New Zealand Box Office for Love Sarah (2020)
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| Theatrical Performance (US$) | ||
| New Zealand Box Office | $483,257 | Details |
| Worldwide Box Office | $1,373,083 | Details |
| Further financial details... | ||
Synopsis
Determined to fulfil her late mother's dream of opening a bakery in charming Notting Hill, 19-year-old Clarissa enlists the help of her mother’s best friend Isabella and her eccentric estranged grandmother Mimi. These three generations of women will need to overcome grief, doubts and differences to honour the memory of their beloved Sarah while embarking on a journey to establish a London store filled with love, hope and colourful pastries from all over the world.
Metrics
Movie Details
| New Zealand Releases: | June 18th, 2020 (Wide) |
| Video Release: | January 15th, 2021 by Samuel Goldwyn |
| Running Time: | 97 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Miraj Films, Rainstar Productions, Neopol Film |
| Production Countries: | United Kingdom |
| Languages: | English |
International Round Up: Progress Slows on International Front
June 25th, 2020
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We had some hopeful signs on the international box office over the past couple of weeks, but the progress has greatly slowed down. This is in part due to the lack of major releases in most markets, but also due in part to theater owners not opening as quickly as some governments are allowing. For example, cinemas in Italy were allowed to open on June 15th, but the vast majority of them remain closed. Furthermore, we are solidly in a feedback loop where the lack of new releases is hurting the box office and the weak box office means studios will be unwilling to release major movies. There are still a few pieces of good news to report around the world though.
More...
International Round Up: Another Small Sign we are Returning to Normal
June 17th, 2020
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For the first time in a long time, we got official box office numbers from a major studio this week. Sony released Little Women in Japan where it earned $495,000 and placed first in the market. The film also remained first in Denmark with $255,000 during its second weekend of release for a running tally of $750,000 so far. Both of these numbers are fairly good, as dramas are a lot harder to translate to other languages and cultures than action films are. They also indicate a growing theatrical market in both territories. Furthermore, the source material for this movie has a distinct American feel, so it is not surprising that it wasn’t a monster hit in either of these markets. Overall, Little Women pulled in $760,000 on 440 screens in 13 markets for an international total of $99.5 million after about six month of release. It should get to $100 million in the next week or so.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/06/12 | 2 | $34,632 | 46 | $753 | $52,709 | 1 | |
| 2020/06/19 | 1 | $77,827 | +125% | 77 | $1,011 | $134,553 | 1 |
| 2020/06/26 | 1 | $79,111 | +2% | 89 | $889 | $246,892 | 2 |
| 2020/07/03 | 2 | $51,163 | -35% | 88 | $581 | $332,907 | 3 |
| 2020/07/10 | 4 | $36,762 | -28% | 93 | $395 | $402,249 | 4 |
| 2020/07/24 | 11 | $9,989 | 70 | $143 | $467,176 | 6 | |
| 2020/07/31 | 22 | $4,161 | -58% | 45 | $92 | $477,262 | 7 |
| 2020/08/07 | - | $1,549 | -63% | 26 | $60 | $478,739 | 8 |
| 2020/08/14 | - | $215 | -86% | 13 | $17 | $476,015 | 9 |
| 2020/08/21 | - | $250 | +16% | 14 | $18 | $475,183 | 10 |
| 2020/08/28 | - | $130 | -48% | 5 | $26 | $490,748 | 11 |
| 2020/09/04 | - | $343 | +164% | 11 | $31 | $488,432 | 12 |
| 2020/09/11 | - | $20 | -94% | 3 | $7 | $485,965 | 13 |
| 2020/10/02 | - | $505 | 3 | $168 | $483,257 | 16 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 7/2/2020 | $1,267 | 1 | 164 | 871 | $426,138 | 10/20/2022 |
| Germany | 9/10/2020 | $50,200 | 144 | 183 | 501 | $222,938 | 9/30/2020 |
| Netherlands | 9/11/2020 | $27,971 | 38 | 43 | 122 | $86,968 | 10/19/2022 |
| New Zealand | 6/18/2020 | $34,632 | 46 | 93 | 583 | $483,257 | 10/19/2022 |
| Portugal | 10/13/2022 | $4,724 | 16 | 16 | 28 | $15,288 | 1/4/2023 |
| South Korea | 2/4/2021 | $18,179 | 117 | 117 | 143 | $41,329 | 2/17/2021 |
| Spain | 9/25/2020 | $15,988 | 30 | 30 | 30 | $15,988 | 10/1/2020 |
| United Kingdom | 9/4/2020 | $7,740 | 39 | 41 | 162 | $81,177 | 12/16/2020 |
| Worldwide Total | $1,373,083 | 1/4/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Eliza Schroeder | Director |
| Jake Brunger | Screenwriter |
| Rajita Shah | Producer |
| Tonio Kellner | Co-Producer |
| Jakob Zapf | Co-Producer |
| Eliza Schroeder | Co-Producer |
| Eliza Schroeder | Story by |
| Mahalia Rimmer | Story by |
| Jake Brunger | Story by |
| Alasdair Mitchell | Line Producer |
| Lorraine Bhattachary | Associate Producer |
| Safitri Wigagdo | Executive Producer |
| James Riley | Executive Producer |
| Pietro Greppi | Executive Producer |
| Rajen Shah | Executive Producer |
| Oliver Achatz | Sound Designer |
| Jeffrey Michael | Costume Designer |
| Anna Papa | Production Designer |
| Enis Rotthoff | Composer |
| Jim Hampton | Editor |
| Laura Morrod | Editor |
| Shakyra Dowling | Casting Director |
| Aaron Reid | Director of Photography |