South Korea Box Office for Love Actually (2003)
Theatrical Performance (US$) | ||
South Korea Box Office | $1,843,325 | Details |
Worldwide Box Office | $246,348,772 | Details |
Further financial details... |
Synopsis
Nine intertwined stories examine the complexities of the one emotion that connects us all: love. Among the characters explored are David, the handsome newly elected British prime minister who falls for a young junior staffer, Sarah, a graphic designer whose devotion to her mentally ill brother complicates her love life, and Harry, a married man tempted by his attractive new secretary.
Metrics
Movie Details
Production Budget: | $45,000,000 |
South Korea Releases: | December 5th, 2003 (Wide) |
Video Release: | March 19th, 2004 by Universal Pictures UK April 27th, 2004 by Universal Home Entertainment |
MPAA Rating: | R for sexuality, nudity and language |
Running Time: | 135 minutes |
Keywords: | Romance, Language Barrier, Political, Relationship Advice, First Love, Romantic Comedy, Ensemble, Porn Business, Relationships Gone Wrong |
Source: | Original Screenplay |
Genre: | Romantic Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Working Title Films |
Production Countries: | France, United Kingdom, United States |
Languages: | English, French, Portuguese |
Weekend predictions: The Boy and the Heron, and Songbirds and Snakes; and Beyoncé, and Godzilla
December 8th, 2023
The movie gods have put together another mix of interesting, but hard to predict, new releases this weekend, led by Miyazaki’s The Boy and the Heron. After the success of the rather different Godzilla Minus One last weekend, Japanese films are having a bit of a moment, and those two will likely both be in the top four by the end of the weekend. Where they land exactly is a little harder to predict.
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DVD Releases for April 27, 2004
April 26th, 2004
Every week films get a second chance at success from the home market; or, in some cases, a first chance at success. Here is a list of wide releases, limited releases and a few from the growing TV on DVD section. A couple of selections caught my eye this week, Love Actually - (Buy from Amazon) and Kids in the Hall - Season 1 both of which are my DVD pick of the week. More...2004 Golden Globe Awards are being Handed out Tonight
January 25th, 2004
With the awards ceremony only hours away, here's one last look at the theatrical nominations for tonight's 61st annual Golden Globes awards. More...Last in First
January 21st, 2004
The second round of openings for The Last Samurai in as many weeks helped push it to top spot on the international charts. It more than doubled the number of markets it's playing in while adding almost 70% more screens, but only managed to increase its box office by roughly 25%. The weekend figure of $40.6 million pushed its international total to $157.6 million and its worldwide total to over $250 million. But without many major openings left, its weekly numbers may have peaked. More...Last Weekend on Top for King?
January 13th, 2004
For the first time since it was released, Lord of the Rings: Return of the King had some stiff competition for top spot on the charts. It did still take first place for the fourth weekend in a row with $35.3 million in 51 markets. Including wins in head-to-head competition with second place The Last Samurai. For instance, Return of the King's fourth weekend easily won in the U.K. $6.7 million to Samurai's $4.9 million. It was a closer contest in Germany, but King remained number one $5.5 million to $4.9 million. But with only a couple of mid-level openings this week in Indonesia and the Czech Republic it could drop out of first place next weekend. Its international total $455 million, second for the year surpassing The Matrix Reloaded by less than $1 million and putting it in a virtual tie with The Lion King for 10th all-time. Worldwide it hit $767, which is also second for the year but 13th all-time.
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King still on Top While Nemo Breaks another Record
January 6th, 2004
As it has since it was first released, Lord of the Rings: Return of the King had a commanding win at the international box office. This weekend's numbers were $58.7 million from 8,826 screens in 45 territories, more than double Finding Nemo in second place. Highlights include $2.3 million opening in Poland and just shy of $1 million opening in Argentina, as well as $13.7 million in the U.K. and $10 million in Germany. Totals for Return of the King now sit at $390.4 million outside the US (3rd for the year, 13th all-time) and $680.8 million worldwide (3rd for the year, and 15th all-time). By next week it should be the highest grossing film for the year.
