Netherlands Box Office for Knock Knock (2015)
Theatrical Performance (US$) | ||
Netherlands Box Office | $94,699 | Details |
Worldwide Box Office | $6,328,516 | Details |
Further financial details... |
Synopsis
When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse.
Metrics
Movie Details
Production Budget: | $2,000,000 |
Netherlands Releases: | September 3rd, 2015 (Wide) |
Video Release: | October 9th, 2015 by Lionsgate Home Entertainment |
MPAA Rating: | R for disturbing violent behavior, strong sexual content, nudity and language. (Rating bulletin 2359, 2/4/2015) |
Running Time: | 95 minutes |
Keywords: | Architecture, Artists, Infidelity, Sex Crimes, Erotic Thriller, Internet, Early / Simultaneous Video-on-Demand release |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Dragonfly Entertainment, Sobras International Pictures, Camp Greay Productions, Elevated, Black Bear |
Production Countries: | Chile, United States |
Languages: | English |
Home Market Releases for December 8th, 2015
December 7th, 2015
It is both a good week and a bad week on the home market. The top two releases are Ant-Man and Minions, which made more than $500 million and $1 billion globally, respectively. It's rare you get a one-two punch like that on top. However, the competition for those two films is much, much weaker. The third best-selling release, according to Amazon.com, is the Marvel Cinematic Universe: Phase Two Box Set. It looks amazing, which is why it led this years Holiday Gift Guide, but I'm not sure there are a lot of people who will be willing to spend $200 on a box set when they likely own all or most of the movies. Beyond that, there's mostly TV on DVD releases. The competition for Pick of the Week is also not very deep with Ant-Man coming out on top.
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Per Theater Chart: Jobs Earns a Raise
October 13th, 2015
Steve Jobs was expected to be a hit in limited release, but not this big of a hit. The film scored more than $500,000 in just four theaters for an average of $130,381, which is the best per theater average for a film released in 2015. In fact, it is nearly double the previous best, Sicario. The second best average of the week was $16,543, which was earned by Goodbye Mr. Loser in 22 theaters.
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Limited and VOD Releases: Steve Jobs and Killer Frogs
October 9th, 2015
This is not a particularly deep week for limited releases. Steve Jobs is the only film that has a significant chance of earning some measure of mainstream success. In fact, its reviews and buzz suggest it could be a player during Awards Season. On the other hand, The Forbidden Room, Victoria, and Yakuza Apocalypse are more interesting in my mind.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/09/04 | 19 | $42,347 | 23 | $1,841 | $42,168 | 1 | |
2015/09/11 | 21 | $23,530 | -44% | 22 | $1,070 | $82,182 | 2 |
2015/10/02 | 38 | $1,099 | 1 | $1,099 | $94,699 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/11/2015 | $32,299 | 21 | 21 | 22 | $41,146 | 11/25/2018 |
Austria | 12/31/2015 | $157,663 | 45 | 45 | 131 | $357,794 | 6/9/2016 |
Bolivia | 9/10/2015 | $10,200 | 12 | 12 | 12 | $10,201 | 12/30/2018 |
