China Box Office for Megan Leavey (2017)
Theatrical Performance (US$) | ||
China Box Office | $1,028,409 | Details |
Worldwide Box Office | $14,464,838 | Details |
Home Market Performance | ||
North America DVD Sales | $2,457,402 | Details |
North America Blu-ray Sales | $1,524,321 | Details |
Total North America Video Sales | $3,981,723 | |
Further financial details... |
Synopsis
The true life story of a young marine corporal whose unique discipline and bond with her military combat dog saved many lives during their deployment in Iraq. When she is assigned to clean up the K9 unit after a disciplinary hearing, Leavey identifies with a particularly aggressive dog, Rex, and is given the chance to train him. Over the course of their service, Megan and Rex completed more than 100 missions until an IED explosion injures them, putting their fate in jeopardy.
Metrics
Movie Details
China Releases: | May 11th, 2018 (Wide) |
Video Release: | August 22nd, 2017 by Universal Home Entertainment |
MPAA Rating: | PG-13 for war violence, language, suggestive material, and thematic elements. (Rating bulletin 2446 (Cert #50716), 10/12/2016) |
Running Time: | 116 minutes |
Keywords: | Iraq War, Animal Lead, Returning Soldiers, Biography, 2000s, Biographical Drama, 2010s |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | LD Entertainment, Liddell Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for September 5th, 2017
September 5th, 2017
There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week.
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Home Market Releases for August 22nd, 2017
August 23rd, 2017
Guardians of the Galaxy Vol 2 comes out this week and it is such a big release that is scared away nearly all of the competition. Fortunately, it is also a great film and a serious contender for Pick of the Week. The main competition are Ash vs Evil Dead: Season 2 and Supergirl: Season 2. In the end. I went with Ash vs Evil Dead, but it was a close race.
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Weekend Wrap-Up: Cars 3 Crosses the Finish Line with $53.69 million
June 20th, 2017
As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion.
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Weekend Wrap-Up: Wonder Woman is the Spider-Man of Super Heroes
June 13th, 2017
The weekend box office had a few surprises, some positive and some negative. On the positive side, Wonder Woman had the best hold for a major super hero movie since Spider-Man and is on pace for $340 million to $375 million. On the negative side were all three new releases. The Mummy finished on the low side of already low expectations, while It Comes At Night pleased critics, but not moviegoers. Meanwhile, Megan Leavey missed the Mendoza Line. Overall, the box office fell 22% from last weekend to $144 million. This is 5.7% lower than this weekend last year. Fortunately, since this time last week, 2017 expanded its lead over 2016 by about $20 million at $4.90 billion to $4.73 billion. We are almost halfway through the year, so a $175 million / 3.7% lead is solid. It isn’t impossible for that lead to evaporate, but it is enough to be cautiously optimistic about the final tally.
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Weekend Estimates: Mummy’s $32 Million Debut No Match for Wonder Woman
June 11th, 2017
There are precious few crumbs of comfort to be found from Universal’s launch of The Mummy this weekend. The studio is projecting a $32.2 million opening this weekend from 4,035 theaters. That will be a fairly distant second to Wonder Woman, which is expected to earn about $57.1 million. Even the bright news—that this is Tom Cruise’s biggest global opening weekend—comes with an asterisk.
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Friday Estimates: Wonder Woman Wows Again with $15.8 million
June 10th, 2017
At the beginning of the month, I assumed this weekend would be a close race between Wonder Woman and The Mummy. I assumed The Mummy would at least win on Friday, but that’s not the case, as Wonder Woman remains the number one box office draw. The film earned $15.8 million on Friday, which is 59% lower than its opening Friday. It should bounce back on Saturday and finish the weekend with $53 million, which is just a 49% sophomore stint drop-off. A super hero movie falling less than 50% during its second weekend of release is simply stunning. Granted, its reviews are among the best of the year, so having better than average legs was expect. That said, a 49% drop-off is still an amazing performance and should lead to more than a few movie executives to look for ways to copy its success.
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Thursday Night Previews: Is The Mummy Dead on Arrival with $2.66 million?
June 9th, 2017
The Mummy started its domestic box office run last night earning $2.66 million in previews. This is well below expectations and it was already expected to struggle. To put this into perspective, it only earned approximately a quarter of what Wonder Woman managed last week and less than half of what Pirates of the Caribbean: Dead Men Tell No Tales earned the weekend before that. Add in reviews that are just 20% positive and there’s a chance the film’s word-of-mouth will kill the film’s legs by this evening. At this point, a $30 million opening could be asking too much. $25 million isn’t even a sure thing anymore.
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Weekend Predictions: Can Mummy Bury the Competition?
June 8th, 2017
Last weekend was a great one at the box office with Wonder Woman earning over $100 million during its opening. This weekend isn’t expected to be nearly as potent. The biggest new release is The Mummy, which is supposed to be the start of the Dark Universe, but its reviews suggest this combined universe will be short-lived. It Comes At Night could become A24’s biggest hit, although that’s not a particularly high bar. Finally there’s Megan Leavey. It isn’t expected to open truly wide, but it only needs about $2 million to reach the top ten. This weekend last year was similar in terms of box office strength. The Conjuring 2: The Enfield Poltergeist led the way with barely more than $40 million, while there were two other new releases to top $20 million. This year’s crop of new films is nowhere near as good as that; however, the holdovers should make up the difference leaving 2017 ahead in the year-over-year comparison.
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2017 Preview: June
June 1st, 2017
May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead.
