly, it means the overall box office is still soft and it is unlikely that January will start strong. Secondly, last January was a great month, thanks in part to Frozen and other holdovers. The slump can't last forever and Taken 3 should help 2015 get off to a reasonably fast start and it even has a shot at $100 million. American Sniper got off to a really fast start in limited release, so it too could be a hit when it expands wide. By comparison, last January was led by Ride Along, but there were only two other films that didn't completely bomb. I want to say 2015 will start out on a winning note, but given the box office losing streak, it will likely pay to be pessimistic.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/04/10 | 9 | $362,580 | 303 | $1,197 | $362,580 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 1/29/2015 | $434,573 | 202 | 204 | 493 | $873,067 | 12/29/2020 |
Brazil | 3/13/2015 | $85,288 | 0 | 0 | 0 | $112,218 | 11/6/2018 |
China | 4/17/2015 | $1,920,000 | 11514 | 11514 | 12726 | $3,270,000 | 9/4/2018 |
France | 1/21/2015 | $800,000 | 399 | 399 | 399 | $1,477,859 | 8/21/2018 |
Germany | 1/22/2015 | $1,200,000 | 487 | 487 | 487 | $2,554,625 | 8/22/2018 |
Hong Kong | 1/30/2015 | $329,163 | 85 | 85 | 119 | $554,401 | 11/25/2018 |
Italy | 2/20/2015 | $862,713 | 0 | 0 | 0 | $1,672,838 | 11/6/2018 |
Japan | 2/6/2015 | $0 | 0 | 0 | 0 | $6,217,852 | 8/23/2018 |
Mexico | 4/24/2015 | $427,680 | 0 | 0 | 0 | $1,382,788 | 8/30/2018 |
Netherlands | 2/20/2015 | $87,819 | 39 | 39 | 39 | $106,780 | 11/21/2018 |
North America | 1/23/2015 | $4,200,586 | 2,648 | 2,648 | 5,630 | $7,696,134 | 10/27/2023 |
Poland | 1/23/2015 | $150,077 | 0 | 0 | 0 | $405,481 | 12/30/2018 |
South Korea | 2/20/2015 | $236,977 | 0 | 0 | 0 | $475,361 | 8/29/2018 |
Spain | 4/10/2015 | $362,580 | 303 | 303 | 881 | $1,361,953 | 11/28/2018 |
Taiwan | 1/23/2015 | $225,907 | 0 | 0 | 0 | $526,968 | 11/2/2018 |
Turkey | 1/30/2015 | $131,559 | 88 | 88 | 152 | $325,933 | 12/30/2018 |
United Kingdom | 1/23/2015 | $727,292 | 0 | 0 | 0 | $727,292 | 8/27/2018 |
Rest of World | $7,619,359 | ||||||
Worldwide Total | $37,360,909 | 10/27/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Johnny Depp | Mortdecai |
Gwyneth Paltrow | Johanna |
Supporting Cast
Ewan McGregor | Alistair Martland |
Olivia Munn | Georgina Krampf |
Jeff Goldblum | Milton Krampf |
Paul Bettany | Jock Strapp |
Jonny Pasvolsky | Emil Strago |
Michael Culkin | Sir Graham |
Ulrich Thomsen | Romanov |
Alec Utgoff | Dmitri |
Rob De Groot | Vladimir |
Guy Burnet | Maurice |
Paul Whitehouse | Spinoza |
Norma Atallah | Bronwen |
Nicholas Farrell | Auctioneer |
Karl Theobald | Gardener |
Camilla Marie Beeput | Receptionist |
Michael Byrne | The Duke |
Emily Lawrence | Woman in Jock's Apartment |
James Joyce | Duke's Footman |
Jenna Russell | Detective |
Carly Steel | Krampf's Third Wife |
Austin Lyon | Hotel Clerk |
Ricky Champ | Sergei |
Chris Bearne | Farmer |
Georgie Carter | Farmer's Daughter |
Benny Maslov | Romanov's Aide |
Colette O'Neil | The Duchess |
Evie Brodie | Mum on Plane |
Michael Aguilo | Revolutionary |
Michael Shelford | Sedgwick's Worker |
Andrew Spiers | Sedgwick's Worker-Lights |
Paul Westwood | Sedgwick's Footman |
John O'Brien | Butler |
Jerry T. Adams | Butler #2 |
J.J. Holiday | Band Member (Guitar) |
Joe Sublett | Band Member (Sax) |
Debra Dobkin | Band Member (Percussion/Congas) |
Darrell Leonard | Band Member (Trumpet) |
Bruce Witkin | Band Member (DBL Bass) |
Michael Murphy | Band Member (Keyboard) |
John Rubano | Band Member (Trombone) |
Scott Sheldon | Party Guest |
Geoff Pilkington | Sick Guest |
Kumiko Nagano | Sick Guest |
Junix Inocian | Fang Fat |
David Cheung | Right Hand Man |
Leon Sua | Thug |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
David Koepp | Director |
Eric Aronson | Screenwriter |
Kyril Bonfiglioli | Based on the novel by |
Andrew Lazar | Producer |
Johnny Depp | Producer |
Christi Dembrowski | Producer |
Patrick McCormick | Producer |
Gigi Pritzker | Executive Producer |
Florian Hoffmeister | Director of Photography |
James Merifield | Production Designer |
Jill Savitt | Editor |
Derek Ambrosi | Editor |
Ruth Myers | Costume Designer |
DJ Mark Ronson | Composer |
Geoff Zanelli | Composer |
John Papsidera | Casting Director |
Elaine Grainger | Casting Director |
Joel Harlow | Make up |
Sallie Jaye | Make up |
Marianne Jenkins | Unit Production Manager |
Patrick McCormick | Unit Production Manager |
Josh Robertson | Assistant Director |
Rowley Irlam | Stunt Coordinator |
G. A. Aguilar | Stunt Coordinator-L.A. |
Kenneth Kokin | Co-Producer |
Monique Feig | Associate Producer |
Patrick Rolfe | Supervising Art Director |
Paul A. Levin | Post-Production Supervisor |
Sue Hills | Script Supervisor |
Tony Dawe | Sound Mixer |
Katherine Law | Art Director |
Chris Reynolds | Special Effects Supervisor |
Gilly Martin | Costume Supervisor |
Julie Dartnell | Make-up and Hair Designer |
Peter MacDonald | Second Unit Director |
Rowley Irlam | Second Unit Director |
Ben Howard | Key Second Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.