Italy Box Office for Mary Shelley - Un amore immortale (2018)
| Theatrical Performance (US$) | ||
| Italy Box Office | $422,742 | Details |
| Worldwide Box Office | $2,792,316 | Details |
| Further financial details... | ||
Synopsis
Mary Shelley is story of Mary Wollstonecraft Godwin—author of one of the world’s most famous Gothic novels ‘Frankenstein’—and her fiery, tempestuous relationship with renowned romantic poet Percy Bysshe Shelley. The pair are two outsiders constrained by polite society but bound together by a natural chemistry and progressive ideas that are beyond the boundaries of their age and time. Mary and Percy declare their love for each other and much to her family’s horror they run away together, joined by Mary’s half-sister Claire. In the midst of growing tension within their relationship during their stay at Lord Byron's house at Lake Geneva, the idea of Frankenstein is conceived when a challenge is put to all house-guests to write a ghost story. An incredible character is created, which will loom large in popular culture for centuries to come, but society at the time puts little value in female authors. At the tender age of 18, Mary is forced to challenge these preconceptions, to protect her work and to forge her own identity.
Metrics
Movie Details
| Italy Releases: | August 29th, 2018 (Wide), released as Mary Shelley - Un amore immortale |
| Video Release: | August 28th, 2018 by Shout Factory |
| MPAA Rating: | PG-13 for sexuality and thematic elements including substance abuse. (Rating bulletin 2520 (Cert #51532), 3/28/2018) |
| Running Time: | 121 minutes |
| Keywords: | Writing and Writers, Romance, Poet, First Love, 1700s, Set in London, Coming of Age, Early / Simultaneous Video-on-Demand release, Historical Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Parallel Films, HanWay Films, BFI, Bord Scannan na hEireann, Irish Film Board, Film Fund Luxembourg, Head Gear Films, Juliette Inc., Ralfish Films, Gidden Media |
| Production Countries: | Luxembourg, United Kingdom, United States |
| Languages: | English |
Home Market Releases for August 28th, 2018
August 29th, 2018
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It is a very busy week with a flood of TV on DVD releases. Because of that, each entry has to be a little shorter than usual, especially the TV on DVD releases. There are some titles that are worth more attention, like American Animals, Bound, RBG, and others. It was a close race for Pick of the Week, but in the end I went with Bound on Blu-ray.
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Theater Averages: 2001 Re-Release Remains Tops
May 30th, 2018
2001: A Space Odyssey remained in first place on the theater average chart with $24,810 in four theaters. The number one film, Solo: A Star Wars Movie, was next with an average of $19,270. The Gospel According to Andre earned an average of $11,951 in four theaters. First Reformed remained in the $10,000 club with an average of $10,064 in 29 theaters during its second weekend of release.
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Limited and VOD Releases: Now and Then
May 25th, 2018
It is a slow week, both in terms of total releases and in terms of quality releases. The Gospel According to Andre and Summer 1993 are both earning great reviews, but will likely be relegated to the art house circuit. The film with the best chance of box office success is Who We Are Now, but even then it has an uphill battle.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/08/31 | 8 | $200,969 | 0 | $228,373 | 1 | ||
| 2018/09/07 | 16 | $34,833 | -83% | 0 | $356,261 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 7/6/2018 | $44,548 | 27 | 29 | 173 | $209,103 | 9/10/2018 |
| France | 8/10/2018 | $212,832 | 0 | 0 | 0 | $557,448 | 8/31/2018 |
| Italy | 8/29/2018 | $200,969 | 0 | 3 | 3 | $422,742 | 1/15/2019 |
| New Zealand | 7/6/2018 | $8,037 | 13 | 17 | 72 | $32,131 | 8/9/2018 |
| North America | 5/25/2018 | $12,570 | 2 | 30 | 71 | $108,900 | 11/2/2020 |
| Portugal | 6/29/2018 | $7,073 | 13 | 13 | 28 | $15,222 | 8/15/2018 |
| Russia (CIS) | 5/10/2018 | $54,596 | 167 | 167 | 232 | $100,692 | 2/26/2019 |
| South Korea | 12/4/2018 | $0 | 0 | 37 | 69 | $74,703 | 1/8/2019 |
| Spain | 7/13/2018 | $93,359 | 65 | 72 | 250 | $360,734 | 8/19/2018 |
| Turkey | 7/13/2018 | $3,820 | 25 | 28 | 66 | $13,846 | 2/26/2019 |
| United Kingdom | 7/6/2018 | $21,966 | 35 | 35 | 104 | $184,001 | 2/8/2019 |
| Rest of World | $712,794 | ||||||
| Worldwide Total | $2,792,316 | 11/2/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Elle Fanning | Mary Shelley |
Supporting Cast
| Douglas Booth | Percy Bysshe Shelley |
| Stephen Dillane | Mr. Godwin |
| Joanne Froggatt | Mary Jane Clairmont |
| Ben Hardy | John William Polidori |
| Maisie Williams | Isabel Baxter |
| Bel Powley | Claire Clairmont |
| Tom Sturridge | Lord Byron |
| Owen Richards | William Godwin |
| Derek Riddell | William Baxter |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Haifaa Al-Mansour | Director |
| Haifaa Al-Mansour | Additional Writing By |
| Emma Jensen | Screenwriter |
| Ruth Coady | Producer |
| Alan Moloney | Producer |
| Amy Baer | Producer |
| Mark Amin | Executive Producer |
| Rebecca Miller | Executive Producer |
| Joannie Burstein* | Executive Producer |
| Emma Jensen | Executive Producer |
| Compton Ross | Executive Producer |
| Phil Hunt | Executive Producer |
| Charles Auty | Executive Producer |
| Isabel Davis | Executive Producer |
| Matthew Baker | Executive Producer |
| Peter Watson | Executive Producer |
| Johanna Hogan | Executive Producer |
| David Grumbach | Co-Producer |
| Orlagh Collins | Co-Producer |
| Heidi Levitt | US Casting By |
| Simon Cox | UK Casting By |
| Amy Hubbard | UK Casting By |
| Amelia Warner | Music By |
| Caroline Koener | Costume Designer |
| Paki Smith | Production Designer |
| Alex Mackie | Editor |
| David Ungaro | Director of Photography |