Portugal Box Office for Mechanic: Assassino Profissional (2016)
Theatrical Performance (US$) | ||
Portugal Box Office | $1,070,047 | Details |
Worldwide Box Office | $125,729,635 | Details |
Home Market Performance | ||
North America DVD Sales | $6,226,027 | Details |
North America Blu-ray Sales | $4,628,678 | Details |
Total North America Video Sales | $10,854,705 | |
Further financial details... |
Synopsis
When someone from his past forces him back into the business, Arthur Bishop has to complete an impossible list of assassinations of the most dangerous men in the world.
Metrics
Movie Details
Production Budget: | $40,000,000 |
Portugal Releases: | August 26th, 2016 (Wide), released as Mechanic: Assassino Profissional |
Video Release: | November 8th, 2016 by Lionsgate Home Entertainment |
MPAA Rating: | R for violence throughout and language. (Rating bulletin 2422 (Cert #50430), 4/27/2016) |
Running Time: | 98 minutes |
Franchise: | The Mechanic |
Keywords: | Hitmen, Out of Retirement, Delayed Sequel, Kidnap, Action Thriller |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Summit Entertainment, Millennium Films, Chartoff Winkler Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for November 22nd, 2016
November 21st, 2016
This is the Tuesday before Black Friday / Cyber Monday. It is the last chance for a home market release to come out before one of the most important shopping weekends of the year. However, it also means the new releases coming out have to compete with massive sales and they will tend to get lost in the crowd. Overall, this is a negative for the new releases, which explains why there are not many big titles. The biggest release of the week is Kubo and the Two Strings, which is also one of the best. If you don’t have any of the Laika films, then the Box Set is easily worth picking up. However, I’m giving the Pick of the Week title to Mystery Science Theater 3000: XXXVII, because I’m a huge fanboy.
Home Market Releases for November 8th, 2016
November 8th, 2016
It’s not a particularly deep week for new releases. A lot of releases on this week’s list were good, but not good enough to be a contender for Pick of the Week, like Daredevil: The Complete First Season on Blu-ray. I reviewed Finding Dory this weekend, but I have already named it Pick of the Week. So the only real contender was Bubba Ho-Tep: Collector’s Edition.
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International Box Office: Jack Reaches for the Top earning $31.5 million
October 27th, 2016
Jack Reacher: Never Go Back opened in first place internationally with $31.5 million in 31 markets. Its biggest market was China, where it earned $5.56 million, including previews. The film’s second biggest market was in the U.K. where it earned $3.28 million in 519 theaters. This is lower than it opened here, given the relative size of the two markets, and much lower than the $5.75 million the first film opened with. Granted, that film opened in the U.K. right around Christmas, but overall Never Go Back is underperforming. This is really bad news for Paramount Pictures, as they’ve had a bad year with a number of high-profile, high-cost movies failing to break even and really can’t afford another misstep.
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Weekend Wrap-Up: Don’t Breathe Made the Box Office Gasp with $26.41 million
August 29th, 2016
Don’t Breathe topped the weekend box office chart earning $26.41 million. This was double its nearest competitor, Suicide Squad, and more than three times the other new release, Mechanic: Resurrection. The overall box office fell 12% from last weekend to $117 million. This is 33% higher than this weekend last year, which is really impressive for a year-over-year comparison. Year-to-date, 2016’s lead over 2015 has grown to $480 million or 6.5% at $7.81 billion to $7.33 billion.
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Weekend Estimates: Don’t Breathe Launches with Impressive $26.1 Million
August 28th, 2016
Fall season begins in earnest this weekend with the low-budget suspense flick Don’t Breathe taking over at the top of the box office chart. Sony is predicting a $26.1 million debut for the film, which will be the best debut for a horror or suspense film since The Purge: Election Year’s $31.5 million in July, and the best for a non-sequel since Annabelle’s $37.1 million in October, 2014. Don’t Breathe has the advantage of really good reviews (currently running at 84% positive on Rotten Tomatoes), although it will have a lot of competition over the next few weeks, with films aimed at a broadly similar audience coming out every week for the next three weeks (not to mention a truckload more arriving in October).
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Friday Estimates: Don’t Breathe Inhales $10.02 million
August 27th, 2016
Don’t Breathe earned a stunning $10.02 million on Friday, which isn’t that much less than some people predicted it would earn over the entire weekend. Its reviews are among the best of any wide release to come out this year. Its CinemaScore was a B+, which is better than most horror films manage. (Like I’ve said in the past, there are two schools of horror fans: gorehounds and those who demand high tension. It is nearly impossible to appeal to both groups, so these movies have a hard time doing well in this metric.) Horror films tend to have a low internal multiplier, but the film is still on pace for $23 million, which is ahead of predictions.
