United Kingdom Box Office for The King (2018)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $14,319 | Details |
Worldwide Box Office | $273,610 | Details |
Home Market Performance | ||
North America DVD Sales | $7,967 | Details |
North America Blu-ray Sales | $5,282 | Details |
Total North America Video Sales | $13,249 | |
Further financial details... |
Metrics
Movie Details
United Kingdom Releases: | August 24th, 2018 (Limited) |
Video Release: | October 2nd, 2018 by Oscilloscope Video |
MPAA Rating: | R for language, some disturbing images and brief drug use. (Rating bulletin 2521 (Cert #51542), 4/4/2018) |
Running Time: | 107 minutes |
Keywords: | Rock 'n' Roll, Rockumentary, On Tour, 1960s, Political |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production Countries: | Germany, United States |
Languages: | English |
Theater Averages: Kingdom Crowned Leader of Theater Average Chart
June 27th, 2018
Jurassic World: Fallen Kingdom led the way on the theater average chart with an average of $33,078, putting it ahead of Incredibles 2’s sophomore stint score of $18,219. The King was the best of the new limited releases, with an average of $14,525 in two theaters. Finally, 2001: A Space Odyssey returned to the $10,000 club with an average of $12,989. The 4K Ultra HD Combo Pack is coming out in October.
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Weekend Estimates: Fallen Starts Out on Top
June 24th, 2018
Sequels usually start faster but fall quicker, when compared to their predecessor. However, no one expected Jurassic World: Fallen Kingdom to follow suit. In fact, many thought it would collapse. That wasn’t the case, as Fallen Kingdom opened with $150 million over the weekend. Granted, this is nearly 30% lower than Jurassic World’s opening weekend, but it could have been much worse. On the downside, its reviews are almost exactly 50% positive, which suggests weak legs. It did earn an A minus from CinemaScore, so audiences did like the film more than critics did, so we have mixed signals about what the movie will do going forward. Internationally, the film added $106.7 million over the weekend for a three-week total of $561.5 million. This includes a $12.3 million debut in Mexico.
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Limited and VOD Releases: Never Easy for Limited Releases
June 22nd, 2018
It is a slow week for limited releases and none of the films have a real shot at becoming a box office hit. Marlina the Murderer in Four Acts is earning the best reviews of the week, but it is a foreign-language film, so its box office chances are weak. Never Steady, Never Still is the film I’m most interested in. Its reviews are solid and it is also a Canadian movie.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/08/24 | - | $14,319 | 10 | $1,432 | $14,319 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 6/22/2018 | $29,050 | 2 | 45 | 156 | $259,291 | |
United Kingdom | 8/24/2018 | $14,319 | 10 | 10 | 10 | $14,319 | 8/29/2018 |
Worldwide Total | $273,610 | 8/29/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Interviewee(s)
Alec Baldwin | Himself |
Chuck D. | Himself |
Rosanne Cash | Herself |
Van Jones | Himself |
Ethan Hawke | Himself |
Emmylou Harris | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Eugene Jarecki | Director |
Christopher St. John | Producer |
David Kuhn | Producer |
Steven Soderbergh | Executive Producer |
Barbara Biemann | Executive Producer |
Errol Morris | Executive Producer |
Rosanne Cash | Executive Producer |