Austria Box Office for The Last Bus (2021)
Theatrical Performance (US$) | ||
Austria Box Office | $49,525 | Details |
Worldwide Box Office | $2,699,688 | Details |
Further financial details... |
Synopsis
Life is a journey and The Last Bus takes our old soldier, 90-year-old Tom Harper on an epic trip from his home of fifty years — a remote village in the most northerly point of Scotland — back to the place he was born – close to England’s most southerly point. Battling against time, age and fate, desperate to keep a promise to his beloved wife Mary, our intrepid hero Tom embarks on an odyssey, revisiting his past, connecting with the modern world and a diverse, multi-cultural Britain he has never experienced. The Last Bus is a road movie; a film about love, loss and the human spirit. A film that reminds us we are not alone - and that we're all on this ride together…
Metrics
Movie Details
Austria Releases: | August 12th, 2022 (Wide) |
Video Release: | February 18th, 2022 by Samuel Goldwyn |
Running Time: | 88 minutes |
Keywords: | Romance |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Head Gear Films, Metrol Technology, Kreo Films, Quickfire Films, Creative Scotland, Lipsync Productions, Celsius Entertainment, Magnetic Productions, Hurricane Films |
Production Countries: | United Kingdom |
Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2022/08/12 | - | $7,253 | 15 | $484 | $7,253 | 1 | |
2022/08/19 | - | $8,084 | +11% | 15 | $539 | $27,643 | 2 |
2022/08/26 | - | $4,600 | -43% | 13 | $354 | $41,150 | 3 |
2022/09/02 | - | $1,584 | -66% | 10 | $158 | $45,303 | 4 |
2022/09/09 | - | $2,265 | +43% | 10 | $227 | $47,568 | 5 |
2022/09/16 | - | $1,065 | -53% | 5 | $213 | $49,525 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/4/2021 | $0 | 0 | 89 | 232 | $183,276 | 10/18/2022 |
Austria | 8/12/2022 | $7,253 | 15 | 15 | 68 | $49,525 | 9/28/2022 |
Belgium | 7/6/2022 | $8,844 | 21 | 36 | 203 | $54,181 | 7/25/2023 |
Brazil | 6/1/2023 | $10,226 | 21 | 21 | 98 | $186,043 | 9/19/2023 |
Canada | 10/1/2022 | $635 | 1 | 5 | 24 | $30,130 | 12/7/2023 |
Denmark | 8/4/2022 | $13,458 | 29 | 29 | 62 | $43,039 | 9/4/2022 |
Finland | 9/29/2023 | $17,433 | 42 | 42 | 194 | $117,886 | 11/27/2023 |
Germany | 8/11/2022 | $30,512 | 87 | 87 | 642 | $273,991 | 1/26/2023 |
Italy | 1/25/2024 | $12,681 | 11 | 28 | 160 | $114,076 | 6/12/2024 |
Japan | 6/3/2022 | $11,514 | 7 | 11 | 98 | $140,217 | 10/24/2022 |
Netherlands | 7/21/2022 | $27,705 | 26 | 32 | 254 | $210,637 | 9/28/2022 |
New Zealand | 4/14/2022 | $24,577 | 46 | 48 | 271 | $124,507 | 7/5/2022 |
North America | 2/18/2022 | $0 | 0 | 0 | 0 | $0 | |
Norway | 6/17/2022 | $0 | 69 | 69 | 69 | $12,712 | 9/4/2022 |
Portugal | 7/7/2022 | $2,857 | 13 | 13 | 23 | $8,358 | 8/3/2022 |
South Africa | 4/8/2022 | $3,426 | 14 | 14 | 32 | $11,032 | 5/6/2022 |
South Korea | 2/9/2023 | $3,188 | 22 | 22 | 53 | $164,797 | 5/8/2023 |
Spain | 6/18/2021 | $29,409 | 47 | 47 | 114 | $79,080 | 12/15/2021 |
Sweden | 6/10/2022 | $7,429 | 42 | 22 | 78 | $42,837 | 4/10/2024 |
Switzerland | 12/2/2021 | $16,754 | 11 | 11 | 41 | $200,136 | 3/4/2022 |
Switzerland (French Speaking) | 5/11/2022 | $0 | 12 | 16 | 57 | $20,223 | 9/6/2022 |
United Kingdom | 8/27/2021 | $72,661 | 111 | 126 | 588 | $633,005 | 1/12/2022 |
Worldwide Total | $2,699,688 | 6/12/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Timothy Spall | Tom Harper |
Supporting Cast
Phyllis Logan | Mary |
Celyn Jones | Doctor Martin |
Brian Pettifer | Billy |
Grace Calder | Fran |
Iain Robertson | Andrey |
Colin McCredie | Graham |
Kevin Mains | Neil |
Garry Sweeney | Mo |
Matt Costello | Stuart |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Gillies MacKinnon | Director |
Joe Ainsworth | Screenwriter |
Roy Boulter | Producer |
Solon Papadopoulos | Producer |
Phil Hunt | Executive Producer |
Compton Ross | Executive Producer |
James Atherton | Executive Producer |
Jan Pace | Executive Producer |
Thierry Wase Bailey | Executive Producer |
Henriette Wollmann | Executive Producer |
Jennifer Armitage | Executive Producer |
Norman Merry | Executive Producer |
Peter Hampden | Executive Producer |
Timothy Spall | Executive Producer |
George Geddes | Director of Photography |
Andy Harris | Production Designer |
Anne Sopel | Editor |
Phil Croal | Sound Recordist |
Nick Lloyd Webber | Composer |
Gill Horn | Costume Designer |
Michelle Smith | Casting Director |
Patricia Rybarcyk | Line Producer |