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King's International Reign Continues
December 30th, 2003
In just a dozen days of release, Lord of the Rings: Return of the King has already accumulated nearly half a billion dollars. And it is still going strong. This week it commanded $84 million from 38 markets, including $12.5 million from both the U.K. and Germany. It already has more than half the total box office of both its predecessors, and it has yet to open in major markets like Japan and Italy. Internationally, Return of the King has pulled in $268 million, just behind fourth place The Matrix Revolutions for the year and 33rd all time. Worldwide, it has $490 million and that's good enough for fourth for the year and 32nd place all-time. By next week, it will be in the top 20 in both. More...A Quarter Billion for the King
December 23rd, 2003
As expected, Lord of the Rings: Return of the King dominated the international markets this week, setting many records along the way. It played in 28 countries on 7,403 screens earning $125.9 million, which is a record for international weekend. The film also broke individual market records for Wednesday openings in 15 countries, out of 17 Wednesday openings. It also broke weekend records in more than half a dozen other countries, including major markets like the U.K. and Germany. Worldwide totals for Return of the King are already at $250 million, (another record) putting it in 168th place on the all-time chart in just 5 days. Even with this success, it is unlike to unseat Titanic as the number one movie of all time, but it should become only the second film to earn $1 billion worldwide.
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Nemo's Fifth at Number One
December 16th, 2003
For the fifth straight week Finding Nemo was number one at the international box office. And while the film is starting to show signs of slowing down, its weekly performance is still amazing. A total international take of $31.5 million on 5,200 screens made it the clear winner. Plus it was number one in 20 of 27 markets it played in and surpassed $300 million internationally. Current totals for the Pixar smash hit are $330.2 million internationally, (good for 20th place) and $669.9 million worldwide, (for 15th place.) The Lion King is the only animated movie to make more. With only a couple more markets to open in, Finding Nemo must rely on long legs to take top spot away from The Lion King.
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Nemo's Number One at Pixar
December 10th, 2003
Finding Nemo not only won the weekend in convincing fashion, it also became Pixar's biggest international hit internationally, overtaking Monsters Inc.. The film's performance this week was even more impressive than last week. Number one in 20 markets helped it to another $45.9 million, bringing its total to $283.4 million internationally. That's 28th overall and 3rd for animated movies. However, it is only a few million behind Aladdin for second and will surpass that film mid-week (most likely, it has already done so.) Worldwide, Finding Nemo is even more impressive with $623.1 million, 18th overall.
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Nemo's Catch Climbing
December 2nd, 2003
Finding Nemo's continued domination of the European market, (it was number one in 15 markets) helped it earn the number one position this week. It is also unseating Tarzan and The Lion King as biggest animated movie in almost every market and should become the biggest animated movie worldwide before its run is over. This week it added another $37 million to push its international total to $230.8 million, which is 54th overall, (just ahead of The Matrix Revolutions.) Its worldwide total is now an amazing $570.5 million, 21st overall.
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Leftovers for Thanksgivings
December 1st, 2003
While all but one for the movies opening over the 5-day Thanksgiving weekend failed to make a big splash at the box office, the holdovers picked up the slack. The extra helpings of family films helped this Thanksgiving weekend 7% up from last year for the 3-day weekend. But a weak Wednesday / Thursday lead to a 6% drop for the 5-day weekend. The mixed results sent 2003's box office a little further behind 2002.
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Audiences Love Finding Neo
November 25th, 2003
The Cat in the Hat takes Top Spot
November 24th, 2003
The Cat in the Hat to Win with a Big, Big Grin
November 21st, 2003
Neo Wins Race but Nemo's Journey is Only Beginning
November 18th, 2003
Elf is the Master at the Box Office
November 18th, 2003
Who will be the Master of the Box Office?
