United Kingdom Box Office for Leave No Trace (2018)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $558,633 | Details |
| Worldwide Box Office | $7,691,967 | Details |
| Home Market Performance | ||
| North America DVD Sales | $88,272 | Details |
| North America Blu-ray Sales | $165,645 | Details |
| Total North America Video Sales | $253,917 | |
| Further financial details... | ||
Synopsis
Will and his teenage daughter, Tom, have lived off the grid for years in the forests of Portland, Oregon. When their idyllic life is shattered, both are put into social services. After clashing with their new surroundings, Will and Tom set off on a harrowing journey back to their wild homeland.
Metrics
Movie Details
| United Kingdom Releases: | June 29th, 2018 (Limited) |
| Video Release: | October 2nd, 2018 by Universal Home Entertainment |
| MPAA Rating: | PG for thematic material throughout. (Rating bulletin 2522 (Cert #51549), 4/11/2018) |
| Running Time: | 108 minutes |
| Keywords: | Off the Grid, Set in Portland, Oregon, Social Worker, Sundance Film Festival 2018, Life Drama, PTSD, Ex-soldier, Dysfunctional Family |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bron Studios, Harrison Productions, Reisman Productions, Still Rolling Productions, Bleecker Street , Topic |
| Production Countries: | United States |
| Languages: | English |
2018 - Holiday Gift Guide - Part III - Limited Releases, Classics, Foreign Imports
December 13th, 2018
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The first instalment of our Holiday Gift Guide dealt with First-run Releases and the second instalment with, TV on DVD releases. The third installment of our Holiday Gift Guide deals with limited releases, classics, and foreign imports and this list can get out of hand rather quickly, so I will try and keep it to a dozen items or so, starting with...
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2018 - Awards Season: Independent Spirit Awards - Nominations
November 17th, 2018
The Independent Spirit Awards nominations were announced on Friday and thus the 2018 Awards Season begins. We The Animals topped the list with five nominations, while A24 earned 12 as a studio.
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Home Market Releases for October 2nd, 2018
October 2nd, 2018
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It’s an off week on the home market with no blockbusters to deal with. There are two solid midlevel hits, The First Purge and Sicario: Day of the Soldado, but neither of those are Pick of the Week contenders. (Ant-Man and the Wasp is also coming out this week, but only on Video on Demand). There are some high quality picks: Leave No Trace, Three Identical Strangers, Molly, The Spiral Staircase, and Hyouka. It was a close race, but in the end, I went with Leave No Trace Blu-ray as Pick of the Week.
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Theater Averages: Collette Collects First Place with $40,295
September 25th, 2018
Colette earned first place on the theater average chart with an average of $40,295 in four theaters. The Sisters Brothers was in second place with an average of $28,894, also in four theaters. Nothing Like a Dame was very strong for a documentary with $14,777 in its lone theater. One could argue Garry Winogrand: All Things Are Photographable belongs in the $10,000 club, as it earned $9,538 in one theater over the weekend and $13,782 from Wednesday through Sunday.
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Theater Averages: Getting Smarter
August 9th, 2018
The Miseducation of Cameron Post was the only film in the $10,000 club this past weekend earning an average of $24,319 in two theaters.
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Theater Averages: Documentaries Remain in Fashion
August 2nd, 2018
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Scotty and the Secret History of Hollywood dominated the theater average chart earning first place with $28,144 in one theater. The next closest film was a fellow documentary, McQueen, which earned an average of $16,692 in five theaters during its second weekend of release. The overall number one film, Mission: Impossible—Fallout, was next with an average of $13,962. The final film in the $10,000 club was Puzzle, with an average of $12,243 in five theaters.
Theater Averages: Eighth Grade Repeats a Grade
July 25th, 2018
Eighth Grade remained on top of the theater average chart with an average of $24,975 in 33 theaters over the weekend. McQueen and Blindspotting were right behind with averages of $24,718 and $24,024 in 4 and 14 theaters respectively. The re-release of Wanda opened with $10,679 in one theater. The two wide releases of the week were next with The Equalizer 2 and Mamma Mia: Here We Go Again! in a virtual tie at $10,629 and $10,537 respectively.
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Theater Averages: Eighth Grade earns an A plus
July 18th, 2018
Eighth Grade had the best theater average of the year with $65,949 , topping the previous champ, Isle of Dogs, by nearly 10%. On the other hand, Isle of Dogs opened in 27 theaters vs. 4 for Eighth Grade. Second place went to Don’t Worry, He Won’t Get Far on Foot with an average of $20,835 in four theaters. The only other member of the $10,000 club was the overall box office leader, Hotel Transylvania 3: Summer Vacation, which pulled in an average of $10,629.
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Theater Averages: Sorry isn’t a Bother
July 12th, 2018
Sorry to Bother You dominated the theater average chart this week with an average of $45,454 in 16 theaters. As I previously mentioned, this is the sixth-best opening average for a limited release this year. Ant-Man and the Wasp earned top spot on the weekend chart and second place here with an average of $18,025. Three Identical Strangers remained in the $10,000 club with an average of $13,427 in 51 theaters and should have no trouble expanding further. Ryuichi Sakamoto: Coda earned $12,827 in its lone theater, which is excellent for a documentary. Leave No Trace remained in the $10,000 club with an average of $10,892 in 37 theaters. It will continue to expand.