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Thursday Night Previews: Don’t Breathe Knocks Out the Competition with $1.88 million
August 26th, 2016
Don’t Breathe earned $1.8 million during its midnight previews, which is coincidentally almost exactly the same amount as Lights Out opened with earlier this summer. Don’t Breathe does have better reviews than Lights Out earned, plus it has less competition. On the other hand, this weekend is a weaker weekend at the box office. It does look like it will beat expectations and an opening of more than $20 million is likely.
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Weekend Predictions: Will the New Releases be a Breath of Fresh Air?
August 25th, 2016
It’s the last weekend of summer and a number of schools are already back, so the box office prospects are really low. That’s not to say there’s nothing to look forward to, as Don’t Breathe is earning stellar reviews. On the other hand, Mechanic: Resurrection still has no reviews. (There was another movie, Hands of Stone, that was expected to open wide, but that is no longer the case.) This weekend last year, Straight Outta Compton completed its threepete with $13.13 million. The best new release was War Room, which only managed $11.35 million. This year, the two wide releases will topped the combined numbers of those two films, while the holdovers will push 2016 over 2015 in the year-over-year comparison.
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2016 Preview: August
August 1st, 2016
July did reasonably well, thanks mostly to The Secret Life of Pets, which will top $300 million shortly and could earn double its nearest competitor when all is said and done. That said, there were also a quartet of $100 million hits as well, so the month had good depth as well. August isn’t as lucky. There is one film that is expected to earn $100 million during its opening weekend, Suicide Squad, and one more that is expected to reach $100 million in total, Pete’s Dragon. There could be a surprise hit among the rest of the releases, (my long shot with a shot is Sausage Party) but for the most part, the rest of the wide releases would be happy with just $50 million at the box office. Last August was a disaster and Straight Outta Compton was the only hit of the month. Unless Suicide Squad bombs compared to expectations, 2016 will come out ahead in the year-over-year comparison.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/08/26 | 2 | $254,897 | 55 | $4,634 | $254,897 | 1 | |
2016/09/02 | 3 | $177,831 | -30% | 58 | $3,066 | $560,312 | 2 |
2016/09/09 | 3 | $123,725 | -30% | 53 | $2,334 | $771,102 | 3 |
2016/09/16 | 5 | $85,006 | -31% | 45 | $1,889 | $903,418 | 4 |
2016/09/23 | 8 | $58,126 | -32% | 37 | $1,571 | $989,933 | 5 |
2016/09/30 | 9 | $32,566 | -44% | 19 | $1,714 | $1,036,682 | 6 |
2016/10/07 | 11 | $19,182 | -41% | 12 | $1,599 | $1,065,961 | 7 |
2016/10/14 | 15 | $10,278 | -46% | 9 | $1,142 | $1,064,028 | 8 |
2016/10/21 | 16 | $6,135 | -40% | 9 | $682 | $1,060,870 | 9 |
2016/10/28 | 22 | $1,534 | -75% | 2 | $767 | $1,070,047 | 10 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/30/2016 | $337,475 | 154 | 154 | 374 | $901,821 | 11/30/2018 |
Australia | 9/2/2016 | $9,927 | 10 | 10 | 10 | $9,927 | 9/6/2016 |
Brazil | 10/7/2016 | $521,129 | 245 | 245 | 612 | $1,351,820 | 11/16/2018 |
Bulgaria | 9/2/2016 | $55,285 | 0 | 0 | 0 | $330,533 | 2/26/2019 |
China | 10/20/2016 | $24,310,000 | 69915 | 69915 | 112813 | $49,243,216 | 8/27/2018 |
Czech Republic | 9/16/2016 | $45,088 | 54 | 54 | 130 | $105,696 | 12/31/2018 |
France | 9/2/2016 | $1,262,406 | 0 | 0 | 0 | $4,432,371 | 8/17/2018 |
Germany | 8/26/2016 | $488,377 | 0 | 0 | 0 | $1,634,532 | 8/19/2018 |
Italy | 11/24/2016 | $600,330 | 0 | 0 | 0 | $1,612,600 | 12/14/2016 |
Lithuania | 9/2/2016 | $28,426 | 86 | 86 | 229 | $89,784 | 10/5/2016 |
Mexico | 9/9/2016 | $987,578 | 0 | 0 | 0 | $2,492,096 | 9/28/2016 |
Netherlands | 9/1/2016 | $374,438 | 76 | 83 | 477 | $1,469,119 | 10/18/2016 |
North America | 8/26/2016 | $7,456,525 | 2,258 | 2,258 | 8,138 | $21,218,403 | 9/11/2019 |
