Spain Box Office for Legend (2015)
Theatrical Performance (US$) | ||
Spain Box Office | $277,868 | Details |
Worldwide Box Office | $42,280,444 | Details |
Home Market Performance | ||
North America DVD Sales | $973,019 | Details |
North America Blu-ray Sales | $1,176,198 | Details |
Total North America Video Sales | $2,149,217 | |
Further financial details... |
Synopsis
Together, the Kray Twins take over the city. But as their reign expands, power-struggles, fierce madness, and a woman diminishes their bond; the weak link that could cause their empire to collapse. It takes us into the secret history of the 1960s and the extraordinary events that secured the infamy of the Kray twins. “The Old East End and the Swinging Sixties are long gone, and so are its doppelgängers, the Krays; all of it slipped into the alchemy of legend. Lies abound, the facts are elusive, but some truth can still be found… “
Metrics
Movie Details
Production Budget: | $25,000,000 |
Spain Releases: | January 8th, 2016 (Wide) |
Video Release: | February 16th, 2016 by Universal Home Entertainment |
MPAA Rating: | R for strong violence, language throughout, some sexual and drug material. (Rating bulletin 2377, 6/10/2015) |
Running Time: | 131 minutes |
Keywords: | Twins, Same Actor, Multiple Roles, Organized Crime, Set in London, Set in United Kingdom, 1960s, Voiceover/Narration, Suicide |
Source: | Based on Real Life Events |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Cross Creek Pictures, StudioCanal, Working Title Films, Anton Capital Entertainment, Universal Pictures |
Production Countries: | United Kingdom |
Languages: | English |
Home Market Releases for March 1st, 2016
March 2nd, 2016
There are some really good releases on this week's Home Market Release Report, including many that either won or were competing for Oscars, like Creed, Room, etc. However, once you get past the cream of the crop, there isn't much in the way of depth. Most of the Oscar contenders are Pick of the Week Contenders, but the best release by far is The Adventures of Bob & Doug McKenzie: Strange Brew on Blu-ray. This is the greatest movie ever made.
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Per Theater Chart: The Big Short was Nearly the Biggest
December 15th, 2015
We have a new champion on top of the per theater chart this week, as The Big Short earned one of the best limited release openings of the year. Its average of $88,191 was behind only Steve Jobs for the year and Steve Jobs opened in half as many theaters as The Big Short, 8 to 4. Carol remained strong in second place with an average of $21,105 in 16 theaters. Thankfully it is expanding, but I'm worried the studio waited too long and it won't reach its potential. Yellow Day opened with an average of $13,130 in two theaters. The Danish Girl rounded out the $10,000 club with an average of $10,964 in 24 theaters. By this time next week, it could be over $1 million in total.
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Weekend Predictions: How Many will See Heart of the Sea?
December 10th, 2015
There's only one wide release this week, In the Heart of the Sea, although some sources still have Legend expanding nationwide. Of course, expanding nationwide doesn't mean the same thing as expanding truly wide. Because In the Heart of the Sea doesn't have any real competition this weekend, it is widely expected to earn first place, but it isn't expected to be a smash hit. It is very unlikely it will do as well as last year's number one film, Exodus: Gods and Kings. The depth is a little better this year, but 2015 will still likely struggle to match 2014 in the year-over-year comparison.
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2015 Preview: December
December 1st, 2015
November ended on a positive note with a strong Thanksgiving weekend. Even so, the overall numbers were mixed with a lot of misses mixed in with a few hits. It was better than October and we will call that a victory. Meanwhile, December is potentially record-breaking. Actually, given the evidence, it is almost assuredly going to be record-breaking. Star Wars: The Force Awakens has already set a record for the most money taken from ticket pre-sales and the biggest December weekend will fall. The pre-orders alone will guarantee that. On the downside, it is very likely that no film will make as much in total as The Force Awakens will make during its opening weekend. There's a chance no film makes in total as much as The Force Awakens makes during its opening day. There are a few films that have a shot at $100 million. For example, Joy should get there, if it becomes a major player during Awards Season. If not, it will at least come close. Daddy's Home, and to a lesser extent Sisters, could be surprise $100 million hits. However, like the rest of 2015, December is shaping up to be a month of a record-breaking hit and a lot of films that struggle just to get noticed. On the other hand, last December, was a lot more balanced at the top with four films earning more than $100 million, led by The Hobbit: The Battle of the Five Armies. There's a chance The Force Awakens earns more than all four $100 million hits from last year earned combined.