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Limited and VOD Releases: Some Gorgeous Limited Releases
June 29th, 2018
There are not many limited releases on this week’s list and almost none of them have a real shot at mainstream success. That said, there are still several that are earning absolutely amazing reviews. The film with the best shot at mainstream success is probably Leave No Trace, with its 100% positive reviews. That said, I’m going to suggest something different, GLOW: Season Two on Netflix. It just started streaming today and I may have watched half of the season while working on this column.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/06/29 | 17 | $66,576 | 97 | $686 | $66,576 | 1 | |
| 2018/07/06 | - | $47,888 | -28% | 74 | $647 | $199,383 | 2 |
| 2018/07/13 | - | $33,866 | -29% | 35 | $968 | $287,485 | 3 |
| 2018/07/20 | - | $27,639 | -18% | 17 | $1,626 | $359,138 | 4 |
| 2018/07/27 | - | $24,003 | -13% | 15 | $1,600 | $416,163 | 5 |
| 2018/08/03 | - | $14,911 | -38% | 12 | $1,243 | $453,236 | 6 |
| 2018/08/10 | - | $16,966 | +14% | 9 | $1,885 | $489,176 | 7 |
| 2018/08/17 | - | $15,462 | -9% | 12 | $1,289 | $521,245 | 8 |
| 2018/08/24 | - | $6,203 | -60% | 6 | $1,034 | $537,539 | 9 |
| 2018/08/31 | - | $2,171 | -65% | 5 | $434 | $544,876 | 10 |
| 2018/09/07 | - | $853 | -61% | 2 | $427 | $547,195 | 11 |
| 2018/09/14 | - | $234 | -73% | 1 | $234 | $549,201 | 12 |
| 2018/09/21 | - | $1,214 | +419% | 1 | $1,214 | $555,114 | 13 |
| 2018/09/28 | - | $1,392 | +15% | 2 | $696 | $557,725 | 14 |
| 2018/10/05 | - | $261 | -81% | 1 | $261 | $558,633 | 15 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/24/2018 | $8,313 | 2 | 3 | 25 | $109,605 | 11/27/2018 |
| Austria | 11/30/2018 | $4,247 | 6 | 8 | 40 | $31,584 | 1/29/2019 |
| Croatia | 2/8/2019 | $375 | 1 | 1 | 1 | $3,866 | 2/12/2019 |
| Czech Republic | 9/27/2018 | $20,241 | 60 | 60 | 86 | $35,619 | 1/1/2019 |
| France | 9/21/2018 | $135,749 | 0 | 0 | 0 | $253,821 | 10/9/2018 |
| Germany | 9/13/2018 | $20,777 | 105 | 105 | 200 | $63,985 | 10/23/2018 |
| Italy | 11/8/2018 | $55,279 | 0 | 12 | 16 | $120,252 | 12/23/2018 |
| Netherlands | 11/9/2018 | $52,402 | 27 | 27 | 162 | $222,031 | 1/3/2019 |
| New Zealand | 8/23/2018 | $14,743 | 5 | 11 | 59 | $162,508 | 11/20/2018 |
| North America | 6/29/2018 | $219,140 | 9 | 361 | 1,813 | $6,046,104 | |
| South Africa | 9/21/2018 | $3,922 | 5 | 5 | 25 | $19,586 | 11/13/2018 |
| Thailand | 7/12/2018 | $1,972 | 1 | 1 | 6 | $5,933 | 8/21/2018 |
| United Kingdom | 6/29/2018 | $66,576 | 97 | 97 | 289 | $558,633 | 10/9/2018 |
| Rest of World | $58,440 | ||||||
| Worldwide Total | $7,691,967 | 2/12/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Ben Foster | Will |
| Thomasin McKenzie | Tom |
Supporting Cast
| Jeff Kober | |
| Dale Dickey | Dale |
| Dana Millican | Jean Bauer |
| Alyssa Lynn | Valerie |
| Ryan Joiner | Tiffany |
| Ayanna Berkshire | |
| Isaiah Stone | |
| Michael J. Prosser |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Debra Granik | Director |
| Anne Harrison | Producer |
| Linda Reisman | Producer |
| Anne Rosellini | Producer |
| Peter Rock | Based on the Novel “My Abandonment” by |
| Debra Granik | Screenwriter |
| Anne Rosellini | Screenwriter |
| Aaron L. Gilbert | Executive Producer |
| Jason Cloth | Executive Producer |
| Andy Pollack | Executive Producer |
| Michael McDonough | Director of Photography |
| Chad Keith | Production Designer |
| Jane Rizzo | Editor |
| Erin Orr | Costume Designer |
| Chris Stinson | Co-Producer |
| Dickon Hinchliffe | Composer |
| Susan Jacobs | Music Supervisor |
| Kerry Barden | Casting Director |
| Paul Schnee | Casting Director |