Spain Box Office for The Commune (2016)
.jpg)
| Theatrical Performance (US$) | ||
| Spain Box Office | $130,323 | Details |
| Worldwide Box Office | $1,501,262 | Details |
| Further financial details... | ||
Synopsis
Anna is a television newswoman; her husband, Erik, teaches architecture at a university, but the grim reality of mentoring people whose career prospects are brighter than his own has left him disgruntled and bored. When Erik’s father passes away, the couple must decide what to do with the huge house that Erik grew up in, as it's too expensive for them to occupy on their own. Erik prefers selling, but Anna—who has become frustrated with Erik’s dour outlook and longs for something new—suggests that they use this opportunity to experiment with communal living. Energized by the era’s relaxed taboos, Anna and Erik assemble a diverse, rather motley crew of cohabitants and embark on their adventure, but soon take very different paths. While Anna is anxious to stay home and experience life with her new extended family, Erik finds a more traditional way of reinvigorating himself: an affair with one of his students. When Anna tries to reconcile these two situations, the commune—and the marriage at its core—begins to unravel.
Metrics
Movie Details
| Spain Releases: | December 16th, 2016 (Wide), released as The Commune |
| MPAA Rating: | Not Rated |
| Running Time: | 111 minutes |
| Keywords: | 1970s, Commune, Set in Denmark, Infidelity, Coming of Age, Christmas, Love Triangle, College Professor, Inheritance |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Zentropa Entertainments19, Magnolia Pictures |
| Production Countries: | Denmark, Netherlands, Sweden |
| Languages: | Danish |
Theater Averages: Abacus Counts its Blessing with $12,528
May 24th, 2017
The only film in the $10,000 club was Abacus: Small Enough to Jail, which earned $12,528 in its lone theater during its opening weekend. The only other film that came close was Alien: Covenant, which earned an average of $9,615.
More...
Limited and VOD Releases: Will Paint It be in the Black?
May 19th, 2017
-1-News.jpg)
There are not a lot of limited releases this week, but most of them are earning great reviews. Sadly, none look like they will be breakout hits. Wakefield has the biggest cast, but it is hitting VOD next week, so most moviegoers will just wait. Perhaps Paint it Black will be a surprise hit.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/12/16 | 18 | $39,258 | 45 | $872 | $39,258 | 1 | |
| 2016/12/23 | 22 | $10,330 | -74% | 32 | $323 | $70,022 | 2 |
| 2016/12/30 | 29 | $3,906 | -62% | 12 | $326 | $100,221 | 3 |
| 2017/01/06 | 32 | $6,242 | +60% | 9 | $694 | $113,615 | 4 |
| 2017/01/13 | - | $3,166 | -49% | 4 | $792 | $119,932 | 5 |
| 2017/01/20 | - | $1,978 | -38% | 2 | $989 | $123,332 | 6 |
| 2017/02/03 | - | $1,498 | 3 | $499 | $130,323 | 8 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Brazil | 9/2/2016 | $10,065 | 0 | 0 | 0 | $10,065 | 11/16/2018 |
| Czech Republic | 6/2/2016 | $2,441 | 12 | 12 | 12 | $2,441 | 1/1/2019 |
| France | 1/20/2017 | $174,558 | 0 | 0 | 0 | $551,313 | 6/26/2018 |
| Italy | 4/1/2016 | $164,463 | 73 | 73 | 133 | $282,780 | 11/11/2018 |
| Netherlands | 4/21/2016 | $64,303 | 27 | 31 | 248 | $377,299 | 6/22/2016 |
| North America | 5/19/2017 | $9,249 | 7 | 13 | 37 | $38,737 | |
| Portugal | 8/26/2016 | $7,079 | 7 | 7 | 19 | $19,086 | 10/13/2016 |
| Russia (CIS) | 4/21/2016 | $9,149 | 30 | 30 | 30 | $18,117 | 11/13/2018 |
| Slovakia | 6/24/2016 | $0 | 0 | 1 | 2 | $4,103 | 12/15/2020 |
| Slovenia | 7/29/2016 | $407 | 2 | 4 | 6 | $6,033 | 8/9/2016 |
| South Korea | 1/5/2017 | $0 | 0 | 22 | 39 | $27,613 | 3/6/2017 |
| Spain | 12/16/2016 | $39,258 | 45 | 45 | 107 | $130,323 | 2/10/2017 |
| United Kingdom | 7/29/2016 | $33,352 | 23 | 23 | 23 | $33,352 | 8/3/2016 |
| Worldwide Total | $1,501,262 | 12/15/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Trine Dyrholm | Anna |
| Ulrich Thomsen | Erik |
| Helene Reingaard Neumann | Emma |
| Martha Sofie Wallstrøm Hansen | Freja |
| Lars Ranthe | Ole |
| Fares Fares | Allon |
| Magnus Millang | Steffen |
| Anne Gry Henningsen | Ditte |
| Julie Agnete Vang | Mona |
| Sebastian Grønnegaard Milbrat | Vilads |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Thomas Vinterberg | Director |
| Tobias Lindholm | Screenwriter |
| Thomas Vinterberg | Story based on the play “Kollektivet” by |
| Mogens Rukov | Story based on the play “Kollektivet” by |
| Sisse Graum Jorgensen | Producer |
| Morten Kaufmann | Producer |
| Jesper Tøffner | Director of Photography |
| Anne Østerud | Editor |
| Janus Billeskov Jansen | Editor |
| Niels Sejer | Production Designer |
| Ellen Lens | Costume Designer |
| Dennis Knudsen | Make-up and Hair Designer |
| Marly van de Wardt | Make up |
| Anne Jensen | Sound Designer |
| Kristian Selin Eidnes Andersen | Sound Designer |
| Fons Merkies | Composer |