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Megan Leavey Trailer
April 27th, 2017
Drama starring Kate Mara, directed by Gabriela Cowperthwaite, opens June 9 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/05/11 | 5 | $610,000 | 16,835 | $36 | $610,000 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
China | 5/11/2018 | $610,000 | 16835 | 16835 | 16835 | $1,028,409 | 6/6/2018 |
North America | 6/9/2017 | $3,810,867 | 1,956 | 1,956 | 6,468 | $13,406,304 | 2/6/2018 |
Turkey | 8/25/2017 | $13,542 | 66 | 66 | 101 | $30,125 | 2/26/2019 |
Worldwide Total | $14,464,838 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Kate Mara | Megan Leavey |
Supporting Cast
Ramon Rodriguez | Corporal Matt Morales |
Tom Felton | Andrew Dean |
Bradley Whitford | Bob |
Will Patton | Jim |
Sam Keeley | Sills |
Common | Gunny Martin |
Edie Falco | Jackie Leavey |
Alisa Harris | Barbie |
Nick Madrick | Receiving Marine #1 |
Jason Turner | Receiving Marine #2 |
Sasha Morfaw | Female Drill Instructor #1 |
Jennifer Duke | Female Drill Instructor #2 |
Megan Leavey | Female Drill Instructor #3 |
Corey Johnson | Master Sergeant |
Andrew Moon | Jones |
Alicia Lobo | Timmins |
Melina Matthews | Lopez |
Luka Peros | Drunk Guy in Bar |
Nils Holst | Duty Patrol Marine |
Mish Boyko | Bennet |
Phil Dunster | Coletta |
Jonathan Howard | Walters |
Rudy Dobrev | Mason |
Geraldine James | Dr. Turbeville |
Frank Von Loh | Loadmaster |
Tony Lopez | Staff Sergeant |
Luke Neal | Jarvis |
Nicholas Schodel | Bandini |
William Miller | Recon Guy #1 |
Ali El Aziz | Iraqi Man in Car |
Abderrahim Daoudi | Iraqi Child in Car |
Benjamin Nathan-Serio | Recon Guy #2 |
Jacob Yacob | Arabic Recon Interpreter |
Khaled Kouka | Iraqi Rug Man |
Mark Schardan | Brown |
Miguel Gomez | Gomez |
Mohammed Kasmi | Iraqi Car Driver |
Parker Sawyers | Navy Corpsman |
David Chevers | O’Connor |
Matthew W. Morgan | Turret Gunner |
Michael Strelow | Doctor in Baghdad |
Jeremy Jones | Reynolds |
Damson Idris | Lt. Michael Forman |
Josh Ventura | Dog Owner |
Nancy Crane | Therapist |
Andrew Masset | Senator Schumer |
Tyler Buckingham | Finn |
Jacob Lovett | Ricky |
Angela Bennett | Kind Woman |
Christine Jones | News Anchor |
Lilliana Cabal | Deanna Russo—News Anchor |
James D. Dever | Marine Captain |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Gabriela Cowperthwaite | Director |
Pamela Gray | Screenwriter |
Annie Mumolo | Screenwriter |
Tim Lovestedt | Screenwriter |
Mickey Liddell | Producer |
Jennifer Monroe | Producer |
Pete Shilaimon | Producer |
Robert Huberman | Executive Producer |
Scott Holroyd | Executive Producer |
Jose Luis Escolar | Executive Producer |
Nicole Stojkovich | Executive Producer |
Lorenzo Senatore | Director of Photography |
Ed Verreaux | Production Designer |
Peter McNulty | Editor |
David Tabbert | Costume Designer |
Mark Isham | Composer |
Julianne Jordan | Music Supervisor |
Kerry Barden | Casting Director |
Paul Schnee | Casting Director |
Camilla Valentine Isola | Casting Director—Spain |
Robert Huberman | Unit Production Manager |
Carlos Ruiz Boceta | Unit Production Manager |
Martin Krauka | First Assistant Director |
Alison Semenza King | Unit Production Manager |
Urs Hirscvhbiegel | First Assistant Director |
Keegan Sacko | Second Assistant Director |
G. Peter King | Stunt Coordinator |
Pete Romano | Underwater Director of Photography |
Stephen Cooper | Art Director |
Chuck Potter | Set Decorator |
Chris Dedoux | Visual Effects Supervisor |
Mike Tackett | Stills Photographer |
Kara Stills McGee | Script Supervisor |
Carl Rudisill | Sound Mixer |
Stev Taylor | Costume Supervisor |
Lindsay Irish Desarno | Make up |
Patricia Glasser | Hairstylist |
Dustin Miller | Special Effects Coordinator |
Stephen Yetman | Location Manager |
Joey Monternarello | Casting Associate/New York |
Adam Richards | Casting Associate/LA |
Matthew Glasner | Casting Assistant/New York |
Roya Semnanian | Casting Assistant/Los Angeles |
Matthew Sefick | Casting Associate-South Carolina |
Stefano Corridori | Special Effects Supervisor |
Douglas Wilkinson | Post-Production Supervisor |
Christopher Patterson | Additional Editor |
Karen Baker Landers | Supervising Sound Editor |
Martyn Zub | Co-Supervising Sound Editor |
Jon Title | Sound Designer |
D. Chris Smith | Sound Designer |
Daniel Saxlid | Dialogue Editor |
Frederick H. Stahly | Dialogue Editor |
Ron Mellegers | Foley Mixer |
Randy Wilson | Foley Mixer |
Christian T. Cooke* | Re-recording Mixer |
Brad Zoern | Re-recording Mixer |
Rafael Solorzano* | Visual Effects Supervisor |
Antonio Miravalls | Visual Effects Producer |
Elena Gonzalez | Visual Effects Producer |
Simon Michael | Additional Music |
Dane Leon | Music Editor |
Kevin Banks | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.