Japan Box Office for Miles Ahead (2016)
Theatrical Performance (US$) | ||
Japan Box Office | $233,944 | Details |
Worldwide Box Office | $5,535,869 | Details |
Home Market Performance | ||
North America DVD Sales | $274,460 | Details |
North America Blu-ray Sales | $83,927 | Details |
Total North America Video Sales | $358,387 | |
Further financial details... |
Synopsis
A film about what we all face at one time or another in our lives; questions about who we really are, what we have to say and how will we say it. How will we ultimately be defined and who gets to say so?
Metrics
Movie Details
Japan Releases: | December 23rd, 2016 (Wide) |
Video Release: | July 19th, 2016 by Sony Pictures Home Entertainment |
MPAA Rating: | R for strong language throughout, drug use, some sexuality/nudity and brief violence. (Rating bulletin 2405 (Cert #50202), 12/23/2015) |
Running Time: | 100 minutes |
Keywords: | Actors Making Their Directorial Debut, Biography, Musicians, Jazz, Crowdfunding, Biographical Drama, 1970s, 1960s, Investigative Journalist, Non-Chronological, Romance, Relationships Gone Wrong, Infidelity, Addiction |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Bifrost Pictures, Sony Pictures Classics, Miles Davis Properties, LLC, IM Global, Sobini Films, Yellowsaw Productions Limited, Crescendo Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 19th, 2016
July 18th, 2016
This week, the home market is led by Batman v Superman: Dawn of Justice, at least in terms of box office dollars. It is far from the best in terms of reviews. That’s not to say there are no high quality releases this week. In fact, there are five Pick of the Week contenders, six if you include Belladonna Of Sadness, which came out last week, but the screener arrived late, so the review didn’t get published till the weekend. In the end, I went with To Have and Have Not on Blu-ray as Pick of the Week. However, Orphan Black: Season Four earns the seldom awarded Puck of the Week, as the best Canadian release.
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Theater Averages: Civil War Sets Yearly Mark with $42,390
May 10th, 2016
Captain America: Civil War not only had the best theater average of the weekend, but it also had the best theater average for any film released in 2016. Its average of $42,390 was just ahead of Batman v Superman: Dawn of Justice, while Midnight Special remains the best average for a limited release this year. Other films in the $10,000 club this week include A Bigger Splash, which earned an average of $22,884 in five theaters over the weekend for an average of $27,697 from Wednesday through Sunday. Eva Hesse saw its average rise 8% to $13,816, but it did open on a Wednesday last week, so that likely depressed its weekend numbers last week. Dheepan just made it into the $10,000 club with an average of $10,125 in two theaters.
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Theater Averages: The Jungle Book Meddles with the Limited Releases
April 26th, 2016
It wasn't a great week for new limited releases, which left a holdover / wide release on top of the theater average chart. The Jungle Book led the way with an average of $15,278. The only other film in the $10,000 was The Meddler, which opened with an average of $14,256 in four theaters.
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Theater Averages: Miles Opens Ahead of the Competition with $28,633
April 6th, 2016
Miles Ahead led the way on the theater average chart with $28,633 in four theaters. Vaxxed: From Cover Up to Catastrophe was right behind with $28,339 in one theater. As someone who doesn't want to see measles make a comeback, this is a scary result. Everybody Wants Some earned an average of $16,440 in 19 theaters over the weekend after opening in five theaters on Wednesday. Batman v Superman: Dawn of Justice remained in the $10,000 club with an average of $12,062. Saturday's Warrior and Chongqing Hot Pot had very close averages at $10,671 and $10,098 respectively.
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Weekend Estimates: Batman v Superman down 68% in second weekend
April 3rd, 2016
Last weekend, Batman v Superman posted the 7th-biggest opening weekend of all time. This weekend, if Sunday’s estimate proves to be accurate, it will record the 27th-biggest 2nd weekend. That stat tells you most of what you need to know about the film’s box office performance: it hit big at the beginning, but is proving to have very little staying power. Warner Bros.’ Sunday morning projection for the weekend is $52.385 million, down 68% from last weekend, for a total of $261.5 million to date. With $419.8 million overseas so far, the film is well on its way to $700 million worldwide, and should make about $900 million in total. That’s certainly short of what the studio was hoping for—the consensus was that the film needed $1 billion globally to make a profit—but surely enough to keep their plans for the franchise on track for now.