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Per Theater Chart: Carol Sings a Joyful Tune
November 24th, 2015
Carol had a festive opening earning just over $250,000 in four theaters for an average of $63,378. That's the third best average for an opening this year, just ahead of Ex Machina and just behind Sicario. The overall box office leader, The Hunger Games: Mockingjay - Part 2, was next with an average of $24,591. Legend was next with an average of $21,709 in four theaters. That's a good start, but its reviews suggest not so good legs. Speaking of long legs, Brooklyn remained in the $10,000 for the third week in a row earning an average of $10,270 in just over 100 theaters.
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Weekend Estimates: Mockingjay Tops $100 Million, But Only Just
November 22nd, 2015
The Hunger Games: Mockingjay—Part 2 is about to record the most disappointing $100 million weekend ever, based on Sunday’s estimate from Lionsgate. Why disappointing? Because its $101.025 million projected opening follows the $158 million earned by Catching Fire on this weekend in 2013 (then the sixth-biggest weekend ever), and the $122 million debut of Mockingjay—Part 1 this weekend last year. That marks a decline of 20% or so from one installment of the franchise to the next, which is the worst performance of any franchise to have recorded a $100 million start. Global numbers tell a similar story: $247 million this weekend against Part 1’s $275 million. However, once we get that troubling statistic out the way, this is also a reason for celebration: $100 million domestically and $250 million globally in one weekend is still a huge amount of money, and caps a spectacularly successful franchise for Lionsgate.
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Limited and VOD Releases: These Limited Releases are Legendary
November 20th, 2015
There are three or four films on this week's list vying for Awards Season Glory, but of these three, Carol has by far the best shot at picking up major nominations. In fact, it is considered a favorite for five major nominations, including Best Picture. Will it win any of these? Getting off to a fast start in limited release will help its chances.
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International Box Office: Runner Breaks Out to an Early Lead
September 23rd, 2015
The Maze Runner: The Scorch Trials rose to first place with $43.3 million in 67 markets over the weekend for a total of $78.0 million internationally and $108.3 million worldwide. The film's biggest opening came from South Korea, but it only managed second place there with $5.66 million on 804 screens over the weekend for a total opening of $7.20 million. On the other hand, the film dominated the Russian box office with $4.19 million on 2,328 screens. The original movie opened stronger in Russia, but The Scorch Trials performed better in its opening in South Korea. Given these results, it is still too soon to tell how well this film will do compared to its predecessor. That said, it already has more worldwide than it cost to make. In fact, it almost has enough worldwide to pay for its entire production budget. Its advertising budget would have to be much larger than expected for it to not break even sooner rather than later.
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International Box Office: Mission: Accomplished
September 17th, 2015