November 14th, 2003
Wide Releases Dominate Per Theatre Average
November 12th, 2003
The Matrix Boogaloo
November 11th, 2003
Matrix Opens Huge, But not Huge Enough
November 7th, 2003
Movie Websites Launches for October 24 - October 30
October 30th, 2003
Movie Websites Launches for October 17 - October 23
October 23rd, 2003
Movie Websites Launches for September 18 - September 24
September 24th, 2003
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/12/18 | 7 | $86,633 | 101 | $858 | $1,284,280 | 629 | |
2015/12/25 | 10 | $184,698 | +113% | 105 | $1,759 | $1,621,899 | 630 |
2016/12/23 | - | $2,392 | 3 | $797 | $1,681,876 | 682 | |
2017/12/22 | 10 | $72,980 | 93 | $785 | $1,957,915 | 734 | |
2019/12/20 | 11 | $16,095 | 21 | $766 | $1,877,591 | 838 | |
2019/12/27 | - | $1,818 | -89% | 4 | $455 | $1,896,874 | 839 |
2020/12/18 | 5 | $38,238 | 232 | $165 | $2,035,969 | 890 | |
2020/12/25 | 9 | $22,037 | -42% | 98 | $225 | $2,110,952 | 891 |
2021/01/01 | - | $5,297 | -76% | 36 | $147 | $2,135,197 | 892 |
2021/01/08 | - | $765 | -86% | 9 | $85 | $2,117,380 | 893 |
2021/12/24 | 12 | $9,190 | 23 | $400 | $1,968,314 | 943 | |
2022/12/23 | - | $941 | 3 | $314 | $1,843,325 | 995 | |
2023/12/08 | - | $10,051 | 56 | $179 | $212,097 | 1,045 | |
2023/12/22 | - | $1,535 | 2 | $768 | $238,400 | 1,047 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 12/26/2003 | $2,215,302 | 303 | 303 | 868 | $4,286,422 | 8/12/2024 |
Belgium | 2/9/2024 | $0 | 0 | 0 | 0 | $0 | |
Czech Republic | 11/20/2003 | $0 | 0 | 61 | 114 | $98,272 | 12/27/2023 |
Japan | 12/6/2024 | $0 | 0 | 0 | 0 | $0 | |
Netherlands | 11/20/2003 | $0 | 0 | 84 | 133 | $61,908 | 12/11/2023 |
New Zealand | 11/20/2003 | $0 | 0 | 29 | 142 | $2,004,726 | 1/4/2024 |
North America | 11/7/2003 | $6,886,080 | 576 | 1,870 | 12,402 | $60,104,551 | 4/12/2018 |
Russia (CIS) | 12/11/2003 | $0 | 0 | 79 | 107 | $48,370 | 1/11/2022 |
Slovakia | 12/14/2023 | $5,904 | 24 | 24 | 33 | $12,618 | 12/27/2023 |
South Africa | 12/15/2023 | $0 | 0 | 0 | 0 | $0 | |
South Korea | 12/5/2003 | $0 | 0 | 232 | 786 | $1,843,325 | 12/27/2023 |
Turkey | 12/29/2023 | $1,716 | 10 | 10 | 10 | $64,123 | 1/4/2024 |
United Kingdom | 11/21/2003 | $0 | 0 | 413 | 1703 | $47,379,032 | 1/3/2024 |
Rest of World | $130,445,425 | ||||||
Worldwide Total | $246,348,772 | 8/12/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Hugh Grant | The Prime Minister |
Liam Neeson | Daniel |
Colin Firth | Jamie |
Laura Linney | Sarah |
Emma Thompson | Karen |
Alan Rickman | Harry |
Keira Knightley | Juliet |
Martine McCutcheon | Natalie |
Bill Nighy | Billy Mack |
Rowan Atkinson | Rufus, jewellery salesman |
Supporting Cast
Andrew Lincoln | Mark |
Chiwetel Ejiofor | Peter |
Gregor Fisher | Joe |
Heike Makatsch | Mia |
Kris Marshall | Colin Frissell |
Lucia Moniz | Aurelia |
Martin Freeman | John |
Rodrigo Santoro | Karl |
Thomas Brodie-Sangster | Sam |
Rory MacGregor | Engineer |
Sienna Guillory | Jamie's Girlfriend |
Lulu Popplewell | Daisy |
Joanna Page | Just Judy |
Nina Sosanya | Annie |
Frank Moorey | Terence, Who's in Charge |
Jill Freud | Pat the Housekeeper |
Tim Hatwell | Vicar |
Lynden David Hall | The Wedding Singer |
Jont Whittington | Guitarist |
Dan Fredenburgh | Jamie's Bad Brother |
Julia Davis | Nancy the Caterer |
Abdul Salis | Tony |
Alan Barnes | Movie Director |
Shaughan Seymour | Movie Cameraman |
Helen Murton | Funeral Priest |
Edward Hardwicke | Sam's Grandfather |
Caroline John | Sam's Grandmother |
Gemma Ashton | Family Mourner |
Matt Harvey | Family Mourner |
Adrian Preater | Family Mourner |
Joanna Thaw | Family Mourner |
Junior Simpson | Wedding DJ |
Brian Bovell | Radio Waford DJ |
Sarah McDougall | Receptionist |
Marcus Brigstocke | Mikey, DJ Interviewer |
