Australia Box Office for Kiki, Love To Love (2016)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $80,812 | Details |
| Worldwide Box Office | $7,386,174 | Details |
| Further financial details... | ||
Synopsis
Five stories of love and sex unfold over one hot summer in Madrid, when the protagonists discover strange and unusual sources of sexual indulgence with unpronounceable names: Dacryphilia, Eliphilia, Somnophilia, Polyamori, Harpaxophilia… Taboos are broken one by one as our horny couples enter into a thrilling liberation in which no pleasure is denied, whatever form it takes.
Metrics
Movie Details
| Australia Releases: | July 28th, 2017 (Wide), released as Kiki, Love To Love |
| MPAA Rating: | Not Rated |
| Running Time: | 98 minutes |
| Keywords: | Romance, Segments, Relationships Gone Wrong, Wheelchair User, Mute, Sexual Fetishism, Deaf, Set in Spain |
| Source: | Based on Movie |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Telecinco Cinema, Vertigo Films, Mediaset Espana |
| Production Countries: | Spain |
| Languages: | Spanish |
Theater Averages: It’s a Long Walk to the Top with $57,065
November 16th, 2016
Billy Lynn’s Long Halftime Walk earned first place on the theater average chart over the weekend earning an average of $57,065 in two theaters. That’s the good news. The bad news is its reviews suggest poor word of mouth and difficulty expanding wide this coming weekend. Elle opened in second place with an average of $25,467, also in two theaters. Loving remained in the $10,000 club for the second weekend with an average of $11,149 in 46 theaters. It still has room to grow. Doctor Strange was right behind with an average of $11,069. The final film in the $10,000 was the biggest new release of the week, Arrival, which earned an average of $10,390.
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Limited and VOD Releases: Release Dates are Bewitching
November 11th, 2016
One of the more difficult aspects of this job is keeping track of release dates. For instance, we thought The Love Witch came out two weeks ago, but its release date changed at the last minute. The official site says it’s coming out this week, so if it gets changed again, it is not my fault. It arguably has the best reviews on this week’s list and it is the one I’m most interested in seeing. That said, it is too out there to expect it to find mainstream success.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/07/28 | 22 | $28,868 | 12 | $2,406 | $28,868 | 1 | |
| 2017/08/04 | 23 | $17,706 | -39% | 12 | $1,476 | $56,968 | 2 |
| 2017/08/11 | - | $8,867 | -50% | 12 | $739 | $70,590 | 3 |
| 2017/08/18 | - | $2,606 | -71% | 7 | $372 | $76,794 | 4 |
| 2017/08/25 | - | $1,178 | -55% | 3 | $393 | $79,036 | 5 |
| 2017/10/20 | - | $1,166 | 1 | $1,166 | $80,812 | 13 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 3/17/2017 | $0 | 0 | 0 | 0 | $21,816 | 1/1/2019 |
| Australia | 7/28/2017 | $28,868 | 12 | 12 | 47 | $80,812 | 10/23/2017 |
| Italy | 6/24/2016 | $111,212 | 0 | 31 | 31 | $336,351 | 11/13/2018 |
| Lithuania | 8/12/2016 | $1,632 | 33 | 33 | 46 | $4,270 | 8/26/2016 |
| Netherlands | 7/21/2016 | $3,557 | 8 | 8 | 16 | $16,571 | 8/5/2016 |
| North America | 11/11/2016 | $3,954 | 1 | 3 | 8 | $12,450 | |
| Portugal | 6/3/2016 | $10,145 | 11 | 15 | 40 | $26,736 | 6/30/2016 |
| Russia (CIS) | 9/16/2016 | $15,498 | 41 | 41 | 112 | $30,488 | 11/14/2018 |
| Slovakia | 10/7/2016 | $11,396 | 35 | 35 | 49 | $27,120 | 10/19/2016 |
| Spain | 4/1/2016 | $996,135 | 283 | 325 | 2822 | $6,829,560 | 11/17/2018 |
| Worldwide Total | $7,386,174 | 1/1/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Natalia de Molina | Natalia |
| Anna Katz | Ana |
| Belen Cuesta | Belen |
| Luis Bermejo | José Luis |
| Mari Paz Sayago | Paloma |
| Luis Callejo | Antonio |
| Rea Gutierrez | Loreley |
| David Mora | Rubén |
| Candela Pena | María Candelaria |
| Paco Leon | Paco |
Supporting Cast
| Alexandra Jimenez | Sandra |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Paco Leon | Director |
| Josh Lawson | Based on the novel ‘The Little Death’ by |
| Paco Leon | Screenwriter |
| Fernando Perez | Screenwriter |
| Ghislain Barrois | Producer |
| Alvaro Augustin | Producer |
| Andres Martin | Producer |
| Maribel Munoz | Executive Producer |
| Elena Manrique | Executive Producer |
| Agnes Mentre | Executive Producer |
| Jamie Hilton | Executive Producer |
| Josh Lawson | Executive Producer |
| Michael Petroni | Executive Producer |
| Pilar Robla | Production Manager |
| Kiko de la Rica | Director of Photography |
| Ferran Piquer | Visual Effects Supervisor |
| Alberto de Toro | Editor |
| Eduardo G. Castro | Sound Mixer |
| Pelayo Gutierrez | Supervising Sound Editor |
| Sergio Burmann | Sound Recorder |
| Montse Sanz | Art Director |
| Vicent Diaz | Art Director |
| Pepe Patatin | Costume Designer |
| Javier Bernal Belchi | Costume Designer |
| Lorena Berlanga | Make up |
| Monica Palacios | Hairstylist |