South Korea Box Office for Little Joe (2019)
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| Theatrical Performance (US$) | ||
| South Korea Box Office | $6,457 | Details |
| Worldwide Box Office | $224,777 | Details |
| Further financial details... | ||
Synopsis
Alice is a single mother and dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy. Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it ‘Little Joe.’ But as their plant grows, so too does Alice’s suspicion that her new creation may not be as harmless as its nickname suggests.
Metrics
Movie Details
| South Korea Releases: | April 1st, 2021 (Wide) |
| Video Release: | March 10th, 2020 by Magnolia Home Entertainment |
| MPAA Rating: | Not Rated |
| Running Time: | 105 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Magnolia Pictures, Austrian Film Institute, FISA-Filmstandort Austria, ORF, Filmfonds Wien, Land Niederoesterreich, BBC Films, BFI, Bayerischer Rundfunk, Arte, Medienboard Berlin-Brandenburg, Eurimages, Coop99, The Bureau, Essential Filmproduktion |
| Production Countries: | Austria, Germany, United Kingdom |
| Languages: | English |
Theater Averages: Portrait has a Fiery Start
December 12th, 2019
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Portrait of a Lady on Fire was the only new release to make an impart on the per theater chart earning an average of $33,672 in two theaters. If we combine this with its early Awards Season success, we can confidently predict a long run in theaters. The only other film in the $10,000 club was 63 Up with an average of $10,313 in two theaters.
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Limited and VOD Releases: Limited Releases Take to the Sky
December 6th, 2019
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December should be a prime month to release an Awards Season contender, one that will last in theaters potentially for months. However, while there are at least a couple of films on this week’s list that could win awards, none of them look like they will thrive in theaters. Some like The Aeronauts have just too short of a window between theatrical release and VOD debut.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/04/02 | - | $2,453 | 22 | $112 | $3,807 | 1 | |
| 2021/04/09 | - | $1,126 | -54% | 16 | $70 | $6,457 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 7/1/2021 | $2,267 | 2 | 2 | 9 | $7,748 | 10/20/2022 |
| China | 12/2/2022 | $0 | 0 | 0 | 0 | $10,000 | 12/13/2022 |
| France | 11/15/2019 | $90,329 | 82 | 82 | 82 | $90,329 | 11/24/2019 |
| New Zealand | 10/22/2020 | $0 | 0 | 5 | 8 | $814 | 12/7/2020 |
| North America | 12/6/2019 | $10,626 | 12 | 12 | 22 | $23,862 | |
| Portugal | 7/31/2020 | $805 | 3 | 3 | 4 | $1,712 | 8/21/2020 |
| Romania | 3/6/2020 | $4,744 | 26 | 26 | 26 | $4,744 | 3/11/2020 |
| Russia (CIS) | 11/22/2019 | $7,065 | 120 | 120 | 253 | $23,935 | 10/19/2022 |
| Slovakia | 9/18/2020 | $0 | 0 | 1 | 1 | $1,047 | 11/24/2020 |
| South Korea | 4/1/2021 | $2,453 | 22 | 22 | 38 | $6,457 | 4/15/2021 |
| Turkey | 12/27/2019 | $0 | 0 | 13 | 21 | $19,383 | 10/19/2022 |
| United Kingdom | 2/21/2020 | $34,746 | 33 | 33 | 33 | $34,746 | 2/26/2020 |
| Worldwide Total | $224,777 | 12/13/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Emily Beecham | Alice |
| Ben Whishaw | Chris |
Supporting Cast
| Kerry Fox | Bella |
| Kit Connor | Joe Woodard |
| David Wilmot | Karl |
| Phenix Brossard | Ric |
| Sebastian Hulk | Ivan |
| Lindsay Duncan | Psychotherapist |
| Leanne Best | Brittany |
| Andrew Rajan | Jasper |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Jessica Hausner | Director |
| Bruno Wagner | Producer |
| Bertrand Faivre | Producer |
| Philippe Bober | Producer |
| Martin Gschlacht | Producer |
| Jessica Hausner | Producer |
| Gerardine O’Flynn | Producer |
| Rose Garnett | Executive Producer |
| Mary Burke | Executive Producer |
| Vincent Gadelle | Executive Producer |
| Marina Perales Marhuenda | Executive Producer |
| Michel Merkt | Executive Producer |
| Jessica Hausner | Screenwriter |
| Geraldine Bajard | Screenwriter |
| Martin Gschlacht | Director of Photography |
| Karina Ressler | Editor |
| Jina Jay | Casting Director |
| Jessie Frost | Casting Director |
| Erik Mischijew | Sound Designer |
| Matz Muller | Sound Designer |
| Tobias Fleig | Re-recording Mixer |
| Tanja Hausner | Costume Designer |
| Katharina Woppermann | Production Designer |