Richard Hawley | Alex, Deputy Prime Minister |
Wyllie Longmore | Jeremy |
Gillian Barge | Cabinet Minister |
Richard Wills-Cotton | Cabinet Minister |
Kate Bowes Renna | Cabinet Minister |
Kate Glover | Cabinet Minister |
Nicola McRoy | Cabinet Minister |
Anthony McPartlin | Ant |
Declan Donnelly | Dec |
Elizabeth Margoni | Eleonore |
Billy Bob Thornton | President of US |
Peter Marinker | U.S. Expert |
Keir Charles | Press Conference Reporter |
Doraly Rosen | Press Conference Reporter |
Meg Wynn Owen | PM's Secretary |
Carol Carey | Natalie's Replacement |
Jo Whiley | Radio DJ |
Sarah Atkinson | Billy's Video Vixen |
Clare Bennett | Billy's Video Vixen |
Sarah Holland | Billy's Video Vixen |
Vicki Murdoch | Billy's Video Vixen |
Meredith Ostrom | Billy's Video Vixen |
Katherine Poulton | Billy's Video Vixen |
Tuuli Tuuli | Billy's Video Vixen |
Michael Parkinson | Parky |
Michael Fitzgerald | Michael, Sarah's Brother |
Ciaran O'Driscoll | Hospital Patient |
William Wadham | Bernie, Karen's Son |
Catia Duarte | Language Student |
Igor Urdenko | Language Student |
Nat Udom | Language Student |
Ines Boughanmi | Language Student |
Yuk Sim Yau | Language Student |
John Sharian | Wisconsin Taxi Driver |
Glenn Conroy | Barman |
Ivana Milicevic | Stacey, American Dreamgirl |
January Jones | Jeannie, American Angel |
Elisha Cuthbert | Carol-Anne, American Goddess |
Wes Butters | Radio 1 Chart Show DJ |
Laura Rees | Record Company Executive |
Emma Buckley | Jamie's Sister |
Sheila Allen | Jamie's Mum |
Terry Reece | PM's Chauffeur, Terry |
Colin Coull | PM's Bodyguard, Gavin |
Margery Mason | Harris Street Old Lady |
Katharine Bailey | Harris Street Little Girl |
Tiffany Boysell | Her Friend |
Georgia Flint | Her Friend |
Joanna Bacon | Natalie's Mum |
Bill Moody | Natalie's Dad |
Billy Campbell | Natalie's Octopus Brother, Keith |
Paul Slack | John's Brother |
Adam Godley | Mr. Trench |
Olivia Olson | Joanna Anderson |
Ruby Turner | Mrs. Jean Anderson |
Amanda Garwood | Backing-Singer Teacher |
Arturo Venegas | Mr. Anderson |
Claudia Schiffer | Carol |
Patrick Delaney | Tommy, Carol's Son |
Helder Costa | Mr. Barros |
Carla Vasconcelos | Sophia Barros |
Stewart Howson | Airport Gate Man |
Jamie Edgell | Airport Guard |
Dave Fisher | Airport Guard |
Paul Heasman | Airport Guard |
Tony Lucken | Airport Guard |
Raul Atalaia | Restaurant Proprietor |
Nancy Sorrell | Greta |
Shannon Elizabeth | Harriet, the Sexy One |
Denise Richards | Carla, the Real Friendly One |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Richard Curtis | Director |
Richard Curtis | Screenwriter |
Duncan Kenworthy | Producer |
Tim Bevan | Producer |
Eric Fellner | Producer |
Nick Moore | Editor |
Michael Coulter | Director of Photography |
Jim Clay | Production Designer |
Chris Thompson | Line Producer |
Joanna Johnston | Costume Designer |
Debra Hayward | Co-Producer |
Liza Chasin | Co-Producer |
Craig Armstrong | Composer |
Mary Selway | Casting Director |
Christopher Newman | Assistant Director |
Tori Parry | Production Manager |
Jonathan McKinstry | Supervising Art Director |
Rod McLean | Art Director |
Justin Warburton-Brown | Art Director |
Caroline Smith | Set Decorator |
Mark Ferguson | Costume Supervisor |
David Stephenson | Sound Mixer |
Robin O'Donoghue | Re-recording Mixer |
Richard Street | Re-recording Mixer |
Graham Daniel | Re-recording Mixer |
Glenn Freemantle | Supervising Sound Editor |
Mark Heslop | Sound Effects Editor |
Gillian Dodders | Dialogue Editor |
Michael Price | Music Editor |
Jon Olive | Music Editor |
Graham Johnston | Make-up and Hair Designer |
Craig Armstrong | Music Producer |
Nick Angel | Music Supervisor |
Fiona Weir | Casting Director |
Lee Sheward | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.