Australia Box Office for Minari (2020)
| Theatrical Performance (US$) | ||
| Australia Box Office | $1,290,591 | Details |
| Worldwide Box Office | $15,474,659 | Details |
| Home Market Performance | ||
| North America DVD Sales | $209,762 | Details |
| North America Blu-ray Sales | $346,253 | Details |
| Total North America Video Sales | $556,015 | |
| Further financial details... | ||
Synopsis
David, a 7-year-old Korean-American boy, gets his life turned upside down when his father decides to move their family to rural Arkansas and start a farm in the mid-1980s, in this charming and unexpected take on the American Dream.
Metrics
Movie Details
| Production Budget: | $2,000,000 |
| Australia Releases: | February 18th, 2021 (Limited) |
| Video Release: | February 26th, 2021 by A24 |
| MPAA Rating: | PG-13 for some thematic elements and a rude gesture. (Rating bulletin 2649 (cert#52483), 9/30/2020) |
| Running Time: | 115 minutes |
| Keywords: | Sundance Film Festival 2020, Set in Arkansas, 1980s, Family Drama, Immigration, Asian-Americans, Life on a Farm, 2021 Oscars Best Picture Nominee |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Plan B Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: Judas and the Black Messiah should win the weekend
February 12th, 2021
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The welcome arrival of two new wide releases and the combination of Valentine’s Day on Sunday and President’s Day on Monday should cause an uptick at the box office this weekend. Judas and the Black Messiah is the film most likely to top the chart, according to our model, while Land is set for a more modest result but should make it into the top six.
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/02/19 | 8 | $135,656 | 59 | $2,299 | $217,467 | 1 | |
| 2021/02/26 | 9 | $124,554 | -8% | 58 | $2,147 | $397,194 | 2 |
| 2021/03/05 | 10 | $101,650 | -18% | 65 | $1,564 | $551,533 | 3 |
| 2021/03/12 | 11 | $93,325 | -8% | 75 | $1,244 | $701,827 | 4 |
| 2021/03/19 | - | $104,696 | +12% | 90 | $1,163 | $842,294 | 5 |
| 2021/03/26 | 13 | $63,685 | -39% | 90 | $708 | $933,280 | 6 |
| 2021/04/02 | 13 | $50,152 | -21% | 63 | $796 | $1,004,038 | 7 |
| 2021/04/09 | 15 | $46,097 | -8% | 54 | $854 | $1,095,896 | 8 |
| 2021/04/16 | 15 | $38,851 | -16% | 49 | $793 | $1,174,759 | 9 |
| 2021/04/23 | 19 | $35,646 | -8% | 60 | $594 | $1,226,176 | 10 |
| 2021/04/30 | 19 | $38,082 | +7% | 53 | $719 | $1,279,387 | 11 |
| 2021/05/07 | - | $28,105 | -26% | 35 | $803 | $1,351,961 | 12 |
| 2021/05/14 | - | $19,566 | -30% | 24 | $815 | $1,364,169 | 13 |
| 2021/05/21 | 24 | $19,920 | +2% | 22 | $905 | $1,384,998 | 14 |
| 2021/05/28 | 28 | $8,329 | -58% | 17 | $490 | $1,396,841 | 15 |
| 2021/06/04 | - | $4,710 | -43% | 7 | $673 | $1,410,650 | 16 |
| 2021/06/11 | - | $5,496 | +17% | 11 | $500 | $1,412,495 | 17 |
| 2021/06/18 | - | $2,865 | -48% | 7 | $409 | $1,384,666 | 18 |
| 2021/06/25 | - | $1,565 | -45% | 4 | $391 | $1,405,150 | 19 |
| 2021/07/02 | - | $1,105 | -29% | 1 | $1,105 | $1,389,663 | 20 |
| 2021/07/09 | - | $1,174 | +6% | 1 | $1,174 | $1,387,858 | 21 |
| 2021/07/16 | - | $49 | -96% | 1 | $49 | $1,375,564 | 22 |
| 2021/07/30 | - | $2,479 | 2 | $1,240 | $1,367,399 | 24 | |
| 2021/08/06 | - | $99 | -96% | 2 | $50 | $1,369,698 | 25 |
| 2021/08/13 | - | $9 | -91% | 1 | $9 | $1,372,994 | 26 |
| 2021/09/17 | - | $698 | 1 | $698 | $1,354,911 | 31 | |
| 2021/12/03 | - | $84 | 1 | $84 | $1,306,570 | 42 | |
| 2022/06/24 | - | $483 | 1 | $483 | $1,290,591 | 71 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 2/18/2021 | $135,656 | 59 | 90 | 854 | $1,290,591 | 10/19/2022 |
| France | 6/23/2021 | $145,456 | 120 | 150 | 396 | $451,819 | 7/23/2021 |
| Germany | 7/8/2021 | $0 | 0 | 0 | 0 | $0 | |
| Hong Kong | 4/22/2021 | $0 | 0 | 0 | 0 | $96,015 | 5/7/2021 |
| Iceland | 9/3/2021 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 4/26/2021 | $95,494 | 0 | 15 | 48 | $308,013 | 7/30/2021 |
| Netherlands | 8/6/2021 | $76,771 | 1 | 47 | 133 | $343,352 | 8/31/2021 |
| New Zealand | 2/11/2021 | $665 | 2 | 37 | 269 | $171,054 | 2/19/2024 |
| North America | 12/11/2020 | $0 | 0 | 912 | 5,127 | $2,964,816 | 8/11/2021 |
| Portugal | 5/14/2021 | $12,995 | 27 | 27 | 62 | $43,314 | 7/6/2021 |
| Russia (CIS) | 4/8/2021 | $64,423 | 272 | 272 | 610 | $146,774 | 10/20/2022 |
| South Korea | 3/3/2021 | $1,666,510 | 1162 | 1162 | 7353 | $8,877,525 | 7/21/2021 |
| Spain | 3/12/2021 | $121,460 | 124 | 206 | 682 | $521,568 | 4/8/2021 |
| Turkey | 10/22/2021 | $3,727 | 46 | 46 | 62 | $19,530 | 10/20/2022 |
| United Kingdom | 5/17/2021 | $79,462 | 122 | 122 | 197 | $240,288 | 6/2/2021 |
| Worldwide Total | $15,474,659 | 2/19/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Steven Yeun | Jacob |
| Alan Kim | David |
Supporting Cast
| Han Yeri | Monica |
| Youn Yuh-jung | Grandma |
| Will Patton | Paul |
| Noel Kate Cho | Soonj |
| Alan S. Kim | David |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Lee Isaac Chung | Director |
| Lee Isaac Chung | Screenwriter |
| Dede Gardner | Producer |
| Jeremy Kleiner | Producer |
| Christina Oh | Producer |
| Josh Bachove | Executive Producer |
| Brad Pitt | Executive Producer |
| Steven Yeun | Executive Producer |
| Yong Ok Lee | Production Designer |
| Harry Yoon | Editor |