South Korea Box Office for Maurice (1987)
Theatrical Performance (US$) | ||
South Korea Box Office | $107,523 | Details |
Worldwide Box Office | $3,305,831 | Details |
Home Market Performance | ||
North America Blu-ray Sales | $214,194 | Details |
Total North America Video Sales | $214,194 | |
Further financial details... |
Metrics
Movie Details
Production Budget: | $2,600,000 |
South Korea Releases: | November 7th, 2019 (Wide) |
Video Release: | September 5th, 2017 by Sony Pictures Home Entertainment |
MPAA Rating: | R |
Running Time: | 140 minutes |
Keywords: | 1900s, LGBTQ+, Closeted Homosexual, Romance, Boarding School, Romantic Drama |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Merchant Ivory Productions |
Production Countries: | United Kingdom |
Languages: | English |
Home Market Releases for September 5th, 2017
September 5th, 2017
There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/11/08 | 11 | $32,533 | 46 | $707 | $47,076 | 1 | |
2019/11/15 | 17 | $15,325 | -53% | 39 | $393 | $84,955 | 2 |
2019/11/22 | 20 | $6,127 | -60% | 20 | $306 | $98,459 | 3 |
2020/06/26 | - | $3,535 | 6 | $589 | $107,523 | 34 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 1/1/1987 | $0 | 0 | 77 | 509 | $3,147,950 | |
South Korea | 11/7/2019 | $32,533 | 46 | 46 | 111 | $107,523 | 7/1/2020 |
United Kingdom | 7/27/2018 | $17,703 | 12 | 12 | 33 | $50,358 | 9/26/2018 |
Worldwide Total | $3,305,831 | 7/1/2020 |
Leading Cast
James Wilby | Maurice |
Hugh Grant | Clive Durham |
Supporting Cast
Rupert Graves | Alec |
Denholm Elliott | Doctor Barry |
Simon Callow | Dr. Ducie |
Billie Whitelaw | Mrs. Hall |
Barry Foster | Dean Cornwalis |
Judy Parfitt | Mrs. Durham |
Phoebe Nicholls | Anne Durham |
Ben Kingsley | Lasker-Jones |
Mark Tandy | Risley |
Helena Mitchell | Ada Hall |
Kitty Aldridge | Kitty Hall |
Patrick Godfrey | Simcox |
Michael Jenn | Archie |
Peter Eyre | Mr. Borenius |
Catherine Rabett | Pippa Durham |
Orlando Wells | Young Maurice |
Helena Bonham Carter | Lady at Cricket Match (Uncredited) |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
James Ivory | Director |
Kit Hesketh-Harvey | Screenwriter |
James Ivory | Screenwriter |
Ismail Merchant | Producer |
Katherine Wenning | Editor |
Richard Robbins | Composer |
Pierre Lhomme | Director of Photography |
Jenny Beavan | Costume Designer |
John Bright | Costume Designer |
Paul Bradley | Associate Producer |
Michael Zimbrich | Assistant Director |
Raymond Day | Production Supervisor |
Brian Ackland-Snow | Production Designer |
Peter James | Art Director |
Mike Shoring | Sound Mixer |
Tony Lenny | Sound Editor |
Mary Hillman | Make up |
Carol Hemming | Hairstylist |
E.M. Forster | Story Creator |
Celestia Fox | Casting Director |
Lee Cleary | Second Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.