Australia Box Office for The Wedding Plan (2016)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $39,652 | Details |
| Worldwide Box Office | $1,547,643 | Details |
| Further financial details... | ||
Synopsis
At 32, Michal is finally looking forward to the comfort and security of marriage, when she is blindsided by her fiancé’s decision to call off the wedding with only a month’s notice. Unwilling to return to lonely single life, Michal decides to put her trust in fate and continue with her wedding plans, believing Mr. Right will appear by her chosen date. Confident she will find a match made in heaven, she books a venue, sends out invitations and buys a wedding dress, as her skeptical mother and sister look on with trepidation. During Michal’s month-long search for a spouse, she enlists the help of two different matchmakers, goes on a series of disastrous blind dates and finds an unexpected connection with a charming but utterly unsuitable pop star—all while dismissing pleas by concerned friends and family members that she reconsider her risky plan. As the day of the ceremony grows closer and no suitor appears, Michal puts everything on the line to find happiness.
Metrics
Movie Details
| Australia Releases: | October 27th, 2017 (Wide), released as The Wedding Plan |
| Video Release: | August 22nd, 2017 by Lionsgate Home Entertainment |
| MPAA Rating: | PG for thematic elements. (Rating bulletin 2461 (Cert #50879), 2/1/2017) |
| Running Time: | 110 minutes |
| Keywords: | Wedding Planning, Wedding Day, Jewish, Romance, Left at the Altar, Relationships Gone Wrong, Orthodox Religion, Religious |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Norma Productions |
| Production Countries: | Israel |
| Languages: | English |
Home Market Releases for September 5th, 2017
September 5th, 2017
There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week.
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Home Market Releases for August 22nd, 2017
August 23rd, 2017
Guardians of the Galaxy Vol 2 comes out this week and it is such a big release that is scared away nearly all of the competition. Fortunately, it is also a great film and a serious contender for Pick of the Week. The main competition are Ash vs Evil Dead: Season 2 and Supergirl: Season 2. In the end. I went with Ash vs Evil Dead, but it was a close race.
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Theater Averages: Beatriz Fills Up with Average of $28,392
June 13th, 2017
Beatriz at Dinner led the way on the theater average chart with an average of $28,392 in five theaters. Last week’s winner, Wonder Woman, was pushed into second place with a still impressive average of $14,050. The final film in the $10,000 club was The Hero with an average of $11,329 in four theaters.
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Theater Averages: Audiences Didn’t Wait to See Paris
May 16th, 2017
Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening.
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Limited and VOD Releases: Farewell to Loved Limited Releases
May 12th, 2017
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It is a busy week for limited releases. Not only are there are lot of films coming out, but most of them have a sizable number of reviews on Rotten Tomatoes, suggesting there is at least some buzz. Unfortunately, a number of these movies are earning reviews that are mixed, or worse. Furthermore, there are many that are playing in too many theaters for limited release or playing on VOD, neither of which will help their box office chances. As for top picks, I would see Stefan Zweig: Farewell to Europe in theaters or Hounds of Love on Video on Demand.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/10/27 | - | $5,204 | 4 | $1,301 | $5,204 | 1 | |
| 2017/11/03 | - | $5,767 | +11% | 2 | $2,884 | $13,736 | 2 |
| 2017/11/10 | - | $7,659 | +33% | 3 | $2,553 | $24,107 | 3 |
| 2017/11/17 | - | $6,211 | -19% | 4 | $1,553 | $34,325 | 4 |
| 2017/11/24 | - | $942 | -85% | 2 | $471 | $37,441 | 5 |
| 2018/04/20 | - | $1,004 | 1 | $1,004 | $39,652 | 26 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 9/15/2017 | $15,843 | 0 | 0 | 0 | $22,756 | 1/1/2019 |
| Australia | 10/27/2017 | $5,204 | 4 | 4 | 16 | $39,652 | 4/23/2018 |
| Italy | 6/8/2017 | $37,415 | 0 | 0 | 0 | $62,292 | 6/22/2017 |
| North America | 5/12/2017 | $31,658 | 8 | 123 | 531 | $1,412,404 | |
| United Kingdom | 12/16/2016 | $10,539 | 3 | 3 | 3 | $10,539 | 12/22/2016 |
| Worldwide Total | $1,547,643 | 1/1/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Noa Koler | Michal |
Supporting Cast
| Amos Tamam | Shimi |
| Oz Zehavi | Yos |
| Jonathan Rozen | Deaf |
| Udi Persi | “Blind” date |
| Irit Sheleg | Michal’s Mother |
| Ronny Merhavi | Feggie |
| Oded Leopold | |
| Dafi Alpern |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Rama Burshtein | Director |
| Rama Burshtein | Screenwriter |
| Assaf Amir | Producer |
| Ori Aminov | Production Designer |
| Yael Hersonski | Editor |
| Roy Edri | Composer |
| Amit Yasour | Director of Photography |
| Michal Koren | Casting Director |
| Hava Levy Rozelsky | Costume Designer |
| Alex Claude | Sound Designer |
| Daniel Meir | Sound Designer |
| Moti Hefetz | Sound Recordist |