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Limited and VOD Releases: Looking to Rake in the Green
April 1st, 2016
There are a handful of films on this week's list earning great reviews and/or loud buzz. Of these four films, Green Room is the one I want to see the most, but Everybody Wants Some is the one most likely to become a box office hit.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/12/30 | - | $7,108 | 2 | $3,554 | $68,298 | 2 | |
2017/01/06 | - | $30,200 | +325% | 25 | $1,208 | $115,657 | 3 |
2017/01/13 | - | $15,809 | -48% | 27 | $586 | $177,814 | 4 |
2017/01/20 | - | $5,893 | -63% | 21 | $281 | $203,420 | 5 |
2017/01/27 | - | $471 | -92% | 3 | $157 | $213,713 | 6 |
2017/02/03 | - | $78 | -83% | 1 | $78 | $214,427 | 7 |
2017/02/10 | - | $2,511 | +3,119% | 4 | $628 | $219,662 | 8 |
2017/02/17 | - | $1,998 | -20% | 6 | $333 | $224,803 | 9 |
2017/02/24 | - | $1,227 | -39% | 6 | $205 | $229,321 | 10 |
2017/03/03 | - | $997 | -19% | 4 | $249 | $232,123 | 11 |
2017/03/10 | - | $379 | -62% | 2 | $190 | $233,944 | 12 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 6/17/2016 | $14,371 | 2 | 3 | 13 | $111,245 | 7/26/2016 |
Austria | 10/22/2016 | $2,226 | 1 | 1 | 1 | $2,226 | 10/25/2016 |
Belgium | 5/25/2016 | $0 | 0 | 5 | 12 | $18,508 | 7/12/2016 |
Denmark | 7/28/2016 | $4,182 | 1 | 1 | 6 | $16,395 | 9/7/2016 |
Japan | 12/23/2016 | $0 | 0 | 27 | 101 | $233,944 | 3/14/2017 |
North America | 4/1/2016 | $114,530 | 4 | 527 | 1,378 | $2,610,896 | 10/11/2024 |
Peru | 7/21/2016 | $2,918 | 1 | 1 | 2 | $6,780 | 12/31/2018 |
Poland | 9/2/2016 | $4,194 | 11 | 17 | 50 | $27,166 | 11/18/2018 |
Portugal | 7/15/2016 | $6,861 | 10 | 10 | 28 | $21,439 | 3/16/2017 |
Slovenia | 9/9/2016 | $943 | 5 | 5 | 15 | $10,758 | 10/14/2016 |
South Africa | 7/8/2016 | $1,778 | 5 | 5 | 11 | $7,777 | 7/26/2016 |
South Korea | 8/1/2016 | $0 | 0 | 49 | 49 | $1,719,008 | 9/10/2018 |
Spain | 7/29/2016 | $22,244 | 17 | 18 | 83 | $88,623 | 9/27/2016 |
United Kingdom | 4/22/2016 | $242,333 | 155 | 155 | 155 | $242,333 | 6/9/2016 |
Rest of World | $418,771 | ||||||
Worldwide Total | $5,535,869 | 10/11/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Don Cheadle | Miles Davis |
Supporting Cast
Ewan McGregor | Dave Brill |
Emayatzy Corinealdi | Francis Taylor |
Lakeith Lee Stanfield* | Junior |
Michael Stuhlbarg | Harper Hamilton |
Austin Lyon | Justin |
Morgan Wolk | Erica |
Nina Smilow | Tami |
Christina Karis | Janice |
Theron Brown | Herbie Hancock |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Don Cheadle | Director |
Don Cheadle | Screenwriter |
Steven Baigelman | Screenwriter |
Steven Baigelman | Story by |
Don Cheadle | Story by |
Stephen J. Rivele | Story by |
Christopher Wilkinson | Story by |
Don Cheadle | Producer |
Pamela Hirsch | Producer |
Lenore Zeman | Producer |
Daniel Wagner | Producer |
Rob Barnum | Producer |
Vince Willburn | Producer |
Daryl Porter | Producer |
Mark Amin | Executive Producer |
Cassian Elwes | Executive Producer |
William Hightower | Executive Producer |
Stephen J. Rivele | Executive Producer |
Christopher Wilkinson | Executive Producer |
Jonathan Gardner | Executive Producer |
Brian Pope | Executive Producer |
Steven Baigelman | Executive Producer |
Cheryl Davis | Executive Producer |
Erin Davis | Executive Producer |
Robert Lewis | Executive Producer |
Roberto Schaefer | Director of Photography |
Hannah Beachler | Production Designer |
John Axelrad | Editor |
Kayla M. Emter | Editor |
Gersha Phillips | Costume Designer |
Robert Glasper | Composer |
Ed Gerrard | Music Supervisor |
Vicki Thomas* | Casting Director |
Lynn* | Meyers |