Mission: Impossible - Rogue Nation rocketed up the chart into first place with $91.3 million in 63 markets over the weekend... sort of. This includes $86.42 million during the film's six-day opening in China. Its three-day weekend number is a lot smaller than that, but still enough for first place. Overall, the film now has $424.8 million internationally and $612.9 million worldwide. It became only the second film in the franchise to reach the $600 million mark worldwide. This is more than enough to break even, so it should come as no surprise that there's another installment in the works.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/01/08 | 12 | $150,304 | 109 | $1,379 | $150,304 | 1 | |
2016/01/15 | 18 | $38,121 | -75% | 93 | $410 | $254,069 | 2 |
2016/01/22 | 38 | $2,603 | -93% | 15 | $174 | $274,686 | 3 |
2016/01/29 | 70 | $63 | -98% | 1 | $63 | $276,101 | 4 |
2016/02/12 | 68 | $39 | 1 | $39 | $277,650 | 6 | |
2016/02/19 | 66 | $79 | +103% | 1 | $79 | $277,740 | 7 |
2016/02/26 | 63 | $113 | +43% | 1 | $113 | $277,868 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 1/21/2016 | $53,739 | 38 | 38 | 46 | $83,200 | 11/29/2018 |
Australia | 10/16/2015 | $531,971 | 194 | 195 | 685 | $1,336,370 | 4/1/2024 |
Austria | 1/8/2016 | $64,654 | 26 | 26 | 83 | $137,745 | 6/9/2016 |
Belgium | 1/20/2016 | $34,410 | 13 | 13 | 13 | $34,410 | 6/9/2016 |
Bulgaria | 1/15/2016 | $5,568 | 15 | 15 | 41 | $13,315 | 12/31/2018 |
Chile | 1/28/2016 | $0 | 0 | 1 | 1 | $9,866 | 12/31/2018 |
Croatia | 10/8/2015 | $0 | 0 | 12 | 24 | $82,629 | 12/30/2018 |
Czech Republic | 10/15/2015 | $43,595 | 74 | 74 | 106 | $74,808 | 12/30/2018 |
Denmark | 11/12/2015 | $0 | 0 | 7 | 7 | $71,391 | 12/1/2015 |
Ecuador | 1/15/2016 | $20,506 | 24 | 24 | 69 | $40,749 | 12/31/2018 |
Estonia | 10/16/2015 | $3,173 | 8 | 9 | 17 | $39,548 | 10/27/2015 |
Finland | 11/13/2015 | $31,799 | 33 | 33 | 108 | $124,365 | 12/21/2015 |
France | 1/20/2016 | $643,500 | 223 | 223 | 446 | $1,059,593 | 6/9/2016 |
Germany | 1/7/2016 | $587,883 | 198 | 198 | 628 | $1,163,533 | 6/9/2016 |
Greece | 11/5/2015 | $86,633 | 35 | 35 | 59 | $157,734 | 11/17/2015 |
Hong Kong | 12/10/2015 | $45,631 | 12 | 12 | 22 | $81,797 | 9/5/2016 |
Hungary | 10/9/2015 | $112,867 | 40 | 40 | 40 | $210,681 | 12/30/2018 |
Iceland | 10/9/2015 | $0 | 0 | 6 | 6 | $35,742 | 12/30/2018 |
Italy | 3/3/2016 | $278,671 | 231 | 231 | 328 | $438,090 | 6/9/2016 |
Latvia | 10/16/2015 | $0 | 0 | 1 | 1 | $48,835 | 12/30/2018 |
Lebanon | 10/8/2015 | $0 | 0 | 2 | 5 | $135,217 | 12/30/2018 |
Mexico | 2/19/2016 | $0 | 0 | 8 | 8 | $225,209 | 6/9/2016 |
Netherlands | 1/21/2016 | $31,145 | 41 | 41 | 41 | $31,145 | 6/9/2016 |
New Zealand | 10/16/2015 | $114,301 | 68 | 68 | 311 | $383,683 | 6/8/2016 |
North America | 11/20/2015 | $86,836 | 4 | 107 | 329 | $1,872,994 | 5/12/2016 |
Peru | 3/3/2016 | $14,212 | 16 | 16 | 17 | $21,292 | 12/31/2018 |
Portugal | 10/29/2015 | $53,202 | 39 | 39 | 92 | $114,122 | 12/8/2015 |
Romania | 10/16/2015 | $144,746 | 56 | 56 | 157 | $403,904 | 12/30/2018 |
Russia (CIS) | 10/1/2015 | $1,158,216 | 950 | 950 | 2206 | $2,106,160 | 11/20/2018 |
Serbia and Montenegro | 11/12/2015 | $0 | 0 | 9 | 20 | $32,815 | 12/30/2018 |
Singapore | 11/12/2015 | $64,840 | 14 | 14 | 36 | $135,052 | 6/9/2016 |
Slovakia | 10/29/2015 | $32,346 | 30 | 30 | 64 | $79,780 | 11/17/2015 |
Slovenia | 10/16/2015 | $3,584 | 9 | 9 | 9 | $4,076 | 10/22/2015 |
South Korea | 12/10/2015 | $779,744 | 449 | 449 | 482 | $1,220,054 | 9/5/2016 |
Spain | 1/8/2016 | $150,304 | 109 | 109 | 221 | $277,868 | 6/9/2016 |
Sweden | 11/27/2015 | $56,563 | 34 | 34 | 56 | $262,849 | 9/5/2016 |
Switzerland | 12/31/2015 | $97,258 | 25 | 25 | 25 | $102,740 | 9/5/2016 |
Taiwan | 11/13/2015 | $52,652 | 17 | 17 | 43 | $149,826 | 12/16/2015 |
Thailand | 2/18/2016 | $17,343 | 25 | 25 | 29 | $28,884 | 6/9/2016 |
Turkey | 10/2/2015 | $21,259 | 35 | 35 | 75 | $53,810 | 12/30/2018 |
