Slovakia Box Office for Bleskový Manu (2019)
Theatrical Performance (US$) | ||
Slovakia Box Office | $35,241 | Details |
Worldwide Box Office | $3,894,713 | Details |
Further financial details... |
Metrics
Movie Details
Slovakia Releases: | May 24th, 2019 (Wide), released as Bleskový Manu |
Video Release: | February 21st, 2020 by Shout Factory |
Running Time: | 88 minutes |
Genre: | Adventure |
Production Method: | Digital Animation |
Production Countries: | Germany |
Languages: | English, German |
Home Market Releases for April 7th, 2020
April 6th, 2020
The movie industry is still reacting to the ongoing Covid-19 outbreak and the changing release schedule has resulted in not a lot coming out this week. Even worse, there are only three first-run releases on the main list and two of them are serious bombs. Fortunately, the third first-run release, Little Women, is an easy Pick of the Week winner. In fact, it’s only competition is the Slings & Arrows: Complete Series DVD, a Canadian TV show that most people reading this have never even heard of.
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Home Market Releases for February 18th, 2020
February 19th, 2020
There are not a lot of major releases on this week’s list, but what we lack in quantity, we more than make up for in quality. In fact, there are five contenders for Pick of the Week and a couple of other smaller releases that might end up in my collection soon. It is going to be a rough week on my wallet. These include a couple of Oscar contenders, A Beautiful Day in the Neighborhood and Jojo Rabbit; a couple of animated releases, The Point! and Tex Avery: Screwball Classics: Volume 1; and a TV on DVD Megaset, Unbreakable Kimmy Schmidt: The Complete Series. All five releases are worth picking up, but I’m going with Jojo Rabbit as this week’s Pick of the Week.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/05/24 | 13 | $2,576 | 18 | $143 | $2,576 | 1 | |
2019/05/31 | 6 | $19,744 | +666% | 68 | $290 | $22,309 | 2 |
2019/06/07 | 9 | $5,841 | -70% | 36 | $162 | $31,179 | 3 |
2019/06/14 | 14 | $2,753 | -53% | 30 | $92 | $35,241 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Austria | 3/1/2019 | $3,588 | 14 | 14 | 14 | $10,303 | 10/19/2022 |
Bulgaria | 1/25/2019 | $3,017 | 0 | 0 | 0 | $7,776 | 2/12/2019 |
China | 12/27/2019 | $404,634 | 0 | 0 | 0 | $657,803 | 2/1/2020 |
Czech Republic | 5/17/2019 | $20,196 | 107 | 107 | 210 | $38,572 | 6/4/2019 |
France | 7/5/2019 | $160,981 | 265 | 281 | 827 | $617,357 | 8/4/2019 |
Germany | 2/28/2019 | $31,497 | 90 | 90 | 90 | $108,311 | 10/19/2022 |
Lithuania | 11/22/2019 | $31,004 | 17 | 17 | 64 | $69,094 | 1/8/2020 |
Mexico | 3/15/2019 | $265,418 | 0 | 0 | 0 | $594,865 | 4/1/2019 |
Netherlands | 6/14/2019 | $10,408 | 82 | 82 | 82 | $27,090 | 6/18/2019 |
Poland | 4/5/2019 | $112,862 | 188 | 188 | 940 | $836,727 | 5/12/2019 |
Russia (CIS) | 9/12/2019 | $314,151 | 1353 | 1353 | 3150 | $532,862 | 10/19/2022 |
Slovakia | 5/24/2019 | $2,576 | 18 | 68 | 152 | $35,241 | 6/18/2019 |
South Korea | 5/1/2019 | $32,220 | 157 | 157 | 171 | $89,437 | 6/7/2019 |
Spain | 9/20/2019 | $92,079 | 181 | 181 | 424 | $173,281 | 10/10/2019 |
Turkey | 9/20/2019 | $46,800 | 206 | 206 | 356 | $82,261 | 10/19/2022 |
United Kingdom | 7/26/2019 | $13,733 | 88 | 88 | 88 | $13,733 | 8/1/2019 |
Worldwide Total | $3,894,713 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Christian Haas | Director |
Andrea Block | Director |