Australia Box Office for Mid90s (2018)
Theatrical Performance (US$) | ||
Australia Box Office | $134,084 | Details |
Worldwide Box Office | $9,186,903 | Details |
Home Market Performance | ||
North America DVD Sales | $480,641 | Details |
North America Blu-ray Sales | $470,598 | Details |
Total North America Video Sales | $951,239 | |
Further financial details... |
Synopsis
Stevie, a thirteen-year-old in 90s-era LA spends his summer navigating between his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.
Metrics
Movie Details
Production Budget: | $2,800,000 |
Australia Releases: | April 5th, 2019 (Wide) |
Video Release: | January 8th, 2019 by Lionsgate Home Entertainment |
MPAA Rating: | R for pervasive language, sexual content, drug and alcohol use, some violent behavior/disturbing images - all involving minors. (Rating bulletin 2549 (Cert #51782), 10/17/2018) |
Running Time: | 85 minutes |
Keywords: | 1990s, Set in Los Angeles, Dysfunctional Family, Skateboarding, Single Parent, Race Relations, Coming-of-Age Drama, Coming of Age |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | A24, Waypoint Entertainment, Scott Rudin Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 8th, 2019
January 9th, 2019
We are still in that awkward time on the home market we have to deal with every year. It is too late for the summer blockbusters to come out on DVD / Blu-ray, but too soon for the fall hits or Oscar contenders. This means there’s very little in the way of contenders for Pick of the Week with only one release worth considering, a Canadian show, Frankie Drake Mysteries: Season 1. This does mean I get to give out a Puck of the Week, for best Canadian release.
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2018 - Awards Season: Independent Spirit Awards - Nominations
November 17th, 2018
The Independent Spirit Awards nominations were announced on Friday and thus the 2018 Awards Season begins. We The Animals topped the list with five nominations, while A24 earned 12 as a studio.
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Theater Averages: Chef is in Like Flynn
November 14th, 2018
Chef Flynn debuted on top spot on the theater average chart with $29,869 in one theater. The overall box office chart leader, Dr. Seuss’ The Grinch, was next with an average of $16,318. The Front Runner followed with an average of $12,886 over the weekend. The film opened on Tuesday, which obviously had some negative effect of its weekend number, but even the full six-day result of $71,742 / $17,936 average isn’t enough to warrant a full wide expansion. El Angel was the final film in the $10,000 club with an average of $11,674 in two theaters.
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Theater Averages: Boy Erased Writes its Way to the Top
November 7th, 2018
Boy Erased led the way on the theater average chart earning an average of $41,411 in five theaters. This was nearly three times the second place film, A Private War, which earned an average of $15,123 in four theaters. The only other film in the $10,000 club was the overall box office leader, Bohemian Rhapsody, with an average of $12,765.
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Theater Averages: Suspiria Surprises with Yearly Best Average
October 31st, 2018
Suspiria led the theater average chart both over the weekend and for the year earning just over $180,000 in two theaters for an average of $92,019. This tops the previous average of $73,572 by Free Solo, although that movie was playing in four theaters. Up next was Can You Ever Forgive Me? with an average of $14,255 in 25 theaters during its second weekend of release. A couple of foreign-language films were next with Burning earning an average of $13,066 in two theaters and Border earning an average of $10,529 in seven.
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Weekend Estimates: Halloween Holds on Strong, but Susparia Shines
October 28th, 2018
Halloween’s weekend estimates are matching our predictions perfectly with $32.05 million. If this number holds, it will have $126.70 million after just ten days of release. Internationally, it is estimated to earn $25.6 million in 62 markets for a two-week total of $45.6 million. It won’t match its domestic run internationally, but it doesn’t have to do be a financial success. In fact, since the film only cost $10 million to make, if it had just $45.6 million worldwide at this point, it would still have a chance of breaking even, eventually.
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Friday Estimates: Halloween Laps Competition with $10 million on Friday
October 27th, 2018
As expected, Halloween earned first place on Friday. It was a little weaker than expected at $10.02 million and Universal’s estimate for the weekend is $30.05 million, compared to our prediction of $33 million. A $30 million sophomore stint is still fantastic for a film that cost just $10 million to make; in fact, it cracked $100 million domestically on Friday, which is more than enough to pay for its combined production / advertising budgets.