Brazil | 10/8/2015 | $0 | 0 | 42 | 42 | $179,327 | 10/20/2015 |
Chile | 9/24/2015 | $0 | 0 | 10 | 10 | $62,058 | 12/30/2018 |
Colombia | 9/17/2015 | $0 | 0 | 2 | 2 | $113,195 | 12/30/2018 |
Croatia | 11/12/2015 | $10,145 | 23 | 23 | 77 | $27,642 | 12/30/2018 |
Estonia | 9/4/2015 | $12,107 | 8 | 10 | 18 | $22,388 | 9/18/2015 |
Finland | 11/6/2015 | $7,113 | 12 | 12 | 12 | $7,113 | 11/10/2015 |
France | 9/23/2015 | $402,699 | 189 | 190 | 379 | $649,371 | 10/6/2015 |
Germany | 12/10/2015 | $206,477 | 142 | 142 | 554 | $641,468 | 6/9/2016 |
Hong Kong | 8/27/2015 | $184,453 | 49 | 49 | 112 | $383,829 | 11/25/2015 |
Iceland | 9/11/2015 | $5,451 | 6 | 6 | 10 | $11,122 | 12/30/2018 |
Iraq | 10/1/2015 | $2,700 | 2 | 2 | 5 | $6,486 | 12/30/2018 |
Lebanon | 10/29/2015 | $6,058 | 5 | 5 | 9 | $24,344 | 12/30/2018 |
Lithuania | 9/4/2015 | $8,685 | 11 | 11 | 11 | $8,685 | 9/10/2015 |
Malaysia | 8/27/2015 | $0 | 0 | 70 | 200 | $192,329 | 10/27/2015 |
Mexico | 9/10/2015 | $169,320 | 0 | 1 | 1 | $450,752 | 11/3/2015 |
Netherlands | 9/3/2015 | $42,347 | 23 | 23 | 46 | $94,699 | 10/6/2015 |
North America | 10/9/2015 | $18,623 | 22 | 22 | 37 | $36,336 | 12/22/2016 |
Peru | 9/24/2015 | $93,763 | 68 | 68 | 78 | $154,393 | 10/6/2015 |
Philippines | 10/21/2015 | $41,264 | 55 | 55 | 55 | $41,264 | 12/30/2018 |
Portugal | 11/5/2015 | $20,908 | 20 | 20 | 54 | $71,434 | 12/1/2015 |
Russia (CIS) | 11/12/2015 | $225,109 | 600 | 600 | 1210 | $482,921 | 11/20/2018 |
Singapore | 10/15/2015 | $22,394 | 4 | 4 | 12 | $47,505 | 11/17/2015 |
South Korea | 10/22/2015 | $14,298 | 72 | 72 | 74 | $28,549 | 11/3/2015 |
Thailand | 11/26/2015 | $30,507 | 63 | 63 | 77 | $47,519 | 12/8/2015 |
Ukraine | 11/12/2015 | $0 | 0 | 20 | 26 | $10,523 | 12/30/2018 |
United Arab Emirates | 10/1/2015 | $45,751 | 11 | 11 | 14 | $78,679 | 12/30/2018 |
United Kingdom | 6/26/2015 | $395,224 | 0 | 200 | 200 | $736,559 | 8/27/2018 |
Uruguay | 9/10/2015 | $11,964 | 7 | 7 | 14 | $20,433 | 12/30/2018 |
Venezuela | 10/9/2015 | $0 | 0 | 9 | 12 | $472,937 | 10/27/2015 |
Rest of World | $815,515 | ||||||
Worldwide Total | $6,328,516 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Keanu Reeves | Evan |
Lorenza Izzo | Genesis |
Ana de Armas | Bel |
Supporting Cast
Aaron Burns | Louis |
Ignacia Allamand | Karen |
Colleen Camp | Vivian |
Antonio Quercia | Uber Driver |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Eli Roth | Director |
Anthony Overman | Story Creator |
Michael Ronald Ross | Story Creator |
Eli Roth | Screenwriter |
Guillermo Amoedo | Screenwriter |
Nicolas Lopez | Screenwriter |
Eli Roth | Producer |
Nicolas Lopez | Producer |
Miguel Asensio Llamas | Producer |
Colleen Camp | Producer |
Tim Degraye | Producer |
Cassian Elwes | Producer |
Keanu Reeves | Executive Producer |
Teddy Schwartzman | Executive Producer |
Sondra Locke | Executive Producer |
Peter Traynor | Executive Producer |
Larry Spiegel | Executive Producer |
Antonio Quercia | Director of Photography |
Marichi Palacios | Production Designer |
Manuel Riveiro | Composer |
Diego Macho Gomez | Editor |
Elisa Hormazabal | Costume Designer |
Rodrigo Rojas Echaiz | Visual Effects Supervisor |
Felipe Figueroa | Make-up and Hair Designer |
Sheila Jaffe | Casting Director |