Australia Box Office for Mcqueen (2018)
Theatrical Performance (US$) | ||
Australia Box Office | $248,241 | Details |
Worldwide Box Office | $2,696,131 | Details |
Home Market Performance | ||
North America DVD Sales | $24,092 | Details |
North America Blu-ray Sales | $67 | Details |
Total North America Video Sales | $24,159 | |
Further financial details... |
Synopsis
A personal look at the extraordinary life, career and artistry of Alexander McQueen. Through exclusive interviews with his closest friends and family, recovered archives, exquisite visuals and music, McQueen is an authentic celebration and thrilling portrait of an inspired yet tortured fashion visionary.
Metrics
Movie Details
Australia Releases: | September 7th, 2018 (Wide), released as Mcqueen |
Video Release: | December 4th, 2018 by Lionsgate Home Entertainment |
MPAA Rating: | R for language and nudity (Rating bulletin 2525 (Cert #51584), 5/2/2018) |
Running Time: | 101 minutes |
Keywords: | Biography, Fashion, Artists, Mental Illness, Suicide, 2000s, 2010s |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Creativity Capital , Salon , Misfits Entertainment, Embankment Films, Electric Shadow Company, Time Based Arts, Moving Pictures Media |
Production Countries: | United Kingdom |
Languages: | English |
2018 - Awards Season: BAFTA - Nominations
January 12th, 2019
The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here.
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Theater Averages: Searching Found an Audience in Limited Release
August 29th, 2018
Searching had one of the ten best theater averages for a limited release so far this year, earning an average of $43,197 in nine theaters. The film is scheduled to expand wide this Friday and this start combined with its reviews is a good omen for its box office chances. The Bookshop was well back in second place with an average of $12,000 in 4 theaters. Meanwhile the only holdover was The Wife, which held on well with an average of $11,819 while playing in 18 theaters. The film should earn some measure of mainstream success, but I’m not sure it will last in theaters long enough to earn any real Awards Season buzz. Finally, John McEnroe: In the Realm of Perfection wasn’t able to reach the $10,000 club over the three-day weekend, as it earned $7,878 in its lone theater. However, it was a Wednesday release and it earned $11,733 during its five-day debut.
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Theater Averages: Documentaries Remain in Fashion
August 2nd, 2018
Scotty and the Secret History of Hollywood dominated the theater average chart earning first place with $28,144 in one theater. The next closest film was a fellow documentary, McQueen, which earned an average of $16,692 in five theaters during its second weekend of release. The overall number one film, Mission: Impossible—Fallout, was next with an average of $13,962. The final film in the $10,000 club was Puzzle, with an average of $12,243 in five theaters.
Theater Averages: Eighth Grade Repeats a Grade
July 25th, 2018
Eighth Grade remained on top of the theater average chart with an average of $24,975 in 33 theaters over the weekend. McQueen and Blindspotting were right behind with averages of $24,718 and $24,024 in 4 and 14 theaters respectively. The re-release of Wanda opened with $10,679 in one theater. The two wide releases of the week were next with The Equalizer 2 and Mamma Mia: Here We Go Again! in a virtual tie at $10,629 and $10,537 respectively.
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Limited and VOD Releases: Some Promising Limited Releases are Ready to Bloom
July 20th, 2018
It is not a busy week for limited releases, but the majority of the ones on the main list are worth checking out. I think Blindspotting has the best shot at box office success, but personally I’m most interested in seeing Maquia: When The Promised Flower Blooms.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/09/07 | 16 | $51,339 | 18 | $2,852 | $51,339 | 1 | |
2018/09/14 | 21 | $32,264 | -37% | 20 | $1,613 | $105,131 | 2 |
2018/09/21 | 23 | $19,829 | -39% | 18 | $1,102 | $141,461 | 3 |
2018/09/28 | - | $14,980 | -24% | 14 | $1,070 | $167,693 | 4 |
2018/10/05 | - | $10,295 | -31% | 14 | $735 | $182,071 | 5 |
2018/10/12 | - | $3,667 | -64% | 6 | $611 | $191,570 | 6 |
2018/10/19 | - | $1,911 | -48% | 2 | $956 | $196,565 | 7 |
2018/10/26 | - | $1,375 | -28% | 1 | $1,375 | $197,537 | 8 |
2018/11/02 | - | $1,014 | -26% | 1 | $1,014 | $202,473 | 9 |
2018/11/09 | - | $880 | -13% | 1 | $880 | $205,045 | 10 |
2020/10/09 | - | $347 | 3 | $116 | $248,241 | 110 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 9/7/2018 | $51,339 | 18 | 20 | 98 | $248,241 | 10/19/2022 |
Italy | 3/15/2019 | $4,607 | 6 | 6 | 6 | $7,276 | 3/15/2019 |
Netherlands | 9/28/2018 | $42,395 | 33 | 33 | 95 | $123,787 | 10/16/2018 |
North America | 7/20/2018 | $98,873 | 4 | 95 | 307 | $1,257,275 | |
Portugal | 10/5/2018 | $4,711 | 8 | 8 | 21 | $16,289 | 11/8/2018 |
Romania | 8/9/2019 | $0 | 0 | 3 | 4 | $14,383 | 9/30/2020 |
Russia (CIS) | 11/2/2018 | $26,262 | 39 | 39 | 102 | $89,667 | 2/1/2019 |
South Korea | 9/28/2018 | $0 | 0 | 42 | 80 | $56,684 | 10/31/2018 |
Spain | 6/8/2018 | $13,985 | 42 | 42 | 42 | $13,985 | 6/14/2018 |
United Kingdom | 6/8/2018 | $175,999 | 63 | 97 | 370 | $868,544 | 2/8/2019 |
Worldwide Total | $2,696,131 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
Alexander McQueen | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ian Bonhote | Director |
Ian Bonhote | Producer |
Peter Ettedgui | Screenwriter |
Peter Ettedgui | Co-Director |
Nick Taussig | Producer |
Paul van Carter | Producer |
Andee Ryder | Producer |
David Gilbery | Executive Producer |
Patrick Fischer | Executive Producer |
Tim Haslam | Executive Producer |
Hugo Grumbar | Executive Producer |
John Jencks | Executive Producer |
Jay Taylor | Executive Producer |
Peter Ettedgui | Executive Producer |
Kinwara Balfour | Executive Producer |
Isabella Marchese Ragona | Executive Producer |
Ian Berg | Executive Producer |
Richard Kondal | Executive Producer |
Michael Nyman | Composer |
Cinzia Baldessari | Editor |
Sofia Ismail Martin | Co-Producer |
Pete Smyth | Co-Producer |
Will Pugh | Director of Photography |