United Kingdom Box Office for The Last Hijack (2014)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $2,029 | Details |
| Worldwide Box Office | $2,088 | Details |
| Further financial details... | ||
Synopsis
This documentary combines animation and raw footage to examine the life of Mohamed, a successful Somali pirate. A tale of survival from a never-before-seen perspective, Last Hijack dives into the memories, dreams, and fears of a man often vilified, but rarely understood.
Metrics
Movie Details
| United Kingdom Releases: | January 8th, 2016 (Limited), released as The Last Hijack |
| Video Release: | May 19th, 2015 by Kino Lorber |
| MPAA Rating: | Not Rated |
| Running Time: | 83 minutes |
| Keywords: | Somalia, Pirates, In-Laws / Future In-Laws |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Submarine Entertainment, Still Films, Razor Films, Savage Film, Jamal Media, Ikon |
| Production Countries: | Belgium, Germany, Ireland, Netherlands |
| Languages: | Somali |
These Limited Releases are Good and That's No Lie
October 3rd, 2014
The list this week is less detailed than usual for reasons I'm not going to go into detail about. I'm just going to say two words, "Food poisoning", and leave it at that. There are not a lot of limited releases on this week's list that are earning good reviews and strong buzz. The Good Lie is the best limited release of the week in that regard, but I already talked about it on the weekend predictions, because I think it will reach the top ten. I don't think any of the films below will earn breakout success.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/01/08 | 41 | $2,029 | 1 | $2,029 | $2,029 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 10/3/2014 | $0 | 0 | 0 | 0 | $0 | |
| United Kingdom | 1/8/2016 | $2,029 | 1 | 1 | 1 | $2,029 | 6/9/2016 |
| Rest of World | $59 | ||||||
| Worldwide Total | $2,088 | 6/9/2016 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Mohamed Nura | Himself |
| Nur Farax | Himself |
| Muna Abdelkadir Mirre | Herself |
| Abdifatah Omar Gedi | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Tommy Pallotta | Director |
| Femke Wolting | Director |
| Bruno Felix | Producer |
| Femke Wolting | Producer |
| Nicky Gogan | Co-Producer |
| Gerhard Meixner | Co-Producer |
| Roman Paul | Co-Producer |
| Bart Van Langendonck | Co-Producer |
| Edgar Burcksen | Editor |
| Kreidler Kreidler | Composer |
| Ahmed Farah | Director of Photography |