South Korea Box Office for Journey's End (2018)
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| Theatrical Performance (US$) | ||
| South Korea Box Office | $31,664 | Details |
| Worldwide Box Office | $979,521 | Details |
| Home Market Performance | ||
| North America DVD Sales | $58,751 | Details |
| North America Blu-ray Sales | $55,678 | Details |
| Total North America Video Sales | $114,429 | |
| Further financial details... | ||
Metrics
Movie Details
| South Korea Releases: | November 28th, 2018 (Wide), released as Journey's End |
| Video Release: | July 3rd, 2018 by Cinedigm |
| MPAA Rating: | R for some language and war images. (Rating bulletin 2508 (Cert #51388), 1/3/2018) |
| Keywords: | World War I, 1910s, PTSD, Addiction, Set in France, War |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | BFI, Wales Screen, Metro International , British Film Company, Umedia, Fluidity Films, Third Wednesday Films, Anyway Productions |
| Production Countries: | United Kingdom |
| Languages: | English |
Home Market Releases for July 3rd, 2018
July 3rd, 2018
We are deep into the summer doldrums on the home market. Blockers is the biggest first-run release of the week, and also the best. The DVD or Blu-ray Combo Pack is a contender for Pick of the Week, thanks in part to the lack of competition. It’s not the only contender, as both Dietrich and von Sternberg in Hollywood: The Criterion Collection and JoJo’s Bizarre Adventure: Set 2: Stardust Crusades Arc are also worthy of that title. In the end, I rolled a dice and Blockers came out on top.
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Theater Averages: Flower Doesn’t Smell as Sweet as Stalin
March 20th, 2018
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The Death of Stalin remained in first place on the theater average chart with an average of $16,791 in 32 theaters, while Flower was right behind with an average of $16,306 in 3 theaters. Keep the Change did really well for a rom com with $12,445 in its lone theater. I Can Only Imagine opened semi-wide managing an average of $10,507.
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Limited and VOD Releases: Journey to a Theater to see These Limited Releases
March 16th, 2018
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It’s a relatively slow week for limited releases, at least those not going to VOD release. In fact, if I were strict about the 10 review limit, there would be as many secondary VOD releases as there are entries in the main list. That’s not to say there are no films worth seeing in theaters. Keep The Change and Ramen Heads are on the top of my list. However, Journey’s End is likely the only film that will find success in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/11/30 | 17 | $11,629 | 61 | $191 | $25,438 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/26/2018 | $1,016 | 5 | 135 | 265 | $96,180 | 12/3/2018 |
| North America | 3/16/2018 | $12,700 | 2 | 35 | 83 | $148,275 | |
| South Korea | 11/28/2018 | $11,629 | 61 | 61 | 61 | $31,664 | 12/12/2018 |
| United Kingdom | 2/2/2018 | $175,111 | 95 | 95 | 295 | $703,402 | 5/16/2018 |
| Worldwide Total | $979,521 | 12/12/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Uncategorized
| Sam Claflin | Captain Stanhope |
| Paul Bettany | |
| Stephen Graham | |
| Asa Butterfield | Lieutenant Raleigh |
| Toby Jones | |
| Tom Sturridge |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Saul Dibb | Director |
| Simon Reade | Screenwriter |
| Guy de Beaujeu | Producer |