Ukraine | 10/1/2015 | $46,730 | 73 | 73 | 150 | $107,993 | 12/30/2018 |
United Arab Emirates | 10/8/2015 | $0 | 0 | 12 | 31 | $559,166 | 12/30/2018 |
United Kingdom | 9/11/2015 | $8,004,125 | 522 | 563 | 3413 | $27,924,806 | 12/16/2015 |
Uruguay | 3/31/2016 | $2,690 | 5 | 5 | 6 | $3,412 | 12/31/2018 |
Rest of World | $799,186 | ||||||
Worldwide Total | $42,280,444 | 4/1/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Tom Hardy | Reggie Kray/Ronald Kray |
Emily Browning | Frances Shea |
Supporting Cast
David Thewlis | Leslie Payne |
Duffy* | Timi Yuro |
Christopher Eccleston | Nipper Read |
Chazz Palminteri | Angelo Bruno |
Paul Anderson | Albert Donoghue |
Joshua Hill | Constable Scott |
Colin Morgan | Frank Shea |
Tara Fitzgerald | Mrs. Shea |
Nicholas Farrell | Dr. Humphries |
Adam Fogerty | Pat Connolly |
Mel Raido | Ian Barrie |
Major Johnson Finley | The Double R Club Singer |
Millie Brady | Joan Collins |
Chris Mason | Ronnie Hart |
Stephen Thompson | Ronnie Bender |
Sam Spruell | Jack McVitie |
Taron Egerton | Mad Teddy Smith |
Alex Ferns | McLean |
Martin McCreadie | Eddie Richardson |
Shane Attwooll | George Cornell |
Richard Riddell | Mike Jobber |
Huggy Leaver | Pig & Whistle Barman |
Sam Hoare | Stefan De Faye |
Frankie Fitzgerald | Jack Dickson |
Christopher Adamson | Philip Testa |
Alex Giannini | Tony Caponigro |
Samantha Pearl | Shirley Bassey |
Mark Theodore | Sonny Liston |
Lara Cazalet | Mrs. Payne |
Charley Palmer Rothwell | Leslie Holt |
Tim Faraday | Big Screw |
John Sessions | Lord Boothby |
Kevin McNally | Harold Wilson |
Tim Woodward | Superintendent Cummings |
Nick Hendrix | Hew McCowan |
Robert Ashby | Arnold Goodman |
Geoffrey Beevers | Old Bailey Judge |
Jane Wood | Violet Kray |
Jon McKenna | Charles Kray Senior |
John Sears | Father Foster |
Stephen Lord | Fuller |
Lorraine Stanley | Blind Beggar Barmaind |
Ashley Byam | John |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Brian Helgeland | Director |
Brian Helgeland | Screenwriter |
John Pearson | Based on the Book 'The Profession of Violence' by |
Tim Bevan | Producer |
Eric Fellner | Producer |
Chris Clark | Producer |
Quentin Curtis | Producer |
Brian Oliver | Producer |
Michael Bassick | Executive Producer |
Christopher Woodrow | Executive Producer |
Kate Soloman | Executive Producer |
Amelia Granger | Executive Producer |
Liza Chasin | Executive Producer |
Olivier Courson | Executive Producer |
Ron Halpern | Executive Producer |
Tom Hardy | Executive Producer |
Tyler Thompson | Executive Producer |
Timmy Thompson | Executive Producer |
Jane Robertson | Co-Producer |
Dick Pope | Director of Photography |
Peter McNulty | Editor |
Tom Conroy | Production Designer |
Caroline Harris | Costume Designer |
Christine Blundell | Make-up and Hair Designer |
Carter Burwell | Composer |
Lucinda Syson | Casting Director |
Jack Ravenscroft | First Assistant Director |
Richard Mays | Production Manager |
Danny Hambrook | Sound Mixer |
Pat Karam | Supervising Location Manager |
Beverley Winston | Script Supervisor |
Patrick Rolfe | Supervising Art Director |
Ann Lynch | Post-Production Supervisor |
Kirsten Lane | Music Supervisor |
Dominic Gibbs | Supervising Sound Editor |
Jeffrey J. Haboush | Re-recording Mixer |
Mark Taylor | Re-recording Mixer |
Adam Milo Smalley | Music Editor |
Marco Scotti | Costume Supervisor |
Neal Champion | Special Effects Supervisor |
Emma Champion | Special Effects Coordinator |
Ben Meechan | Sound Designer |
Adam Horley | Dialogue Editor |
Kris Wright | Visual Effects Executive Producer |
Adam Rowland | Visual Effects Supervisor |
Simon Kenny | Visual Effects Producer |
Katrin Arndt | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.