Australia Box Office for Kangaroo: A Love-hate Story (2018)
Theatrical Performance (US$) | ||
Australia Box Office | $10,923 | Details |
Worldwide Box Office | $15,470 | Details |
Further financial details... |
Synopsis
A film that reveals the truth surrounding Australia’s love-hate relationship with its beloved icon. The kangaroo “image” is proudly used by top companies, sports teams and tourist souvenirs, yet as they hop across the vast continent they are often considered pests to be shot and sold for profit.
Metrics
Movie Details
Australia Releases: | March 16th, 2018 (Wide), released as Kangaroo: A Love-hate Story |
Video Release: | June 25th, 2019 by Passion River |
MPAA Rating: | Not Rated |
Running Time: | 103 minutes |
Keywords: | Nature Documentary, Agitprop, Animal Lead, Australia |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Abramorama, Indievillage, Second Nature Films |
Production Countries: | Australia |
Languages: | English |
Theater Averages Chart is Hostile Territory
January 23rd, 2018
No film reached the $10,000 club. In fact, Hostiles was the best film with an average of $6,666 in 49 theaters. Mary And The Witch’s Flower looks like it had a better weekend; however, its numbers are complicated. The film earned $1.17 million during its Thursday special showings in 573 theaters for an average of $2,037. Then it earned $330,000 in 161 theaters over the weekend in regular screenings for an average of $2,050. This shows that Anime fans are not numerous, but they are very eager for special screenings.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/03/16 | - | $6,407 | 8 | $801 | $8,099 | 1 | |
2018/03/23 | - | $976 | -85% | 4 | $244 | $10,923 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/16/2018 | $6,407 | 8 | 8 | 12 | $10,923 | 3/26/2018 |
North America | 1/19/2018 | $2,282 | 2 | 2 | 2 | $4,547 | |
Worldwide Total | $15,470 | 3/26/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Interviewee(s)
Phil Wollen* | Himself |
Tim Flannery | Himself |
Peter Singer | Himself |
Terri Irwin | Herself |
Chris Brolga Barns | Himself |
Stephen Tully | Himself |
Lyn Gynther | Herself |
Ray Borda | Himself |
Mark Pearson | Himself |
Max Dulumunmun Harrison | Himself |
Dr. David Croft | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Kate McIntyre-Clere* | Director |
Mick McIntyre* | Director |
Kate McIntyre Clere* | Producer |
Mick McIntyre* | Producer |
Kate McIntyre Clere* | Screenwriter |
Mick McIntyre* | Screenwriter |
Sara Kidd | Production Manager |
Stephen Witherow | Sound Designer |
Mick McIntyre* | Cinematographer |
Wayne Hyett | Editor |
David Bridie | Composer |