Poland Box Office for Włoskie wakacje (2020)
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| Theatrical Performance (US$) | ||
| Poland Box Office | $432,179 | Details |
| Worldwide Box Office | $2,726,019 | Details |
| Further financial details... | ||
Synopsis
Made In Italy is a heart-warming father son story set in glorious Tuscany about bohemian London artist Robert, who returns to Italy with his estranged son Jack to make a quick sale of the house they inherited from his late wife. Neither expects to find the once beautiful villa in such a state of disrepair… Renovations go badly, with father and son soon finding themselves at odds. Robert’s comical lack of DIY experience leads him to seek help from some colourful locals including the no nonsense Kate, an ex-pat making her living selling villas who quickly captures his attention. For Jack, the state of the house seems to mirror his search for memories of happier times with his mother. He soon falls for Natalia, a vivacious young Italian chef, who restores both body and soul with delights from her local trattoria — until the pair find their developing relationship in jeopardy from Natalia’s jealous and threatening ex-husband. As Robert and Jack painstakingly restore the villa to its previous glory, they also start to mend their relationship. The future may now look quite different and surprise them both.
Metrics
Movie Details
| Poland Releases: | August 7th, 2020 (Wide), released as Włoskie wakacje |
| Video Release: | August 7th, 2020 by IFC Video |
| MPAA Rating: | R for language. (Rating bulletin 2638 (Cert #52788), 7/15/2020) |
| Running Time: | 94 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, HanWay Films, Ingenious Media, CrossDay Productions, Indiana Production Company |
| Production Countries: | Italy, United Kingdom |
| Languages: | English |
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Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/14/2020 | $183,877 | 120 | 160 | 1025 | $1,148,154 | 10/19/2022 |
| Czech Republic | 8/7/2020 | $17,408 | 92 | 92 | 164 | $54,149 | 10/19/2022 |
| Germany | 9/3/2020 | $0 | 0 | 0 | 0 | $0 | |
| Lithuania | 9/25/2020 | $4,520 | 11 | 11 | 33 | $21,109 | 11/11/2020 |
| Mexico | 8/12/2021 | $0 | 0 | 0 | 0 | $0 | |
| Netherlands | 10/9/2020 | $45,815 | 45 | 509 | 724 | $301,169 | 10/19/2022 |
| New Zealand | 11/19/2020 | $19,056 | 47 | 84 | 457 | $307,042 | 10/19/2022 |
| North America | 8/7/2020 | $33,998 | 111 | 111 | 286 | $101,339 | |
| Poland | 8/7/2020 | $60,578 | 192 | 192 | 1344 | $432,179 | 10/19/2022 |
| Portugal | 9/11/2020 | $11,368 | 30 | 30 | 70 | $26,726 | 10/19/2022 |
| Romania | 10/2/2020 | $15,424 | 78 | 78 | 190 | $34,068 | 3/3/2021 |
| Russia (CIS) | 9/24/2020 | $28,284 | 219 | 219 | 454 | $49,526 | 10/19/2022 |
| Slovakia | 8/28/2020 | $20,090 | 65 | 65 | 104 | $49,229 | 12/8/2020 |
| South Korea | 11/24/2021 | $36,633 | 118 | 118 | 138 | $84,338 | 12/8/2021 |
| Spain | 8/6/2021 | $40,242 | 62 | 62 | 157 | $116,894 | 8/27/2021 |
| United Kingdom | 6/11/2021 | $97 | 1 | 1 | 1 | $97 | 6/16/2021 |
| Worldwide Total | $2,726,019 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Liam Neeson | Robert |
| Micheál Richardson | Jack |
Supporting Cast
| Valeria Bilello | Natalia |
| Lindsay Duncan | Kate |
| Yolanda Kettle | Ruth |
| Souad Faress | Ree |
| Claire Dyson | Jennifer |
| Helena Antonio | Raffaella |
| Lavinia Biagi | Clara |
| Gabriele Tozzi | Giovanni |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| James D'Arcy | Director |
| James D'Arcy | Screenwriter |
| Pippa Cross | Producer |
| Sam Tipper-Hale | Producer |
| Alessandro Mascheroni | Co-Producer |
| Daniel Campos Pavoncelli | Co-Producer |
| Alessandro Mascheroni | Executive Producer |
| Daniel Campos Pavoncelli | Executive Producer |
| Janette Day | Executive Producer |
| James D'Arcy | Executive Producer |
| Martin Rushton Turner | Executive Producer |
| Marie-Gabrielle Stewart | Executive Producer |
| Peter Watson | Executive Producer |
| Zygi Kamasa | Executive Producer |
| Peter Touche | Executive Producer |
| Anders Erden | Executive Producer |
| Marco Cohen | Executive Producer |
| Benedetto Habib | Executive Producer |
| Fabrizio Donvito | Executive Producer |
| Mark Day | Editor |
| Alex Belcher* | Composer |
| Mike Eley | Director of Photography |
| Anthony Boys | Editor |
| Stevie Herbert | Production Designer |
| Louise Stjernsward | Costume Designer |
| Michael Constable | Line Producer |
| Alberto Monte | Line Producer |
| Iain Cooke | Music Supervisor |
| Martin Ware | Casting Director |