Poland | 8/26/2016 | $137,953 | 0 | 0 | 0 | $774,182 | 11/18/2018 |
Portugal | 8/26/2016 | $254,897 | 55 | 58 | 299 | $1,070,047 | 11/4/2016 |
Russia (CIS) | 8/26/2016 | $1,522,562 | 835 | 835 | 1989 | $3,030,102 | 12/31/2018 |
Slovakia | 9/9/2016 | $33,924 | 64 | 64 | 121 | $94,851 | 10/6/2016 |
Slovenia | 9/2/2016 | $11,549 | 10 | 10 | 49 | $60,433 | 11/7/2016 |
South Korea | 8/25/2016 | $2,165,783 | 320 | 320 | 670 | $3,966,531 | 1/6/2019 |
Spain | 10/7/2016 | $643,067 | 241 | 247 | 919 | $2,077,296 | 12/2/2016 |
Turkey | 8/26/2016 | $624,915 | 406 | 406 | 2526 | $3,673,194 | 2/26/2019 |
United Kingdom | 8/26/2016 | $669,891 | 292 | 292 | 558 | $1,527,284 | 9/7/2016 |
Rest of World | $24,563,797 | ||||||
Worldwide Total | $125,729,635 | 9/11/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jason Statham | Arthur Bishop |
Tommy Lee Jones | Max Adams |
Jessica Alba | Gina |
Michelle Yeoh | Mei |
Supporting Cast
Sam Hazeldine | Crain |
John Cenatiempo | Jeremy |
Toby Eddington | Adrian Cook |
Femi Elufowoju Jr | Krill |
Anteo Quintavalle | Frank |
Rhatha Phongam | Courier |
Bonnie Zellerbach | Headmistress |
Stuart Thorp | Rio Thug #1 |
Alex Kuzelicki | Rio Thug #2 |
Brahim Achabbakhe | Rio Thug #3 |
Thomas Kiwi | Rio Thug #4 |
Andrew Stehlin | Rio Thug #5 |
Francis Tonkala Tamouya | Slender Psycho (Nuujib) |
Tais Rodrigues Dias | Hang Glider |
Lynette Emond | Sexy Thai Assistant |
Allan Poppleton | Dice Prisoner |
Maethi Thapthimthong | Young Construction Worker |
Soji Ikai | Skinny Prisoner |
Vithaya Pansringarm | Prison Warden |
Chatchawai Kamonsakpitak | Prison Guard |
Antanas Sprevbrev | Trawler Captain |
Yothin Udomsonti | Deckhand |
Rachel O'Meara | Leasing Agent |
Aaron Brumfield | Adam's Head of Security |
Damian Mavis | Adam's Guard |
Valentin Velkon | Tearful Employee |
Tony Abbey | Cook's Interview Reporter |
Amir Zargham | Pier Worker |
Peter Rnic | Pilot |
Eoin O'Brien | Merc #1 |
Alexander Winters | Merc #2 |
Amin Parvin | Merc #3 |
Yuri Chuchenko | Varna Cop |
Natalie Burn | BBC Reporter |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Dennis Gansel | Director |
Philip Shelby | Screenwriter |
Tony Mosher | Screenwriter |
Philip Shelby | Story by |
Lewis John Carlino | Based on Characters Created by |
David Winkler | Producer |
William Chartoff* | Producer |
John Thompson | Producer |
Robert Earl | Producer |
Avi Lerner | Executive Producer |
Brian Presley | Executive Producer |
Trevor Short | Executive Producer |
Mark Gill | Executive Producer |
Boaz Davidson | Executive Producer |
Frank DeMartini | Executive Producer |
Steven Chasman | Executive Producer |
Samuel Hadida | Co-Executive Producer |
Victor Hadida | Co-Executive Producer |
Daniel Gottschalk | Director of Photography |
Sebastian T. Krawinkel* | Production Designer |
Michael J. Duthie | Editor |
Todd E. Miller | Editor |
Ueli Christen | Editor |
Preeyanan Suwannathada | Costume Designer |
Mark Isham | Composer |
Raweeporn S. Jungmeier* | Casting Director |
Tom Waller | Line Producer |
Ken Streutker | Unit Production Manager |
David Cluck | First Assistant Director |
Stephanie Bamberg | Second Assistant Director |
Chelsea Donison | Second Assistant Director |
Lonnie Ramati | Co-Executive Producer |
Katrina Grose | Production Supervisor |
Brian Hayashi | Post-Production Supervisor |
Selena Arizanovic | Music Supervisor |
Stefan Tchakarov | Visual Effects Supervisor |
Vic Armstrong | Second Unit Director |
Allan Poppleton | Second Unit Director |
Allan Poppleton | Stunt and Fight Coordinator |
J.J. Perry | Fight Choreographer |
Shelly Stoyanova | Script Supervisor |
Aaron Haye | Supervising Art Director |
James Newport | Art Director |
Patrick Herzberg | Art Director |
Tarnia Nicol | Art Director |
Pongnarin Jonghawklang | Art Director |
Kasi Faengrod | Set Decorator |
Jirada Dairoekngam | Costume Supervisor |
Kevin Chisnall | Special Effects Supervisor |
Harit Taechathummarak | Special Effects Coordinator |
Kittipat Boonvanno | Location Manager |
Supattra Punyadee | Additional Casting-Casting Assistant |
Sarawanee Yodnoon | Additional Casting-Extras Casting |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.