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Theater Averages: Mid90s Kickflips to the Top
October 25th, 2018
Mid90s had a much better than expected start earning an average of $64,539 in four theaters. This is the third highest theater average of 2018 behind just Free Solo ($73,572 in four theaters) and Eighth Grade ($65,949 also in four theaters). On the other hand, its reviews are good, but not great, so it could struggle to expand wide. That said, I would be absolutely shocked if the film didn’t earn some measure of mainstream success after this start. Can You Ever Forgive Me? opened in second place with an average of $32,302 in five theaters. Its reviews are award-worthy, so it should have very long legs and if it actually picks up some major award nominations, it could expand truly wide. Wildlife also rode amazing reviews to an average of $26,147 in four theaters. The overall box office leader, Halloween, was next with an average of $19,405. The Price of Everything opened with $16,817 in one theater, while the re-release of Wings of Desire managed $12,885, also in one theater.
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Limited and VOD Releases: Missing these Limited Releases is Unforgivable
October 19th, 2018
It’s an excellent week for limited releases with a trio of amazing films that have great star power as well. Can You Ever Forgive Me?, What They Had, and Wildlife all have a shot at box office success. Not to mention several documentaries, like On Her Shoulders, Sharkwater Extinction, Transformer, that could do well in limited release.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/04/05 | - | $25,383 | 7 | $3,626 | $25,383 | 1 | |
2019/04/12 | 25 | $18,357 | -28% | 7 | $2,622 | $60,634 | 2 |
2019/04/19 | - | $11,435 | -38% | 7 | $1,634 | $83,348 | 3 |
2019/04/26 | - | $8,621 | -25% | 7 | $1,232 | $99,645 | 4 |
2019/05/03 | - | $6,332 | -27% | 7 | $905 | $109,354 | 5 |
2019/05/10 | 35 | $5,041 | -20% | 6 | $840 | $118,578 | 6 |
2019/05/17 | - | $2,409 | -52% | 5 | $482 | $121,279 | 7 |
2019/05/24 | - | $2,247 | -7% | 3 | $749 | $126,943 | 8 |
2019/05/31 | - | $1,460 | -35% | 2 | $730 | $130,972 | 9 |
2019/06/07 | - | $1,221 | -16% | 2 | $611 | $135,053 | 10 |
2019/06/14 | - | $704 | -42% | 1 | $704 | $134,084 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 7/19/2019 | $4,145 | 0 | 0 | 0 | $8,583 | 8/11/2019 |
Australia | 4/5/2019 | $25,383 | 7 | 7 | 54 | $134,084 | 6/20/2019 |
Czech Republic | 7/12/2019 | $10,611 | 21 | 21 | 65 | $39,568 | 10/19/2022 |
France | 4/26/2019 | $219,874 | 70 | 160 | 678 | $925,409 | 6/8/2019 |
Netherlands | 2/22/2019 | $43,619 | 33 | 47 | 120 | $178,635 | 3/12/2019 |
North America | 10/19/2018 | $258,157 | 4 | 1,206 | 2,826 | $7,362,439 | |
Russia (CIS) | 3/14/2019 | $84,500 | 152 | 152 | 372 | $262,569 | 10/19/2022 |
South Korea | 9/25/2019 | $42,855 | 101 | 101 | 164 | $130,462 | 10/16/2019 |
Spain | 6/21/2019 | $13,704 | 19 | 19 | 19 | $13,704 | 6/27/2019 |
United Kingdom | 4/12/2019 | $131,450 | 85 | 85 | 85 | $131,450 | 4/17/2019 |
Worldwide Total | $9,186,903 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Sunny Suljic | Stevie |
Supporting Cast
Lucas Hedges | Ian |
Katherine Waterston | Dabney |
Na-Kel Smith | Ray |
Olan Prenatt | Fuckshit |
Gio Galicia | Ruben |
Ryder McLaughlin | Fourth Grade |
Alexa Demie | Estee |
Cameos
Jerrod Carmichael | Security Guard |
Harmony Korine | Dabney’s Sexual Partner |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jonah Hill | Director |
Jonah Hill | Screenwriter |
Scott Rudin | Producer |
Eli Bush | Producer |
Ken Kao | Producer |
Jonah Hill | Producer |
Lila Yacoub | Producer |
Scott Robertson | Executive Producer |
Jennifer Semler | Executive Producer |
Alex G Scott | Executive Producer |