Netherlands Box Office for The Kingmaker. Imelda Marcos (2019)
Theatrical Performance (US$) | ||
Netherlands Box Office | $203,813 | Details |
Worldwide Box Office | $352,466 | Details |
Further financial details... |
Synopsis
Centered on the indomitable character of Imelda Marcos, The Kingmaker examines, with intimate access, the Marcos family’s improbable return to power in the Philippines. The film explores the disturbing legacy of the Marcos regime and chronicles Imelda's present-day push to help her son, Bongbong, win the vice-presidency. To this end, Imelda confidently rewrites her family’s history of corruption, replacing it with a narrative of a matriarch’s extravagant love for her country. In an age when fake news manipulates elections, Imelda’s comeback story serves as a dark fairy tale.
Metrics
Movie Details
Netherlands Releases: | August 14th, 2020 (Wide), released as The Kingmaker. Imelda Marcos |
Video Release: | July 21st, 2020 by Showtime Entertainment |
MPAA Rating: | R for some disturbing violent content. (Rating bulletin 2600 (Cert #52434), 10/16/2019) |
Running Time: | 101 minutes |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Showtime Documentary Films, Evergreen Pictures, Artemis Rising Films, Bloomberg, Candescent Films, Impact Partners, Meadow Point Motion Pictures, Meadow Fund, Secret Sauce Media |
Production Countries: | Denmark, United States |
Languages: | English |
New on Disc: Scoob! Steals the Spotlight
July 21st, 2020
It is a rather slow on the home market, even compared to what we’ve seen recently. However, there are at least a couple of releases that should do well on the sales chart. Scoob! should easily sell the most units of any release on this week’s list, but Northern Exposure: The Complete Series is getting the jump on next week’s massive flood of TV on DVD releases and that’s clearly helping its sales numbers. That said, neither of these are contenders for Pick of the Week; in fact, there is really only one contender for that title, Marriage Story, which is getting a Criterion Collection release this week.
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Theater Averages: Honey is in the Money
November 14th, 2019
Honey Boy easily led the way on the theater average chart earning just over $300,000 in four theaters for an average of $75,266. Jay and Silent Bob Reboot was way back with an average of $15,613 in 15 theaters during its fourth week of release. Granted, it is a road show with greatly inflated ticket prices, but it also has very limited showings, so this is a fantastic run. The final film in the $10,000 club was Better Days with an opening weekend of nearly $1 million in 70 theaters for an average of $14,136.
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Weekend Estimates: Midway Overcomes the Odds to Come out on Top
November 10th, 2019
Midway wasn’t supposed to be a major hit, and it won’t be, but, sadly for all the other new films, it is opening in first place at the box office. In fact, its weekend estimate is $17.49 million, which is less than 10% above our prediction, but it was able to earn first place with relative ease. The film only managed mixed reviews, but it did earn an A-rating from CinemaScore. Additionally, there are holidays coming up, so it could have surprisingly long legs. The film also opened in China with $4.48 million. It’s hard to use this result as a guide for other markets, as there haven’t been enough American-centric war movies released in China to compare against.
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Limited and VOD Releases: As Sweet as Honey
November 8th, 2019
It is not a good week for limited releases. There were so few films that had 10 or more reviews that I had to bend the normal rule and even then, there are only nine films on the main list. Of these, Honey Boy easily has the best chance of box office success. However, I’m also interested in Good Girls Get High, KonoSuba - God’s Blessing on the Stupidly Long Name, and The Kingmaker. Let’s hope they all find audiences.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/08/14 | 17 | $33,100 | 45 | $736 | $39,744 | 1 | |
2020/08/21 | 17 | $37,022 | +12% | 44 | $841 | $99,549 | 2 |
2020/08/28 | 19 | $30,552 | -17% | 37 | $826 | $156,173 | 3 |
2020/09/04 | 23 | $16,811 | -45% | 35 | $480 | $186,941 | 4 |
2020/09/11 | - | $7,450 | -56% | 24 | $310 | $203,813 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Netherlands | 8/14/2020 | $33,100 | 45 | 45 | 185 | $203,813 | 10/19/2022 |
North America | 11/8/2019 | $19,523 | 2 | 18 | 79 | $122,587 | |
United Kingdom | 12/13/2019 | $26,066 | 24 | 24 | 24 | $26,066 | 12/18/2019 |
Worldwide Total | $352,466 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
Imelda Marcos | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Lauren Greenfield | Director |
Lauren Greenfield | Screenwriter |
Frank Evers | Producer |
Lauren Greenfield | Producer |
Vinnie Malhotra | Executive Producer |
R.J. Cutler | Executive Producer |
Geralyn Dreyfous | Executive Producer |
Julie Parker Benello | Executive Producer |
Dan Cogan | Executive Producer |
Bill Haney | Executive Producer |
Lilly Hartley | Executive Producer |
Patricia Lambrecht | Executive Producer |
Nion McEvoy | Executive Producer |
Patty Quillin | Executive Producer |
Regina K. Scully | Executive Producer |
Jamie Wolf | Executive Producer |
Jenny Raskin | Co-Executive Producer |
Lora Hirschberg | Re-recording Mixer |
Rasmus Winther Jensen | Sound Designer |
Per K. Kirkegaard | Editor |
Jocelyn Pook | Composer |
Lars Skree | Cinematographer |
Shana Hagan | Cinematographer |
Jennifer Kobzik | Co-Producer |