Australia Box Office for The Lost Leonardo (2021)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $78,304 | Details |
| Worldwide Box Office | $600,108 | Details |
| Further financial details... | ||
Synopsis
The inside story behind the Salvator Mundi, the most expensive painting ever sold at $450 million, claimed to be a long-lost masterpiece by Leonardo da Vinci. From the moment it is purchased from a shady New Orleans auction house, and its buyers discover masterful brushstrokes beneath its cheap restoration, the fate of the Salvator Mundi is driven by an insatiable quest for fame, money and power. But as its price soars, so do questions about its authenticity. Is this multi-million dollar painting actually by Leonardo — or do certain power players simply want it to be?
Metrics
Movie Details
| Australia Releases: | December 2nd, 2021 (Limited) |
| Video Release: | November 3rd, 2021 by Sony Pictures Home Entertainment |
| MPAA Rating: | PG-13 for nude art images. (Rating bulletin 2691 (cert #53333), 7/28/2021) |
| Running Time: | 90 minutes |
| Keywords: | True Crime Documentary, Artists, Forgery, White Collar Crime |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Dogwoof, Elk Film, Pumpernickel Films, Danish Film Institute, Swedish Film Institute, Nordic Film and TV Fund, Hot Docs Development Fund, NiKA Media, Mitten Media, Alba Collins, Tdog Productions, Diamond Docs, Sky Arts, Mantaray Film |
| Production Countries: | United Kingdom |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/12/03 | 17 | $18,561 | 29 | $640 | $30,061 | 1 | |
| 2021/12/10 | 20 | $10,336 | -44% | 30 | $345 | $52,869 | 2 |
| 2021/12/17 | 20 | $5,062 | -51% | 19 | $266 | $64,230 | 3 |
| 2021/12/24 | - | $1,892 | -63% | 19 | $100 | $70,219 | 4 |
| 2021/12/31 | - | $846 | -55% | 6 | $141 | $72,519 | 5 |
| 2022/01/07 | - | $310 | -63% | 4 | $78 | $72,661 | 6 |
| 2022/01/14 | - | $413 | +33% | 2 | $207 | $73,201 | 7 |
| 2022/01/21 | - | $391 | -5% | 2 | $196 | $73,519 | 8 |
| 2022/01/28 | - | $75 | -81% | 1 | $75 | $71,570 | 9 |
| 2022/02/04 | - | $819 | +992% | 5 | $164 | $73,717 | 10 |
| 2022/02/11 | - | $35 | -96% | 3 | $12 | $75,031 | 11 |
| 2022/02/18 | - | $786 | +2,146% | 3 | $262 | $75,914 | 12 |
| 2022/02/25 | - | $93 | -88% | 1 | $93 | $76,583 | 13 |
| 2022/03/04 | - | $156 | +68% | 2 | $78 | $78,304 | 14 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/2/2021 | $18,561 | 29 | 30 | 126 | $78,304 | 10/20/2022 |
| Netherlands | 3/31/2022 | $22,639 | 41 | 41 | 41 | $26,883 | 4/8/2022 |
| New Zealand | 9/16/2021 | $4,269 | 13 | 15 | 80 | $33,622 | 10/20/2022 |
| North America | 8/13/2021 | $12,487 | 3 | 217 | 624 | $445,740 | |
| United Kingdom | 9/10/2021 | $15,559 | 11 | 11 | 11 | $15,559 | 9/15/2021 |
| Worldwide Total | $600,108 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Interviewee(s)
| Dianne Modestini | Herself |
| Robert Simon | Himself |
| Alexander Parish | Himself |
| Warren Adelson | Himself |
| Yves Bouvier | Himself |
| Luke Syson | Himself |
| Martin Kemp | Himself |
| Maria Teresa Fiorio | Herself |
| Frank Zollner | Himself |
| Jacques Franck | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Andreas Koefoed | Director |
| Christoph Jorg | Producer |
| Andreas Dalsgaard | Producer |
| Anna Godas | Executive Producer |
| Oli Harbottle | Executive Producer |
| Ken Pelletier | Executive Producer |
| Mark Mitten | Executive Producer |
| Vijay Vaidyanathan | Executive Producer |
| Elizabeth Radshaw | Executive Producer |
| Shizuka Asakawa | Executive Producer |
| Jack Oliver | Executive Producer |
| Duska Zagorac | Screenwriter |
| Andreas Dalsgaard | Screenwriter |
| Christian Kirk Muff | Screenwriter |
| Mark Monroe | Screenwriter |
| Andreas Koefoed | Screenwriter |
| Per Nystrom | Sound Designer |
| Per Bostrom | Sound Designer |
| Sveinung Nygaard | Composer |
| Nicolas Norgaard Staffolani | Editor |
| Adam Jandrup | Cinematographer |